Spenser's International Style
Why did Spenser write his epic, The Faerie Queene, in stanzas instead of a classical meter or blank verse? Why did he affect the vocabulary of medieval poets such as Chaucer? Is there, as centuries of readers have noticed, something lyrical about Spenser's epic style, and if so, why? In this accessible and wide-ranging study, David Scott Wilson-Okamura reframes these questions in a larger, European context. The first full-length treatment of Spenser's poetic style in more than four decades, it shows that Spenser was English without being insular. In his experiments with style, Spenser faced many of the same problems, and found some of the same solutions, as poets writing in other languages. Drawing on classical rhetoric and using concepts that were developed by literary critics during the Renaissance, this is an account of long-term, international trends in style, illustrated with examples from Petrarch, Du Bellay, Ariosto, and Tasso.
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Spenser's International Style
Why did Spenser write his epic, The Faerie Queene, in stanzas instead of a classical meter or blank verse? Why did he affect the vocabulary of medieval poets such as Chaucer? Is there, as centuries of readers have noticed, something lyrical about Spenser's epic style, and if so, why? In this accessible and wide-ranging study, David Scott Wilson-Okamura reframes these questions in a larger, European context. The first full-length treatment of Spenser's poetic style in more than four decades, it shows that Spenser was English without being insular. In his experiments with style, Spenser faced many of the same problems, and found some of the same solutions, as poets writing in other languages. Drawing on classical rhetoric and using concepts that were developed by literary critics during the Renaissance, this is an account of long-term, international trends in style, illustrated with examples from Petrarch, Du Bellay, Ariosto, and Tasso.
41.99 In Stock
Spenser's International Style

Spenser's International Style

by David Scott Wilson-Okamura
Spenser's International Style

Spenser's International Style

by David Scott Wilson-Okamura

Paperback

$41.99 
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Overview

Why did Spenser write his epic, The Faerie Queene, in stanzas instead of a classical meter or blank verse? Why did he affect the vocabulary of medieval poets such as Chaucer? Is there, as centuries of readers have noticed, something lyrical about Spenser's epic style, and if so, why? In this accessible and wide-ranging study, David Scott Wilson-Okamura reframes these questions in a larger, European context. The first full-length treatment of Spenser's poetic style in more than four decades, it shows that Spenser was English without being insular. In his experiments with style, Spenser faced many of the same problems, and found some of the same solutions, as poets writing in other languages. Drawing on classical rhetoric and using concepts that were developed by literary critics during the Renaissance, this is an account of long-term, international trends in style, illustrated with examples from Petrarch, Du Bellay, Ariosto, and Tasso.

Product Details

ISBN-13: 9781107559431
Publisher: Cambridge University Press
Publication date: 10/01/2015
Pages: 250
Product dimensions: 5.98(w) x 9.02(h) x 0.47(d)

About the Author

David Scott Wilson-Okamura is an Associate Professor of English at East Carolina University. He is the author of Virgil in the Renaissance (2010), also published by Cambridge University Press.

Table of Contents

Introduction: the persistence of form; 1. Why stanzas for epic?; 2. Historical assessments; 3. Flowery style; 4. Triumph of the flowery style; 5. Ornamentalism; 6. Private virtues, comic style; Epilogue; Index of names, subjects, and sources.
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