Spectral Characters: Genre and Materiality on the Modern Stage

Theater’s materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don’t appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism.

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Spectral Characters: Genre and Materiality on the Modern Stage

Theater’s materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don’t appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism.

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Spectral Characters: Genre and Materiality on the Modern Stage

Spectral Characters: Genre and Materiality on the Modern Stage

by Sarah Balkin
Spectral Characters: Genre and Materiality on the Modern Stage

Spectral Characters: Genre and Materiality on the Modern Stage

by Sarah Balkin

eBook

$54.95 

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Overview

Theater’s materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don’t appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism.


Product Details

ISBN-13: 9780472125821
Publisher: University of Michigan Press
Publication date: 07/31/2019
Sold by: Barnes & Noble
Format: eBook
Pages: 198
File size: 1 MB

About the Author

Sarah Balkin is Lecturer in English and Theatre Studies, University of Melbourne.
 

Table of Contents

Contents Acknowledgments Introduction: Melodrama and the Material Occult Chapter 1 / The Spectral Individual: Ibsen’s Dead Realism Chapter 2 / Imaginary Characters: Wilde’s Unrealized Personalities Chapter 3 / Language and Materiality: Strindberg’s Vampiric Narrators Chapter 4 / Old New Materialisms: Monist Dramaturgy in Strindberg’s The Black Glove Chapter 5 / Modernist Afterlives: Genet, Kopit, Beckett Notes Works Cited Index
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