Spectatorship: Shifting Theories of Gender, Sexuality, and Media
304Spectatorship: Shifting Theories of Gender, Sexuality, and Media
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Overview
Spectatorship begins with articles that consider issues of spectatorship in film and television content and audience reception, noting how media studies has expanded as a field and demonstrating how theories of gender and sexuality have adapted to new media platforms. Subsequent articles show how new theories emerged from that initial scholarship, helping to develop the fields of fandom, transmedia, and queer theory. The most recent work in this volume is particularly timely, as the distinctions between media producers and media spectators grow more fluid and as the transformation of media structures and platforms prompts new understandings of gender, sexuality, and identification. Connecting contemporary approaches to media with critical conversations of the past, Spectatorship thus offers important points of historical and critical departure for discussion in both the classroom and the field.
Product Details
ISBN-13: | 9781477313763 |
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Publisher: | University of Texas Press |
Publication date: | 11/01/2017 |
Pages: | 304 |
Product dimensions: | 5.90(w) x 8.90(h) x 0.90(d) |
About the Author
William Whittington is the assistant chair of cinema and media studies at the University of Southern California. He has been the managing editor of Spectator since 2002.
Table of Contents
- Acknowledgments
- Introduction. Gender, Sexuality, and Media: Audience and Spectatorship (Roxanne Samer and William Whittington)
- Part 1. Revisiting Film Subjects and the Pleasures of Cinema
- Chapter 1. Feminine Discourse in Blackmail (Amy Lawrence)
- Chapter 2. Venus in Furs: Masoch, Deleuze, and the Films of von Sternberg (Gaylyn Studlar)
- Chapter 3. “You Don’t Know What It Is to Look White and Be Black”: The Black Press Mediates Race in the Classic Hollywood Studio System, 1930-1940 (Anna Everett)
- Chapter 4. Joe DallesandroA “Him” to the Gaze: Flesh, Heat, and Trash (Stephen Tropiano)
- Part 2. Speaking Up and Sounding Out
- Chapter 5. Unheard Sexualities?: Queer Theory and the Soundtrack (Scott D. Paulin)
- Chapter 6. The Articulation of Body and Space in Speak Body (Christie Milliken)
- Chapter 7. “I Kinda Prefer to Be a Human Being”: Roseanne Barr and Defining Working-Class Feminism and Authorship (Melissa Williams)
- Chapter 8. Riot Grrrl: It’s Not Just Music, It’s Not Just Punk (Mary Celeste Kearney)
- Part 3. Queering Media
- Chapter 9. Soap Slash: Gay Men Rewrite the World of Daytime Television Drama (Hollis Griffin)
- Chapter 10. From Excess to Access: Televising the Subculture (Eric Freedman)
- Chapter 11. Pronoun Trouble: The “Queerness” of Animation (Sean Griffin)
- Part 4. Containment and Its Critiques
- Chapter 12. Of Fleiss and Men: The Transgressions and Containment of a Hollywood Madam (Mary Celeste Kearney)
- Chapter 13. Out on Stage: LGBT Politics of Entertainment Award Shows (Raffi Sarkissian)
- Chapter 14. Lesbian Cop, Queer Killer: Leveraging Black Queer Women’s Sexuality on HBO’s The Wire (Jennifer DeClue)
- Part 5. Fandom and Transmedia
- Chapter 15. Resurrection of the Vampire and the Creation of Alternative Life: An Introduction to Dark Shadows Fan Culture (Harry M. Benshoff)
- Chapter 16. The Rumors Are True!: Gossip Girl and the Cooptation of the Cult Fan (Elena Bonomo)
- Chapter 17. The Trouble with Transmediation: Fandom’s Negotiation of Transmedia Storytelling Systems (Suzanne Scott)
- Contributors
- Index
What People are Saying About This
An important collection that brings together very early work by some major scholars, including Gaylyn Studlar, Amy Lawrence, Sean Griffin, Mary Celeste Kearney, and Harry M. Benshoff. It will give film scholars and, especially, graduate students an illuminating vantage point on the history of a major topic, spectatorial theory, that defined film studies methodologically and as a discipline.
This is a very well-conceived and well-executed anthology. It will be particularly helpful for a course focused on gendered and sexed experiences of media culture and their intersections with other aspects of identity.