Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film
Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film explores 'physical spectatorship': the representation of mutilation on the screen and the physical responses this evokes. The book is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship.
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Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film
Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film explores 'physical spectatorship': the representation of mutilation on the screen and the physical responses this evokes. The book is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship.
41.49 In Stock
Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film

Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film

by Laura Wilson
Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film

Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film

by Laura Wilson

eBook2015 (2015)

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Overview

Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film explores 'physical spectatorship': the representation of mutilation on the screen and the physical responses this evokes. The book is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship.

Product Details

ISBN-13: 9781137444387
Publisher: Palgrave Macmillan
Publication date: 07/28/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 192
File size: 563 KB

About the Author

Laura Wilson completed her PhD at the University of Manchester where she also taught introductory modules on film, led seminars for the Manchester Leadership Programme and lectured for Ahmed Iqbal's Race Relations Resource Centre. She has presented her work at UK and international conferences. Further publications include articles on race, gender and physical spectatorship.

Table of Contents

List of Figures
Introduction
1. Embodied Voyeurism
2. Mutilation as Spectacle
3. Representing the Unrepresentable: Self-Harm as Affect
4. Extreme Frequencies
5. The Gut
Conclusion
Bibliography
Filmography
Index

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