Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone

by Katherine A. Zien

Overview

Winner of the 2018 Gordon K. and Sybil Farrell Lewis Book Prize from the Caribbean Studies Association
Winner of the 2017 Annual Book Prize from the Canadian Association of Latin American and Caribbean Studies (CALACS)​

Sovereign Acts explores how artists, activists, and audiences performed and interpreted sovereignty struggles in the Panama Canal Zone, from the Canal Zone’s inception in 1903 to its dissolution in 1999. In popular entertainments and patriotic pageants, opera concerts and national theatre, white U.S. citizens, West Indian laborers, and Panamanian artists and activists used performance as a way to assert their right to the Canal Zone and challenge the Zone’s sovereignty, laying claim to the Zone’s physical space and imagined terrain. 

By demonstrating the place of performance in the U.S. Empire’s legal landscape, Katherine A. Zien transforms our understanding of U.S. imperialism and its aftermath in the Panama Canal Zone and the larger U.S.-Caribbean world. 

Product Details

ISBN-13:	9780813584249
Publisher:	Rutgers University Press
Publication date:	09/08/2017
Series:	Critical Caribbean Studies
Sold by:	Barnes & Noble
Format:	eBook
Pages:	272
File size:	11 MB
Note:	This product may take a few minutes to download.
Age Range:	18 Years

About the Author

KATHERINE A. ZIEN is an assistant professor in the department of English at McGill University in Montreal, Quebec, Canada. 

Table of Contents

List of Illustrations and Tables
Note on Text
List of Abbreviations
Introduction: Setting the Scene of Sovereignty
1 Sovereignty’s Mise-en-scène: The Necessary Aesthetics of New Empire
2 Entertaining Sovereignty: The Politics of Recreation in the Panama Canal Zone
3 Beyond Sovereignty: Black Cosmopolitanism and Cultural Diplomacy in Concert
4 National Theatre and Popular Sovereignty: Staging el pueblo panameño
5 Staging Sovereignty and Memory in the Panama Canal Handover
Coda: After Sovereignty
Acknowledgments
Notes
Bibliography
Index

Editorial Reviews

"Examines the 'performance' of claims to the Canal Zone in popular entertainments, civic pageantry, and other realms reflecting the competing interests of Panamanians, West Indian laborers, and white U.S. citizens; covers 1903 to 1999."

Chronicle

"By pairing archival research with the analysis of a fascinating array of theatrical and political performances, built environment, and civic recreation, Zien innovatively posits the construction of citizenship and belonging in Panama’s Canal Zone throughout the 20th century as an intricate, performative process. A must-read for anyone interested in sites of contested sovereignty."

author of Family and Identity in Contemporary Cuban and Puerto Rican Drama - Camilla Stevens

"Examines the 'performance' of claims to the Canal Zone in popular entertainments, civic pageantry, and other realms reflecting the competing interests of Panamanians, West Indian laborers, and white U.S. citizens; covers 1903 to 1999."

Chronicle

"Examines the 'performance' of claims to the Canal Zone in popular entertainments, civic pageantry, and other realms reflecting the competing interests of Panamanians, West Indian laborers, and white U.S. citizens; covers 1903 to 1999."

From the Publisher