Winner of the 2017 Barnes and Nobel Discover Great New Writers Award in Fiction
Winner of a 2018 Whiting Award in Fiction
Winner of Independent Publisher Book Award’s Gold Medal for First Fiction
A Spring 2017 B&N Discover Great New Writers Fiction Winner
One of Buzzfeed, Vulture, Nylon, and LitHub’s most anticipated books of 2017
“Cottrell’s novel—a truly remarkable debut…is also one of the most darkly funny books you’ll ever read.”
—NYLON
“Patrick Cottrell’s prose does so many of my favorite things—some too subtle to talk about without spoiling, but one thing I have to mention is the way in which his heroine’s investigation of a suicide draws the reader right into the heart of this wonderfully spiky hedgehog of a book and then elbows us yet further along into what is ultimately a tremendously moving act of imagination.”
—Helen Oyeyemi, author of What Is Not Yours Is Not Yours
“In this completely absorbing novel of devastation and estrangement, Patrick Cottrell introduces himself as a modern Robert Walser. His voice is unflinching, unforgettable, and animated with a restless sense of humor.”
—Catherine Lacey, author of Nobody Is Ever Missing
“Patrick Cottrell’s adoption of the rambling and specific absurd will and must delight. This is a graceful claim not just about writing but about a way of being in the world, an always new and necessary way to contend with this garbage that surrounds us, these false portraits of our hearts and minds. This book is not a diversion—it’s a lifeline.”
—Jesse Ball, author of How to Set a Fire and Why
“Sorry to Disrupt the Peace had me opening my mouth to laugh only to feel sobs come tumbling out. It’s absurd, feeling so much at once, but it’s a distinctly human absurdity that Patrick Cottrell has masterfully created in this book. In the end I felt ebullient and spent, grateful to be reminded that life is only funny and gorgeous because life is also strange and sad.”
—Lindsay Hunter, author of Ugly Girls
“A sort of Korean-American noir, lean and wry and darkly compelling, I respectfully suggest you read him now.”
— Ed Park, author of Personal Days
“‘ Behind every suicide, there is a door.’ So says Helen, aka Sister Reliability, aka ‘ spinster from a book,’ who is determined to open the door behind her adoptive brother’s recent death. Her search takes her from a studio apartment in NYC to a childhood home in Milwaukee, and yet the investigation is as philosophical as it is practical, as was, perhaps, the death itself. Patrick Cottrell’s Sorry to Disrupt the Peace is a beguiling debut: absurdly funny, surprisingly beautiful, and ultimately sad as fuck.”
—Danielle Dutton, author of Margaret the First
“Patrick Cottrell is one my favorite new writers. His debut novel is black-hearted and playful, an investigation into a suicide that becomes an investigation into how to live. Cottrell can make you laugh on one page and cry the next. Fans of Jesse Ball, Sheila Hetti, and Thomas Bernhard will love this book.”
—Shane Jones, author of Light Boxes
“Disturbing and hilarious, Cottrell’s haunting debut explores the toxic fumes that radiate from the narrator’s dysfunctional familial network, arresting development, truncating lives, and dragging everything into a vertiginous chasm the narrator, Helen Moran, investigates. Cottrell seduces his readers into an uncanny abyss."
— Azareen Van der Vliet Oloomi
“A Spring 2017 B&N Discover Great New Writers Selection, Patrick Cottrell’ s debut is a dark comedy about suicide that is, in the words of Danielle Dutton, ‘absurdly funny, surprisingly beautiful, and ultimately sad as fuck.’”
— Lithub, 30 Indie Press Books We’re Looking Forward To
“Helen’s foggy view of reality is a dark, dark comedic well, and debut novelist Cottrell tells his story with gutsy style, glowing sentences, and true feeling.”
—Annie Bostrom, Booklist
“In Cottrell’ s stellar debut novel, 32-year-old Helen is in her Manhattan apartment when she receives a call that her adoptive brother has killed himself… The real attraction here is Helen: her perspective ranges from sharp (New York is ‘a city so rich it funds poetry’) to askew (‘People who call themselves photographers are fake… the real charlatans of our time. Behind a photo is a perfectly fake person, scrubbed of all flaws, dead inside’) to unhinged (her adoptive parents’ grieving takes the physical form of a middle-aged European man who walks around the house and helps himself to pizza). Cottrell gives Helen the impossible task of understanding what would drive another person to suicide, and the result is complex and mysterious, yet, in the end, deeply human and empathetic.”
—Publishers Weekly (starred)
The 2017 B&N Discover Great New Writers Fiction Winner, Winner of Independent Publisher Book Award's Gold Medal for First Fiction, and Winner of a 2018 Whiting Award in Fiction
"In Cottrell’s stellar debut novel, 32-year-old Helen is in her Manhattan apartment when she receives a call that her adoptive brother has killed himself… The real attraction here is Helen: her perspective ranges from sharp (New York is 'a city so rich it funds poetry') to askew ('People who call themselves photographers are fake... the real charlatans of our time. Behind a photo is a perfectly fake person, scrubbed of all flaws, dead inside') to unhinged (her adoptive parents’ grieving takes the physical form of a middle-aged European man who walks around the house and helps himself to pizza). Cottrell gives Helen the impossible task of understanding what would drive another person to suicide, and the result is complex and mysterious, yet, in the end, deeply human and empathetic.” —Publishers Weekly (starred)
"Patrick Cottrell's prose does so many of my favorite things—some too subtle to talk about without spoiling, but one thing I have to mention is the way in which his heroine's investigation of a suicide draws the reader right into the heart of this wonderfully spiky hedgehog of a book and then elbows us yet further along into what is ultimately a tremendously moving act of imagination." —Helen Oyeyemi, author of What Is Not Yours Is Not Yours
"In this completely absorbing novel of devastation and estrangement, Patrick Cottrell introduces himself as a modern Robert Walser. His voice is unflinching, unforgettable, and animated with a restless sense of humor." —Catherine Lacey, author of Nobody Is Ever Missing
"Intelligent and mysterious and funny, Patrick Cottrell's Sorry to Disrupt the Peace moves so mesmerizingly towards its blazingly good ending. One is tempted to read it as quickly as possible. But really, it is a book that should be read slowly, as some of its deepest pleasures lie in the careful observations, the witty prose, and just the book's really wonderful gaze on city life, and actually, on all life. This is a stunning debut." —Rebecca Lee, author of Bobcat
"Patrick Cottrell's adoption of the rambling and specific absurd will and must delight. This is a graceful claim not just about writing but about a way of being in the world, an always new and necessary way to contend with this garbage that surrounds us, these false portraits of our hearts and minds. This book is not a diversion—it's a lifeline." —Jesse Ball, author of How to Set a Fire and Why
"Grief takes an unnerving path through a singular mind in Sorry to Disrupt the Peace. Beckett fans will find a familiar, but Patrick Cottrell's voice is his very own." —Amelia Gray, author of Gutshot: Stories
"A sort of Korean-American noir, lean and wry and darkly compelling, I respectfully suggest you read him now." —Ed Park, author of Personal Days
"Behind every suicide, there is a door.’ So says Helen, aka Sister Reliability, aka spinster from a book,’ who is determined to open the door behind her adoptive brother's recent death. Her search takes her from a studio apartment in NYC to a childhood home in Milwaukee, and yet the investigation is as philosophical as it is practical, as was, perhaps, the death itself. Patrick Cottrell's Sorry to Disrupt the Peace is a beguiling debut: absurdly funny, surprisingly beautiful, and ultimately sad as fuck.” —Danielle Dutton, author of Margaret the First
"Sorry to Disrupt the Peace had me opening my mouth to laugh only to feel sobs come tumbling out. It's absurd, feeling so much at once, but it's a distinctly human absurdity that Patrick Cottrell has masterfully created in this book. In the end I felt ebullient and spent, grateful to be reminded that life is only funny and gorgeous because life is also strange and sad." —Lindsay Hunter, author of Ugly Girls
"Disturbing and hilarious, Cottrell's haunting debut explores the toxic fumes that radiate from the narrator's dysfunctional familial network, arresting development, truncating lives, and dragging everything into a vertiginous chasm the narrator, Helen Moran, investigates. Cottrell seduces his readers into an uncanny abyss." —Azareen Van der Vliet Oloomi, author of Fra Keeler
“Patrick Cottrell is one my favorite new writers. His debut novel is black-hearted and playful, an investigation into a suicide that becomes an investigation into how to live. Cottrell can make you laugh on one page and cry the next. Fans of Jesse Ball, Sheila Hetti, and Thomas Bernhard will love this book.” —Shane Jones, author of Light Boxes
“A Spring 2017 B&N Discover Great New Writers Selection, Patrick Cottrell’s debut is a dark comedy about suicide that is, in the words of Danielle Dutton, “absurdly funny, surprisingly beautiful, and ultimately sad as fuck.” — Lithub, 30 Indie Press Books We’re Looking Forward To
“Helen’s foggy view of reality is a dark, dark comedic well, and debut novelist Cottrell tells her story with gutsy style, glowing sentences, and true feeling.”— Annie Bostrom, Booklist
