Son of the Shadows (Sevenwaters Series #2)

Son of the Shadows (Sevenwaters Series #2)

by Juliet Marillier
Son of the Shadows (Sevenwaters Series #2)

Son of the Shadows (Sevenwaters Series #2)

by Juliet Marillier

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Overview

Son of the Shadows is the sequel to Juliet Marillier's evocative first novel Daughter of the Forest.

It continues the saga of beautiful Sorcha, the courageous young woman who risked all to save her family from a wicked curse and whose love shattered generations of hate and bridged two cultures.

It is from her sacrifice that her brothers were brought home to Sevenwaters and her life has known much joy. But not all the brothers were able to escape the spell that transformed them into swans, and those who did were all more--and less--than they were before the change.

It is left to Sorcha's daughter Liadan who will take up the tale that the Sevenwaters clan is destined to fulfill. Beloved child, dutiful daughter, she embarks on a journey that opens her eyes to the wonders of the world around her...and shows her just how hard-won was the peace that she has known all her life.

Liadan will need all of her courage to help save her family, for there are forces far darker than anyone chould have guessed and ancient powers conspiring to destroy this family's peace--and their world. And she will need the strength to stand up to those she loves best, for in the finding of her own true love, Liadan's course may doom them all...or be their salvation.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.


Product Details

ISBN-13: 9781429913478
Publisher: Tor Publishing Group
Publication date: 04/01/2010
Series: Sevenwaters Series , #2
Sold by: Macmillan
Format: eBook
Pages: 462
Sales rank: 143,294
Lexile: 750L (what's this?)
File size: 537 KB

About the Author

About The Author
Juliet Marillier achieved international recognition with the publication of the first two award-winning novels in the Sevenwaters Trilogy, a historical fantasy set in Ireland and Britain in the ninth century, and loosely based on the fairy tale “The Six Swans”. Her other historical fantasy series include the Viking-inspired Light Isles duology and the Bridei Chronicles set in north Britain in the time of the Picts.
JULIET MARILLIER achieved international recognition with the publication of the first two award-winning novels in the Sevenwaters Trilogy, a historical fantasy set in Ireland and Britain in the ninth century, and loosely based on the fairy tale “The Six Swans”. Her other historical fantasy series include the Viking-inspired Light Isles duology and the Bridei Chronicles set in north Britain in the time of the Picts.

Read an Excerpt

Son of the Shadows

Book Two of the Sevenwaters Trilogy


By Juliet Marillier

Tom Doherty Associates

Copyright © 2001 Juliet Marillier
All rights reserved.
ISBN: 978-1-4299-1347-8


CHAPTER 1

My mother knew every tale that was ever told by the firesides of Erin, and more besides. Folks stood hushed around the hearth to hear her tell them after a long day's work, and marveled at the bright tapestries she wove with her words. She related the many adventures of Cú Chulainn the hero, and she told of Fionn mac Cumhaill, who was a great warrior and cunning with it. In some households, such tales were reserved for men alone. But not in ours, for my mother made a magic with her words that drew all under its spell. She told tales that had the household in stitches with laughter, and tales that made strong men grow quiet. But there was one tale she would never tell, and that was her own. My mother was the girl who had saved her brothers from a sorceress's curse, and nearly lost her own life doing it. She was the girl whose six brothers had spent three long years as creatures of the wild, and had been brought back only by her own silence and suffering. There was no need for telling and retelling of this story, for it had found a place in folks' minds. Besides, in every village there would be one or two who had seen the brother who returned, briefly, with the shining wing of a swan in place of his left arm. Even without this evidence, all knew the tale for truth; and they watched my mother pass, a slight figure with her basket of salves and potions, and nodded with deep respect in their eyes.

If I asked my father to tell a tale, he would laugh and shrug and say he had no skill with words, and besides he knew but one tale, or maybe two, and he had told them both already. Then he would glance at my mother, and she at him, in that way they had that was like talking without words, and then my father would distract me with something else. He taught me to carve with a little knife, and he taught me how to plant trees, and he taught me to fight. My uncle thought that more than a little odd. All right for my brother Sean, but when would Niamh and I need skills with our fists and our feet, with a staff or a small dagger? Why waste time on this. when there were so many other things for us to learn?

"No daughter of mine will go beyond these woods unprotected," my father had said to my Uncle Liam. "Men cannot be trusted. I would not make warriors of my girls, but I will at least give them the means to defend themselves. I am surprised that you need ask why. Is your memory so short?"

I did not ask him what he meant. We had all discovered, early on, that it was unwise to get between him and Liam at such times.

I learned fast. I followed my mother around the villages, and was taught how to stitch a wound and fashion a splint and doctor the croup or nettle rash. I watched my father, and discovered how to make an owl and a deer and a hedgehog out of a piece of fine oak. I practiced the arts of combat with Sean, when he could be cajoled into it, and perfected a variety of tricks that worked even when your opponent was bigger and stronger. It often seemed as if everyone at Sevenwaters was bigger than me. My father made me a staff that was just the right size, and he gave me his little dagger for my own. Sean was quite put out for a day or so. But he never harbored grudges. Besides, he was a boy, and had his own weapons. As for my sister, Niamh, you never could tell what she was thinking.

"Remember, little one," my father told me gravely, "this dagger can kill. I hope you need never employ it for such a purpose; but if you must, use it cleanly and boldly. Here at Sevenwaters you have seen little of evil, and I hope you will never have to strike a man in your own defense. But one day you may have need of this, and you must keep it sharp and bright, and practice your skills against such a day."

It seemed to me a shadow came over his face, and his eyes went distant as they did sometimes. I nodded silently and slipped the small, deadly weapon away in its sheath.

These things I learned from my father, whom folk called Iubdan, though his real name was different. If you knew the old tales, you recognized this name as a joke, which he accepted with good humor. For the Iubdan of the tales was a tiny wee man, who got into strife when he fell into a bowl of porridge, though he got his own back later. My father was very tall and strongly built, and had hair the color of autumn leaves in afternoon sun. He was a Briton, but people forgot that. When he got his new name he became part of Sevenwaters, and those who didn't use his name called him the Big Man.

I'd have liked a bit more height myself, but I was little, skinny, dark haired, the sort of girl a man wouldn't look twice at. Not that I cared. I had plenty to occupy me without thinking that far ahead. It was Niamh they followed with their eyes, for she was tall and broad shouldered, made in our father's image, and she had a long fall of bright hair and a body that curved generously in all the right places. Without even knowing it, she walked in a way that drew men's eyes.

"That one's trouble," our kitchen woman Janis would mutter over her pots and pans. As for Niamh herself, she was ever critical.

"Isn't it bad enough being half Briton," she said crossly, "without having to look the part as well? See this?" She tugged at her thick plait, and the red-gold strands unraveled in a shining curtain. "Who would take me for a daughter of Sevenwaters? I could be a Saxon with this head of hair! Why couldn't I be tiny and graceful like Mother?"

I studied her for a moment or two as she began to wield the hairbrush with fierce strokes. For one so displeased with her appearance, she did spend rather a lot of time trying out new hairstyles and changing her gown and ribbons.

"Are you ashamed to be the daughter of a Briton?" I asked her.

She glared at me. "That's so like you, Liadan. Always come straight out with it, don't you? It's all very well for you; you're a small copy of Mother yourself, her little right hand. No wonder Father adores you. For you it's simple."

I let her words wash over me. She could be like this at times, as if there were too many feelings inside her and they had to burst out somewhere. The words themselves meant nothing. I waited.

Niamh used her hairbrush like an instrument of punishment. "Sean, too," she said, glaring at herself in the mirror of polished bronze. "Did you hear what Father called him? He said, he's the son Liam never had. What do you think of that? Sean fits in; he knows exactly where he's going. Heir to Sevenwaters, beloved son with not one but two fathers — he even looks the part. He'll do all the right things — wed Aisling, which will make everyone happy, be a leader of men, maybe even the one who wins the Islands back for us. His children will follow in his footsteps, and so on, and so on. Brighid save me, it's so tedious! It's so predictable."

"You can't have it both ways," I said. "Either you want to fit in, or you don't. Besides, we are the daughters of Sevenwaters, like it or not. I'm sure Eamonn will wed you gladly when it's time, golden hair or no. I've heard no objections from him."

"Eamonn? Huh!" She moved to the center of the room, where a shaft of light struck gold against the oak boards of the floor, and in this spot she began slowly to turn, so that her white gown and her brilliant shining hair moved around her like a cloud. "Don't you long for something different to happen, something so exciting and new it carries you along with it like a great tide, something that lets your life blaze and burn so the whole world can see it? Something that touches you with joy or with terror, that lifts you out of your safe, little path and onto a great, wild road whose ending nobody knows? Don't you ever long for that, Liadan?" She turned and turned, and she wrapped her arms around herself as if this were the only way she could contain what she felt.

I sat on the edge of the bed, watching her quietly. After a while I said, "You should take care. Such words might tempt the Fair Folk to take a hand in your life. It happens. You know Mother's story. She was given such a chance, and she took it; and it was only through her courage, and Father's, that she did not die. To survive their games you must be very strong. For her and for Father the ending was good. But that tale had losers as well. What about her six brothers? Of them, but two remain, or maybe three. What happened damaged them all. And there were others who perished. You would be better to take your life one day at a time. For me, there is enough excitement in helping to deliver a new lamb, or seeing small oaks grow strong in spring rains. In shooting an arrow straight to the mark, or curing a child of the croup. Why ask for more when what we have is so good?"

Niamh unwrapped her arms and ran a hand through her hair, undoing the work of the brush in an instant. She sighed. "You sound so like Father you make me sick sometimes," she said, but the tone was affectionate enough. I knew my sister well. I did not let her upset me often.

"I've never understood how he could do it," she went on. "Give up everything, just like that: his lands, his power, his position, his family. Just give it away. He'll never be master of Sevenwaters, that's Liam's place. His son will inherit, no doubt; but Iubdan, all he'll be is 'the Big Man', quietly growing his trees and tending his flocks, and letting the world pass him by. How could a real man choose to let life go like that? He never even went back to Harrowfield."

I smiled to myself. Was she blind that she did not see the way it was between them, Sorcha and Iubdan? How could she live here day by day, and see them look at one another, and not understand why he had done what he had done? Besides, without his good husbandry, Sevenwaters would be nothing more than a well-guarded fortress. Under his guidance our lands had prospered. Everyone knew we bred the best cattle and grew the finest barley in all of Ulster. It was my father's work that enabled my Uncle Liam to build his alliances and conduct his campaigns. I didn't think there was much point explaining this to my sister. If she didn't know it by now, she never would.

"He loves her," I said. "It's as simple as that. And yet, it's more. She doesn't talk about it, but the Fair Folk had a hand in it all along. And they will again."

Finally, Niamh was paying attention to me. Her beautiful blue eyes narrowed as she faced me. "Now you sound like her," she said accusingly. "About to tell me a story, a learning tale."

"I'm not," I said. "You aren't in the mood for it. I was just going to say, we are different, you and me and Sean. Because of what the Fair Folk did, our parents met and wed. Because of what happened, the three of us came into being. Perhaps the next part of the tale is ours."

Niamh shivered as she sat down beside me, smoothing her skirts over her knees.

"Because we are neither of Britain nor of Erin, but at the same time both," she said slowly. "You think one of us is the child of the prophecy? The one who will restore the Islands to our people?"

"I've heard it said." It was said a lot, in fact, now that Sean was almost a man, and shaping into as good a fighter and a leader as his Uncle Liam. Besides, the people were ready for some action. The feud over the Islands had simmered since well before my mother's day, for it was long years since the Britons had seized this most secret of places from our people. Folk's bitterness was all the more intense now, since we had come so close to regaining what was rightfully ours. For when Sean and I were children, not six years old, our Uncle Liam and two of his brothers, aided by Seamus Redbeard, had thrown their forces into a bold campaign that went right to the heart of the disputed territory. They had come close, achingly close. They had touched the soil of Little Island and made their secret camp there. They had watched the great birds soar and wheel above the Needle, that stark pinnacle lashed by icy winds and ocean spray. They had launched one fierce sea attack on the British encampment on Greater Island, and at the last they had been driven back. In this battle perished two of my mother's brothers. Cormack was felled by a sword stroke clean to the heart and died in Liam's arms. And Diarmid, seeking to avenge his brother's loss, fought as if possessed and at length was captured by the Britons. Liam's men found his body later, floating in the shallows as they launched their small craft and fled, out-numbered, exhausted, and heartsick. He had died from drowning, but only after the enemy had had their sport with him. They would not let my mother see his body when they brought him home.

These Britons were my father's people. But Iubdan had no part in this war. He had sworn, once, that he would not take arms against his own kind, and he was a man of his word. With Sean, it was different. My Uncle Liam had never married, and my mother said he never would. There had been a girl once that he had loved. But the enchantment fell on him and his brothers. Three years is a long time when you are only sixteen. When at last he came back to the shape of a man, his sweetheart was married and already the mother of a son. She had obeyed her father's wishes, believing Liam was dead so he would not take on a wife. And he needed no son of his own, for he loved his nephew as fiercely as any father could and brought him up, without knowing it, in his own image. Sean and I were the children of a single birth, he just slightly my elder. But at sixteen he was more than a head taller, close to being a man, strong of shoulder, his body lean and hard. Liam had ensured he was expert in the arts of war. As well, Sean learned how to plan a campaign, how to deliver a fair judgment, how to understand the thinking of ally and enemy alike. Liam commented sometimes on his nephew's youthful impatience. But Sean was a leader in the making; nobody doubted that.

As for our father, he smiled and let them get on with it. He recognized the weight of the inheritance Sean must one day carry. But he had not relinquished his son. There was time, as well, for the two of them to walk or ride around the fields and byres and barns of the home farms, for Iubdan to teach his son to care for his people and his land as well as to protect them. They spoke long and often, and held each other's respect. Only I would catch Mother sometimes, looking at Niamh and looking at Sean and looking at me, and I knew what was troubling her. Sooner or later, the Fair Folk would decide it was time: time to meddle in our lives again, time to pick up the half-finished tapestry and weave a few more twisted patterns into it. Which would they choose? Was one of us the child of the prophecy, who would at last make peace between our people and the Britons of Northwoods and win back the islands of mystic caves and sacred trees? Myself, I rather thought not. If you knew the Fair Folk at all, you knew they were devious and subtle. Their games were complex; their choices never obvious. Besides, what about the other part of the prophecy, which people seemed to have conveniently overlooked? Didn't it say something about bearing the mark of the raven? Nobody knew quite what that meant, but it didn't seem to fit any of us. Besides, there must have been more than a few misalliances between wandering Britons and Irish women. We could hardly be the only children who bore the blood of both races. This I told myself; and then I would see my mother's eyes on us, green, fey, watchful, and a shiver of foreboding would run through me. I sensed it was time: time for things to change again.


That spring we had visitors. Here in the heart of the great forest, the old ways were strong despite the communities of men and women that now spread over our land, their Christian crosses stark symbols of a new faith. From time to time, travelers would bring across the sea tales of great ills done to folk who dared keep the old traditions. There were cruel penalties, even death, for those who left an offering, maybe, for the harvest gods or thought to weave a simple spell for good fortune or use a potion to bring back a faithless sweetheart. The druids were all slain or banished over there. The power of the new faith was great. Backed up with a generous purse and with lethal force, how could it fail?


(Continues...)

Excerpted from Son of the Shadows by Juliet Marillier. Copyright © 2001 Juliet Marillier. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Reading Group Guide

ABOUT THE AUTHOR
Juliet Marillier was born in New Zealand and raised in the town of Dunedin, which is known as the "Edinburgh of the South," which explains her love of Celtic mythology. Juliet holds advanced degrees in music and languages, and now lives just outside of Perth, in Western Australia, where she is the mother of two daughters and two sons. Her first book, Daughter of the Forest, was published in 2000 to overwhelming critical and public acclaim.

IN HER OWN WORDS
"Fantasy is escapist: sometimes we don't much like the world we live in, so we bury ourselves in a genre which conjures a multitude of worlds. And fantasy can be a substitute: in an age of scientific rationalism and dwindling religious faith, it demonstrates clear moral codes; basic choices between good and evil, explorations of light and dark.

Still, that doesn't explain the fascination tales of the unreal, the imagined, and the Otherworldly have held for folk since well before Spenser or Mallory set quill to paper. Celt and Norseman had their epics of magic and mystery, heroism and romance. The Dreaming stories of Australia's indigenous people and the Icelandic sagas, the Maori creation myths and the lore of the druids hold universal themes; they make sense of the relationship between man and nature, between man and his own kind. They are our key to the world around us.

Once, we'd have heard these tales around the fire after nightfall. This shadow time was for listening and reflection, and though the world could be confusing, the tales helped explain it. Folk understood their symbolism as they understood the patterns of planting and reaping, storm and calm, birth and death. In the stories, the very pattern and purpose of existence were encapsulated.

Times change. The fantasies we read are now highly developed, cunningly crafted, drawing not on a single shared culture but on our multiplicity of backgrounds. Yet at their heart there are the same universal messages; their symbolism is that of our ancient folklore, a powerful code which we still crave, for all our apparent sophistication. Yes, they entertain and divert; we read them for fun. But in the best of them we recapture something almost lost; a map for our own journey forward." —JULIET MARILLIER
ABOUT THE BOOK
In this second enthralling book in the Sevenwaters Trilogy, author Juliet Marillier ushers us back into the lush green forests and misty glades of ancient Ireland, to a time of great and sweeping change, when the old ways are forced to retreat in the face of the coming Christianity. Here, in this land of rugged beauty, the age-old battle for humankind's destiny is fast approaching its turning point, as the Fair Folk spin their wild magic and the prophesies foretold so long ago come bursting dangerously to life.

In the first volume of the Sevenwaters Trilogy, Daughter of the Forest, the courageous young woman Sorcha was forced to defeat a sorceress's curse, sacrificing herself to save her family. In Son of the Shadows, Sorcha now has a family of her own, including a daughter, Liadan. Like her mother, Liadan is both gifted in the arts of healing, and a storyteller of uncommon ability; she is also blessed—or cursed—with visions of great power.

Trouble comes to Sevenwaters with word of a band of fearsome mercenaries led by the mysterious Painted Man. Some whispers claim the fighters are half-man, halfanimal, able to move without a sound and killing all in their path with a cold and brutal efficiency. In a stunning twist of fate, Liadan falls into the Painted Man's hands, only to find a warrior as fearsome as his legend, and a man far more troubled and complex. As their destinies intertwine with the great changes afoot in their forest sanctuary, Liadan and the Painted Man form a bond that will grow into something more, setting them inescapably onto their paths in the ancient prophesies.
Rich in detail and imagination, Son of the Shadows is a powerful continuation of one of today's freshest and most exciting fantasy trilogies.

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