Something Wicked This Way Comes

Something Wicked This Way Comes

by Ray Bradbury
Something Wicked This Way Comes

Something Wicked This Way Comes

by Ray Bradbury

Audio CD(Audio Theater)

(Not eligible for purchase using B&N Audiobooks Subscription credits)
$19.95 
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Overview

“By the pricking of my thumbs … something wicked this way comes.”

Ray Bradbury has dramatized his literary classic, Something Wicked This Way Comes, into this first-class audio drama, produced by the Colonial Radio Theatre on the Air, complete with a full cast, sound effects, and original music.

"Cooger and Dark's Pandemonium Shadow Show" comes to Greentown, Illinois, one week before Halloween. Two boys, Jim Nightshade and Will Halloway, soon discover the evil of this carnival, which promises to make your every wish and dream come true. But with those wishes and dreams comes a price that must be paid. Behind the mirrors and the mazes is the nightmare of a lifetime.

Few American novels written in the twentieth century have endured in the heart and memory as has Ray Bradbury's unparalleled literary classic Something Wicked This Way Comes. For those who still dream and remember, for those yet to experience the hypnotic power of its dark poetry, step inside. The show is about to begin.


Product Details

ISBN-13: 9781470820268
Publisher: Blackstone Audio, Inc.
Publication date: 06/01/2012
Edition description: Audio Theater
Pages: 2
Product dimensions: 5.20(w) x 5.80(h) x 0.70(d)

About the Author

About The Author
Ray Bradbury, who died in 2012 at the age of ninety-one, inspired generations of readers to dream, think, and create. A prolific author of hundreds of short stories and close to fifty books, as well as numerous poems, essays, operas, plays, teleplays, and screenplays, Bradbury was one of the most celebrated writers of our time. His groundbreaking works include Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes.

Jerry Robbins is an American actor and singer who has performed in more than one hundred stage productions, including an acclaimed portrayal of John Barrymore in William Luces’ play, Barrymore. He has also written and produced forty radio plays with his company, the Colonial Radio Theatre on the Air, winning the Parents Choice Award for The Wonderful Wizard of Oz in 2001 and an Audio Worlds Golden Headset Award for Little Big Horn in 1999.



Chris Snyder is an award-winning voice actor, narrator, sound designer, and producer of audiobooks and dramas. He has also narrated and produced thousands of hours of audio description for major networks, streaming services, and independent films.

J. T. Turner is audiobook narrator whose works include the Father Brown Audio Drama series.


Joseph Zamparelli,
Jr.
received his undergraduate degrees in psychology and theatre arts from
Boston College and went on to study acting professionally at the Circle in the
Square Theatre School in New York where he appeared in the U. S. premiere of the Russian play Tomorrow Was War. He originated roles in several shows, including musical versions of Frankenstein and The Hunchback of Notre Dame. In addition to stage, film, and television work, he coaches actors and most recently directed The Delvena
Theater Company’s critically acclaimed Who's
Afraid of Virginia Woolf?
and appeared in multiple roles in their production of On The Verge.



Tim Weaver is the Sunday Times bestselling author of the David Raker Missing Persons series. Weaver has been nominated for a National Book Award, selected for the Richard and Judy Book Club, and shortlisted for the Crime Writers' Association Dagger in the Library award, which considers an author's entire body of work. His seventh novel, Broken Heart, was long-listed for the Crime Writers' Association Ian Fleming Steel Dagger award.
He is also the host and producer of the chart-topping Missing podcast, which features experts in the field discussing missing persons investigations from every angle. A former journalist and magazine editor, he lives near Bath with his wife and daughter.

Hometown:

Los Angeles, California

Date of Birth:

August 22, 1920

Place of Birth:

Waukegan, Illinois

Education:

Attended schools in Waukegan, Illinois, and Los Angeles, California

Read an Excerpt

Chapter One


Arrivals



The seller of lightning rods arrived just ahead of the storm. He came along the street of Green Town, Illinois, in the late cloudy October day, sneaking glances over his shoulder. Somewhere not so far back, vast lightnings stomped the earth. Somewhere, a storm like a great beast with terrible teeth could not be denied.

So the salesman jangled and clanged his huge leather kit in which oversized puzzles of ironmongery lay unseen but which his tongue conjured from door to door until he came at last to a lawn which was cut all wrong.

No, not the grass. The salesman lifted his gaze. But two boys, far up the gentle slope, lying on the grass. Of a like size and general shape, the boys sat carving twig whistles, talking of olden or future times, content with having left their fingerprints on every movable object in Green Town during summer past and their footprints on every open path between here and the lake and there and the river since school began.

"Howdy, boys!" called the man all dressed in stormcolored clothes. "Folks home?"

The boys shook their heads.

"Got any money, yourselves?"

The boys shook their heads.

"Well --" The salesman walked about three feet, stopped and hunched his shoulders. Suddenly he seemed aware of house windows or the cold sky staring at his neck. He turned slowly, sniffing the air. Wind rattled the empty trees. Sunlight, breaking through a small rift in the clouds, minted a last few oak leaves all gold. But the sun vanished, the coins were spent, the air blew gray; the salesman shook himself from the spell.

The salesman edged slowly up thelawn.

"Boy," he said. "What's your name?"

And the first boy, with hair as blond-white as milk thistle, shut up one eye, tilted his head, and looked at the salesman with a single eye as open, bright and clear as a drop of summer rain.

"Will," he said. "William Halloway."

'Me storm gentleman turned. "And you?"

The second boy did not move, but lay stomach down on the autumn grass, debating as if he might make up a name. His hair was wild, thick, and the glossy color of waxed chestnuts. His eyes, fixed to some distant point within himself, were mint rock-crystal green. At last he put a blade of dry grass in his casual mouth.

"Jim Nightshade," he said.

The storm salesman nodded as if he had known it all along.

"Nightshade. That's quite a name."

"And only fitting," said Will Halloway. I was born one minute before midnight, October thirtieth. Jim was born one minute after midnight, which makes it October thirty-first."

"Halloween," said Jim.

By their voices, the boys had told the tale all their lives, proud of their mothers, living house next to house, running for the hospital together, bringing sons into the world seconds apart; one light, one dark . There was a history of mu mutual celebration behind them. Each year Will lit the candles on a single cake at one minute to midnight. Jim, at one minute after, with the last day of the month begun, blew them out.

So much Will said, excitedly. So much Jim agreed to, silently. So much the salesman, running before the storm, but poised here uncertainly, heard looking from face to face.

"Halloway. Nightshade. No money, you say?"

The man, grieved by his own conscientiousness, rummaged in his leathery bag and seized forth an iron contraption.

"Take this, free! Why? One of those houses will be struck by lightning! Without this rod, bang'. Fire and ash, roast pork and cinders! Grab!"

The salesman released the rod. Jim did not move, But Will caught the iron and gasped.

"Boy, it's heavy!. And funny-looking. Never seen a lightning rod like this. Look, Jim!"

And Jim, at last, stretched like a cat, and turned his head. His green eyes got big and then very narrow.

The metal thing was hammered and shaped half-crescent, half-cross. Around the rim of the main rod little curlicues and doohingies had been soldered on, later. The entire surface of the rod was finely scratched and etched with strange languages, names that could tie the tongue or break the jaw, numerals that added to incomprehensible sums, pictographs of insect-animals all bristle, chaff, and claw.

"That's Egyptian." Jim pointed his nose at a bug soldered to the iron. "Scarab beetle."

"So it is, boy."

Jim squinted. "And those there -- Phoenician hen tracks."

"Right!"

"Why?" asked Jim.

"Why?" said the man. "Why the Egyptian, Arabic, Abyssinian, Choctaw? Well, what tongue does the wind talk? What nationality is a storm? What country do rains come from? What color is lightning? Where does thunder go when it dies? Boys, you got to be ready in every dialect with every shape and form to hex the St. Elmo's fires, the balls of blue light that prowl the earth like sizzling cats. I got the only lightning rods in the world that hear, feel, know, and sass back any storm, no matter what tongue, voice, or sign. No foreign thunder so loud this rod can't soft-talk it!"

But Will was staring beyond the man now.

"Which," he said. "Which house will it strike?"

"Which? Hold on. Wait." The salesman searched deep in their faces. "Some folks draw lightning, suck it like cats suck babies' breath. Some folks' polarities are negative, some positive. Some glow in the dark. Some snuff out. You now, the two of you ... I --"

"What makes you so sure lightning will strike anywhere around here?" said Jim suddenly, his eyes bright.

The salesman almost flinched. "Why, I got a nose, an eye, an ear. Both those houses, their timbers! Listen!"

They listened. Maybe their houses leaned under the cool afternoon wind, Maybe not.

"Lightning needs channels, like rivers, to run in. One of those attics is a dry river bottom, itching to let lightning pour through! Tonight...

What People are Saying About This

From the Publisher

"Bradbury's classic 1962 novel is here masterfully read by voice artist Kevin Foley, whose deep tones are well suited to the story's dark characters." —-Library Journal Starred Audio Review

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