This is one of those recordings that falls into the "good, but..." category.
Amandah Jantzen is a good singer with a very pleasing voice and more than ordinary interpretative skills. However, she has to work hard in overcoming routine arrangements, a supporting cast of musicians who need instruction in the art of supporting a vocalist, and problems with the technical production of the CD. On cuts like
"Beautiful Love," Jantzen has to struggle to be heard over the piano, which seems to be closer to the mike than she is -- a problem of mixing or mike placement. Then there's
Craig Scott who is a graduate of the
Elvin Jones school of drumming. He sees himself as an active participant, rather than just providing the rhythmic underpinning for the session. That's fine for an instrumental outing, but for a vocal set, it is a distraction.
Obstacles notwithstanding,
Jantzen works hard to overcome the annoyances by delivering some nice stuff. All the bases are touched with respect to styles. There's a bit of the blues, some uptempo numbers, and silky deliveries of sultry ballads.
"Too Late Now" gets a solid performance with some nice tenor sax work by
Al Wold.
Jantzen and
Wold's
Zoot Sims-like playing also work well together on
"The Song Is You." "Gee Baby, Ain't I Good to You" showcases the melodic, muted trumpet of
Derry Byrne. On one of the very fine tracks,
"Sophisticated Lady," Jantzen sings the verse to
Ron Thompson's guitar whose playing is reminiscent of the great
Johnny Smith.
Wold's tenor comes in for the refrain to complement
Jantzen's understated delivery of the
Duke Ellington classic.
"I Ain't Got Nothin' but the Blues" reveals
Jantzen's affinity for that genre, with a rip-roaring, down-and-dirty delivery, and
Chris Sigerson's saloon-type piano stands out. The highlight of the album, however, is a very poignant
"Some Other Time" with
Jantzen's voice showing the resignation and emotional shrugging of the shoulders that comes with the end of a love affair. By the way, the title of this album
Some Other Time doesn't mean "later"; rather, it refers to the period when the songs on the play list were written, between 1929 and 1952. Hopefully,
Jantzen's next album will be absent the technical and accompaniment problems which detract from fully enjoying her pleasant way with a song. ~ Dave Nathan