Banville sets up and then deftly demolishes the Agatha Christie format…superbly rich and sophisticated.”—New York Times Book Review
“[A] deceptively complex mystery with literary flourishes…[A] brilliant mix of old tropes and sadly modern evil.”—Booklist, STARRED review
"The sinister and unnerving Snow has all the trimmings of a classic country house mystery - body in the library, closed circle of suspects, foul weather - all elevated by Banville's immaculate, penetrating prose."—Peter Swanson
"A beautifully executed, nostalgia-churning throwback that directs the occasional wink at the reader.”—Shelf Awareness
“Snow is easily one of his best – and one of the very best mysteries of this or any other year.”—Globe and Mail
“Thoughtful and nuanced.” —Seattle Times
“Snow continues to cement the legacy of one of our greatest living writers.”—CrimeReads
“Perfect for the time of year when shadows grow longer and darker by the day.”—BookPage
"Snow offers many reminders of Banville’s mastery."—The Atlantic
05/01/2020
The first mystery Banville has written under his own name, rather than as Benjamin Black, Snow stars a crusty Protestant detective investigating a murder in County Wexford, buried in endless Snow. In Carlyle's debut, The Girl in the Mirror, jealous Iris takes over the identity—and the handsome husband—of golden-girl twin sister Summer, who mysteriously disappears from a yacht in the middle of the Indian Ocean (100,000-copy first printing). In House of Correction, French's new stand-alone, back-in-town Tabitha is arrested for murder when a dead body is found in her shed, and given her pill-popping history of depression and faded recollections of the day, she starts wondering if she really is guilty (50,000-copy paperback and 30,000-copy hardcover first printing). In Jewell's Invisible Girl, virginal 30-year-old geography teacher Owen Pick is suspended from his job for sexual misconduct he denies, ends up on a shady online involuntary celibate forum, and eventually is a suspect in a teenager's disappearance (250,000-copy first printing). Molloy follows up her New York Times best-selling The Perfect Mother with Goodnight Beautiful, about newlyweds Sam Statler and Annie Potter, who have moved to his quiet upstate New York hometown as he pursues his career as a therapist, though, dangerously, his sessions are heard by neighbors through a ceiling vent (100,000-copy first printing). A Los Angeles Times Book Prize winner and finalist for multitudinous awards, Neville collects short crime, horror, and speculative fiction (some new to print) in The Traveller and Other Stories, a cogent example of Northern Irish noir. With Death and the Maiden, Norman wraps up mother Ariana Franklin's 1100s England-set series about Adelia Aguilar, Mistress of the Art of Death, with an original story about Adelia's daughter, Allie, investigating when several girls go missing from a village she is visiting (40,000-copy first printing). The protean Oates offers four masterly, never-before-published novellas, exemplified by the titular story in Cardiff by the Sea, whose protagonist rediscovers past tragedy when she inherits a house in Maine from someone she doesn't know. In Patterson/Serafin's Three Women Disappear, a mob accountant who is the nephew of the don of central Florida is fatally stabbed in his own kitchen, and which of three women—his wife, his maid, or his personal chef—might be responsible (500,000-copy first printing)? Rankin's A Song for Dark Times witnesses the returns of Inspector Rebus (50,000-copy first printing). In The Devil and the Dark Water, Turton's follow-up to the top LibraryReads pick, The 7 1/2 Deaths of Evelyn Hardcastle, famed detective Samuel Pipps is sailing back to Amsterdam in chains when terrifying events assault the crew, Pipps's sidekick vanishes, and Pipps himself is asked to puzzle out what's happening.
This devilish mystery is set in southeast Ireland in 1957. British narrator John Lee does a masterful job with Irish accents. He provides pitch-perfect renditions of the locals and brings to life the Protestant gentry’s upper-crust speech, especially that of Detective Inspector Strafford. But Lee’s most memorable and affecting portrayals are those of the local police, the innkeeper, his wife, and their endearing housemaid—all performed with authentic brogues. The plot centers on the killing of a priest who is a serial child molester. John Banville has written a nuanced whodunit with clues as complex as the pattern in a tapestry. A.D.M. © AudioFile 2020, Portland, Maine
This devilish mystery is set in southeast Ireland in 1957. British narrator John Lee does a masterful job with Irish accents. He provides pitch-perfect renditions of the locals and brings to life the Protestant gentry’s upper-crust speech, especially that of Detective Inspector Strafford. But Lee’s most memorable and affecting portrayals are those of the local police, the innkeeper, his wife, and their endearing housemaid—all performed with authentic brogues. The plot centers on the killing of a priest who is a serial child molester. John Banville has written a nuanced whodunit with clues as complex as the pattern in a tapestry. A.D.M. © AudioFile 2020, Portland, Maine
