Smoke Show

by Clint Burnham

Overview

A doll taped to the hood of a wedding car. A list of favorite cocktails from the eighties. Hide the drugs from your parents and your kids. Kevin Costner in Waterworld: hot or not? Smoke Show is a novel that will astound readers with its audacious, stripped-down narrative set in the mid-nineties about assorted losers, diehards, and lost souls, seen through a hazy filter of bus fumes and cigarette smoke. Told in “real time,” Smoke Show is raw, candid, and amorphous, told through jargon and petty dialogue commonly heard in the street or on public transit. Clint Burnham evokes William Gaddis, David Foster Wallace, and Irvine Welsh in this novel, a confounding period piece that takes no prisoners.

Product Details

ISBN-13:	9781551524665
Publisher:	Arsenal Pulp Press, Limited
Publication date:	04/01/2006
Sold by:	Barnes & Noble
Format:	eBook
Pages:	192
File size:	67 KB

About the Author

Clint Burnham is a Vancouver writer and teacher. His previous books include the story collection Airborne Photo (1999), the poetry collection Buddyland (2000), Be Labour Reading (1997), and numerous others great and small.

Editorial Reviews

Best known in the U.S. as the author of The Jamesonian Unconscious: The Aesthetics of Marxist Theory, a critical study, the Vancouver-based Burnham also writes short stories (Airborne Photo) and poetry (Be Labor Reading and Buddyland). This book is best classed in that last category: billed as a novel, it reads like a verse play, one comprising elegantly concise dialogues among woefully inarticulate, tragically maladapted and often inebriated adults whose main occupation is low-level trade in drugs and bodily fluids. Nothing much happens: people drive, roll joints, complain about music or partners, open beers or ask for them, debate the merits of hedges vs. fences, have sex, watch TV, take care of children, breathlessly recount the entire plots of C-grade movies, contemplate building a deck, cut up hot dogs and generally get on with the fuzzy stasis that constitutes disenfranchisement, to the point where a voice can sum itself up with the phrase: "Yeah, so like I guess I'm mostly classic rock." Imagine countless permutations on that theme, and you have this book. Burnham is pitch-perfect all the way through. (Apr.) Copyright 2006 Reed Business Information.

Publishers Weekly