The novel is as poignant as it is funny, as thought-provoking as it is witty, and searingly relatable.” — Washington Post
“Zigman's tenderly told novel is a realistic rendering of what it's like to care for and love a disabled child, and the toll that love takes on parents and siblings. It's also about the bonds that sisters share and how, in the case of the Mellishmans, unresolved grief nearly breaks them...[but] laced with the promise of a brighter future.” — Minneapolis Star Tribune
“Zigman is terrific at melding heartbreaking situations with humorous, evocative details without once veering off into saccharine sentimentality…Zigman’s ability to elicit the transformative magic that happens when people find true connection with others makes these pages glow.” — Boston Globe
"A graceful swan dive into the question of how a family rearranges itself after the death of a child…a brave and heartfelt book of truths." — New York Times Book Review
"Zigman's quirky novel confronts the most painful family issues and is equally knowing—and funny—about what brings comfort and grace." — People
“Entrancing. . . . Zigman does a stellar job of creating well-rounded characters, and a satisfying ending tops off her well-crafted paean to sisterhood. Readers will love this.” — Publishers Weekly (starred review)
“I absolutely loved Small World — a wise, warm, and often hilarious exploration of sisterhood and community, set against a nuanced portrait of one family’s tragic past.” — Shelby Van Pelt, author of Remarkably Bright Creatures
“Like all of Laura Zigman’s books, Small World is wryly funny and sharply observed. But this moving story of two adult sisters reconnecting in midlife also tackles some weighty subjects—family secrets, disability, abandonment—with unusual grace and sensitivity.” — Tom Perrotta, author of Tracy Flick Can’t Win
“Hilarious, wise, and deeply moving—I loved my time with the Mellishman sisters and didn't want it to end. No one captures the tragicomedies of life quite like Laura Zigman, whose compassion and brilliance shine through on every page.” — Mona Awad, author of All's Well and Bunny
"[Zigman] excels at depicting the emotional push and pull of sibling relationships. . . Yet she never loses her sharp sense of humor. . . A compassionate, often funny examination of shared family grief and love." — Kirkus Reviews
“A tender story of two sisters who, both in midlife and both recently divorced, move in together. . . A moving story about the power of family secrets, sisterhood, and memory. Readers of authors such as Jodi Picoult, Barbara Kingsolver, or Kristin Hannah will be affected by Zigman’s skillful and sensitive chronicling of a sisterhood simultaneously affected by the past and finding a new future.” — Booklist
“Small World is a treasure: a family story that is wistful one moment, witty and wry the next. Few novelists write as beautifully about the damaged heart and the wounded soul as Laura Zigman, or understand the emotional bonds of siblings and sisters. I loved this novel.” — Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and The Lioness
“A profound exploration of the depths and limits of unconditional love, Small World examines what it means to be a mother, a daughter, a sister, a person in the world. By turns hilarious and haunting, this is a novel for the ages.” — Joanna Rakoff, author of My Salinger Year
“Abundant humor. . . . Revolving around two middle-aged sisters who have recently been left by their husbands, Small World parses a bramble of secrets, hurts and other mainstays of the all-absorbing kin novel.” — Shelf Awareness
“Small World offers a warming tonic against ice and gloom. . . . Zigman writes insightfully of the agonizing push-pull of a family raising a child with severe needs. . . . The book’s short, powerful epigraph is ‘I came to explore the wreck.’ – a line from Adrienne Rich’s ‘Diving into the Wreck.’ Choosing to enter an ancient vessel that has been deeply buried for years takes some courage — kind of like Joyce and Lydia bravely exploring their own history.” — WBUR
"A tender, funny novel that proves the smallest stories can have the biggest heart." — The Hollywood Reporter
"A deft writer, Zigman knits this story together like a beautiful scarf." — Lee Woodruff, Book Marks
“Great wit and wisdom permeate Laura Zigman’s quirky story..Balancing grief with humor…A delight.” — Christian Science Monitor
“I welcomed the chance to get lost in this compulsively readable novel and be drawn into a poignant family drama of remembrance, recrimination, and uneasy reconciliation, leavened by Zigman’s psychological acuity and capacity to reveal the unforgiving absurdities of intimacy.” — Mother Jones
2022-10-12
Two adult siblings move in together and struggle to come to terms with the long-ago loss of their disabled sister and their own troubled relationship.
Like most siblings, the middle-aged Mellishman sisters at the heart of Zigman’s amusing yet poignant new novel have chapters of history propping them up and weighing them down. Newly divorced Joyce, an archivist in Cambridge, is getting used to solitude again, whiling away her time on a neighborhood site called Small World, turning her neighbors’ queries and complaints into strange but potent poetry. The act, she says, is therapeutic—and also easier than addressing the nagging questions about her own life. When Lydia, her older sister, leaves LA for the East Coast, Joyce invites her to move in for a while, secretly hoping proximity will force them to forge a bond they never quite managed to build. But they still can’t seem to communicate or talk about their past. Their childhoods were laser-focused on Eleanor, their severely disabled sister, who died at 10. But although Eleanor’s life was short, her impact was lasting, especially on her sisters, who learned to hide their own fears and problems in order to focus on hers. Zigman, who excels at depicting the emotional push and pull of sibling relationships, examines the conflicts and grief that play out in a family dealing with a disabled child with compassion and honesty. Yet she never loses her sharp sense of humor, as evidenced by the hilarious ongoing war between Joyce and her new upstairs neighbors, who seem to be running a yoga studio. As she reveals secrets previously unknown to Joyce, Zigman doesn’t shy away from discussing the hardships the Mellishmans faced, but she also highlights small moments of wonder and joy that illuminate the sisters’ shared path. The world might feel small, Joyce learns, but the power of hope always looms large.
A compassionate, often funny examination of shared family grief and love.
