Small Town

Small Town

by Lawrence Block
Small Town

Small Town

by Lawrence Block

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Overview

The author of dozens of acclaimed novels including those in the Scudder and Keller series, Lawrence Block has long been recognized as one of the premier crime writers of our time. Now, the breathtaking skill, power, and versatility of this Grand Master are brilliantly displayed once again in a mesmerizing new thriller set on the streets of the city he knows and loves so well.

That was the thing about New York -- if you loved it, if it worked for you, it ruined you for anyplace else in the world.

In this dazzlingly constructed novel, Lawrence Block reveals the secret at the heart of the Big Apple. His glorious metropolis is really a small town, filled with men and women from all walks of life whose aspirations, fears, disappointments, and triumphs are interconnected by bonds as unbreakable as they are unseen. Pulsating with the lives of its denizens -- bartenders and hookers, power brokers and politicos, cops and secretaries, editors and dreamers -- the city inspires a passion that is universal yet unique in each of its eight million inhabitants, including:

John Blair Creighton, a writer on the verge of a breakthrough;

Francis Buckram, a charismatic ex–police commissioner -- and the inside choice for the next mayor -- on the verge of a breakdown;

Susan Pomerance, a beautiful, sophisticated folk-art dealer plumbing the depths of her own fierce sexuality;

Maury Winters, a defense attorney who prefers murder trials because there's one less witness;

Jerry Pankow, an ex-addict who has turned being clean into a living, mopping up after New York's nightlife;

And, in the shadows of a city reeling from tragedy, an unlikely killing machine who wages a one-man war against them all.

Infused with the raw cadence, stark beauty, and relentless pace of New York City, Small Town is a tour de force Block fans old and new will celebrate.


Product Details

ISBN-13: 9780061826726
Publisher: HarperCollins
Publication date: 10/13/2009
Sold by: HARPERCOLLINS
Format: eBook
Pages: 576
Sales rank: 334,618
File size: 575 KB

About the Author

About The Author

Lawrence Block is one of the most widely recognized names in the mystery genre. He has been named a Grand Master of the Mystery Writers of America and is a four-time winner of the prestigious Edgar and Shamus Awards, as well as a recipient of prizes in France, Germany, and Japan. He received the Diamond Dagger from the British Crime Writers' Association—only the third American to be given this award. He is a prolific author, having written more than fifty books and numerous short stories, and is a devoted New Yorker and an enthusiastic global traveler.

Read an Excerpt

Small Town

Chapter One

By the time Jerry Pankow was ready for breakfast, he'd already been to three bars and a whorehouse.

It was, he'd discovered, a great opening line. "By the time I had my eggs and hash browns this morning ... " Wherever he delivered it, in backroom bars or church basements, it got attention. Made him sound interesting, and wasn't that one of the reasons he'd come to New York? To lead an interesting life, certainly, and to make himself interesting to others.

And, one had to admit, to plumb the depths of depravity, which resonated well enough with the notion of three bars and a whorehouse before breakfast.

Today he was having his breakfast in Joe Jr.'s, a Greek coffee shop at the corner of Sixth Avenue and West Twelfth Street. He wasn't exactly a regular here. The whorehouse was on Twenty-eighth, two doors east of Lexington, right around the corner from the Indian delis and restaurants that had people calling the area Curry Hill. Samosa and aloo gobi wasn't his idea of breakfast, and anyway those places wouldn't open until lunchtime, but he liked the Sunflower coffee shop on Third Avenue, and stopped there more often than not after he finished up at the whorehouse.

This morning, though, he was several degrees short of ravenous, and his next scheduled stop was in the Village, at Charles and Waverly. So he'd walked across Twenty-third and down Sixth. That stretch of Sixth Avenue had once afforded a good view of the twin towers, and now it showed you where they'd been, showed you the gap in the downtown skyline. A view of omission, he'd thought more than once.

And now here he was in a booth at Joe's with orange juice and a western omelet and a cup of coffee, light, no sugar, and how depraved was that? It was ten o'clock, and he'd get to Marilyn's by eleven and be out of there by one, with the rest of the day free and clear. Maybe he'd catch the two-thirty meeting at Perry Street. He could stop by after he left Marilyn's and put his keys on a chair so he'd have a seat when he came back at meeting time. You had to do that there, it was always standing-room-only by the time the meeting started.

Recovery, he thought. The hottest ticket in town.

He let the waiter refill his coffee cup, smiled his thanks, then automatically checked the fellow out as he walked away, only to roll his eyes at his own behavior. Cute butt, he thought, but so what?

If he were to show up at a meeting of Sex Addicts Anonymous, he thought, nobody would tell him to get the hell out. But did it make his life unmanageable? Not really. And, more to the point, could he handle another program? He was in AA, sober a little over three years, and, because drugs played a part in his story, he managed to fit a couple of NA meetings into his weekly schedule. And, because his parents were both drunks -- his father died of it, his mother lived with it -- he was an Adult Child of Alcoholics, and went to their meetings now and then. (But not too often, because all the whining and bitching and getting-in-touch-with-my-completely-appropriate-anger made his teeth ache.)

And, because John-Michael was an alcoholic (and also sober, and anyway they weren't lovers anymore), he went to Al-Anon a couple of times a month. He hated the meetings, and he wanted to slap most of the people he saw there -- the Al-Anon-Entities, his sponsor called them. But that just showed how much he needed the program, didn't it? Or maybe it didn't. It was hard to tell.

Three years sober, and he started each day by visiting three bars and a whorehouse, inhaling the reek of stale beer and rancid semen. The bars were in Chelsea, all within a few blocks of his top-floor walkup on Seventeenth west of Ninth, and of course they were closed when he arrived for the morning cleanup. He had keys, and he would let himself in, trying not to dwell on the way the place stank, the odor of booze and bodies and various kinds of smoke, the dirty-socks smell of amyl nitrite, and something else, some indefinable morning-after stench that was somehow more than the sum of its parts. He'd note that and dismiss it, and he'd sweep and mop the floor and clean the lavatories -- God, human beings were disgusting -- and finally he'd take down the chairs from the tables and the stools from the bar top and set them up where they belonged. Then he'd lock up, and off to the next.

He hit the bars in what he thought of as working his way up from the depths, starting with Death Row, a leather bar west of Tenth Avenue with a back room where safe sex required not just condoms but full body armor. Then one called Cheek, on Eighth and Twentieth, with a neighborhood crowd that ran to preppy types and the aging queens who loved them. And, finally, a straight bar on Twenty-third Street -- well, a mixed crowd, really, typical for the neighborhood, straight and gay, male and female, young and old, the common denominator being an abiding thirst. The place was called Harrigan's -- Harridan's, some called it -- and it didn't reek of pot and poppers and nocturnal emissions, but that didn't mean a blind man might mistake it for the Brooklyn Botanical Gardens.

In his drinking days, Jerry might have started the evening at Harrigan's. He could tell himself he was just stopping for a quick social drink before he settled in for the night ...

Small Town. Copyright © by Lawrence Block. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Interviews

Block in the City
Whenever an award-winning writer like Lawrence Block comes out with a new book, people take notice. That should go double for Small Town: At once a riveting stand-alone thriller set in post-9/11 New York City and a poignant exploration of the way very personal connections happen in big cities just as they do in small towns, this is an all-around powerful novel. It offers a variety of perspectives on life in the Big Apple, from an unlucky janitor and an unexpectedly successful writer to an adventurous gallery owner and an unambitious bartender -- plus cops and crooks, politicians and publishing professionals, lawyers, hookers, and more. (Not to mention one all-too-inventive killer who is turning everyone else's world upside down.) Ransom Notes asked Block to talk about why he thinks people have such strong feelings about New York City and what the setting and the 9/11 connection added to Small Town.

Lawrence Block: For over a decade I've had the intention of writing a big, multiple-viewpoint New York novel, holding as much of the city as I could cram into it. I set almost all my fiction in New York for essentially the same reason that I elect to live here: The city excites and energizes me. My wife and I travel everywhere with great enthusiasm, and we like most of the places we visit, but this is home. Neither of us would be happy living anywhere else...and my characters feel the same way. I began work on Small Town during the summer of 2001 and had around 100 pages done when the towers came down. I went back to work the following June, with the characters I'd developed but a new story line that reflected the new reality of life in New York. People have described Small Town as a post-apocalyptic New York novel, and I can't argue with that.

Ransom Notes: Several characters in Small Town are involved in publishing. What made you decide to share these insights into a writer's life in this book?

LB: I write intuitively, so I'm rarely able to say afterward why I made a particular choice. I will say that the conventional wisdom used to hold that one should never write about a writer, that readers would find it hard to identify. Given the proportion of readers who are hard at work on a novel or screenplay, the argument strikes me as doubtful. I do know that including a writer as a major character in this story gave rise to some thematic considerations I found interesting: reality versus imagination, the nature of fame and success, etc.

RN: What is it about the mystery/suspense genre that most appeals to you as a writer?

LB: Two things. First, the emphasis on story value in these stories, in an age when literary novelists are writing more and more about less and less. And second, the intelligence and sophistication of the readers. As almost anyone in the business can tell you, mystery readers are a cut above the rest.

RN: Would you like to hear from readers?

LB: I do like to hear from readers (although I trust they understand that I don't always have time to answer them). The best way to reach me is via my web site at www.lawrenceblock.com. There's a free newsletter they can sign up for, and a link to send me an email. If they just want to write, the e-dress is LB@lawrenceblock.com.

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