Slave Songs of the Georgia Sea Islands
A valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture.

Collected over a period of nearly twenty-five years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia.

Over the years, Parrish won the confidence of many of the African-American singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print.

The songs are grouped in categories, including African survival songs; shout songs; ring-play, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs.

Reproduced in its original oversized format, Slave Songs of the Georgia Sea Islands will inform and delight students and scholars of African-American culture and folklore as well as folk music enthusiasts.

"1102169435"
Slave Songs of the Georgia Sea Islands
A valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture.

Collected over a period of nearly twenty-five years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia.

Over the years, Parrish won the confidence of many of the African-American singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print.

The songs are grouped in categories, including African survival songs; shout songs; ring-play, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs.

Reproduced in its original oversized format, Slave Songs of the Georgia Sea Islands will inform and delight students and scholars of African-American culture and folklore as well as folk music enthusiasts.

32.95 In Stock
Slave Songs of the Georgia Sea Islands

Slave Songs of the Georgia Sea Islands

Slave Songs of the Georgia Sea Islands

Slave Songs of the Georgia Sea Islands

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$32.95 
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Overview

A valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture.

Collected over a period of nearly twenty-five years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia.

Over the years, Parrish won the confidence of many of the African-American singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print.

The songs are grouped in categories, including African survival songs; shout songs; ring-play, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs.

Reproduced in its original oversized format, Slave Songs of the Georgia Sea Islands will inform and delight students and scholars of African-American culture and folklore as well as folk music enthusiasts.


Product Details

ISBN-13: 9780820323893
Publisher: University of Georgia Press
Publication date: 03/01/1992
Series: Brown Thrasher Books Series
Pages: 320
Product dimensions: 8.30(w) x 10.90(h) x 1.10(d)

About the Author

LYDIA PARRISH (1871–1953) was a native of New Jersey who spent many winters on St. Simons Island with her husband, the artist Maxfield Parrish. In addition to collecting spirituals and other African American songs, Parrish had an avid interest in the history of southern Loyalist families who had relocated to the Caribbean as refugees following the Revolutionary War.

ART ROSENBAUM was a painter, draftsman, muralist, folk musician, and a professor of art at the Lamar Dodd School of Art at the University of Georgia.

LYDIA PARRISH (1871–1953) was a native of New Jersey who spent many winters on St. Simons Island with her husband, the artist Maxfield Parrish. In addition to collecting spirituals and other African American songs, Parrish had an avid interest in the history of southern Loyalist families who had relocated to the Caribbean as refugees following the Revolutionary War.

Table of Contents

List Of Musicix
List Of Illustrationsxi
Forewordxiii
Acknowledgmentsxxi
An Explanationxxv
Introductionxxxv
I.Concerning Slave Songs And Their Preservation3
II.African Survivals On The Coast Of Georgia20
Freewillum45
Rockah Mh Moomba46
I Wok Om a Mo-na48
Byum By-e50
III.Afro-American Shout Songs54
Ha'k 'E Angels56
Until I Die62
Where Was Peter64
Plumb de Line67
Down to de Mire71
Eli Ah Can't Stan'74
Moonlight--Starlight76
Knee-Bone80
Oh Eve--Where Is Adam?85
Blow Gabriel87
My Soul Rock on Jubilee89
Good-Bye Everybody90
IV.Ring-Play, Dance, And Fiddle Songs93
Emma You My Darlin'95
Go Roun' the Border Susie97
Sangaree99
It's Cold Frosty Mornin'102
Pretty Green Shawl104
Four and Twenty Lawyers104
Shout Josephine Shout106
The Buzzard Lope--a Solo Dance108
Throw Me Anywhere108
Gimme Him112
Stickit Ball a Hack114
Ham Bone Ham Bone114
Juba Dis an' Juba Dat116
Ball the Jack117
Fiddle Songs--Fragments118
Bile Dem Cabbage Down121
Way Down in the Old Peedee122
Johnny Come a Long Time124
I Jing-a-ling126
V.Religious Songs128
Church, Prayer, and Covenant Meeting129
Believer I Know131
Norah, Hist the Windah134
That Suits Me137
Wasn' That a Wonder139
I Heard the Angels Singin'140
Can't Hide Sinner142
John, John145
When I Rise Cryin' Holy148
No Hidin' Place151
Livin' Humble152
Swing Low Sweet Chariot154
When My Lord Calls Me I Must Go156
Zion158
My God Is a Rock in a Weary Land161
The Bell Done Ring164
An' He Never Said a Mumblin' Word165
May Be the Las' Time I Don't Know166
One-a These Days167
Baptism168
Wade in nuh Watuh Childun170
Sabbath Has No End172
"Settin'-up"174
In That Old Field175
Jesus Gon tuh Make Up My Dyin' Bed178
O de Robe180
Ride on Conquering King182
Aye Lord, Time Is Drawin' Nigh185
Nummer Me One188
For I Ain' Goin' t' Die No Mo'190
"Buryin'"191
In Some Lonesome Graveyard193
I Got to Lay in Yonder Graveyard196
VI.Work Songs197
Shanties200
Call Me Hangin' Johnny203
Knock a Man Down205
Sandy Anna206
Pay Me My Money Down208
Debt I Owe210
Ragged Leevy212
Good-Bye My Riley O214
Ole Tar River216
Shilo Brown218
This Time Another Year220
Haul Away, I'm a Rollin' King220
Sundown Below221
My Soul Be at Res'221
Anniebelle222
Rice Songs225
Do Remember228
Peas an' the Rice232
Hard Time in Ole Virginny234
A. B. A. B. A.235
I Gwine t' Beat Dis Rice236
Rowing Songs236
Oh When I Come to Die240
Miscellaneous Work Songs243
Five Fingers in the Boll247
Drinkin' of the Wine249
When I'm Gone to Come No Mo'251
A Selected Bibliography253
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