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Overview

Wie soll der zwölfjährige Michael nur mit den vielen Problemen fertig werden, die plötzlich auf ihn einstürmen? Nach dem Umzug in ein renovierungsbedürftiges Haus haben seine Eltern auf einmal kaum mehr Zeit für ihn, weil das Baby, seine Schwester, viel zu früh auf die Welt kommt und sehr krank auf der Intensivstation liegt. Also erkundet er auf eigene Faust den verwilderten Garten und die baufällige Garage. Dort entdeckt er inmitten von Schutt und Dreck ein seltsames Wesen. Was ist das bloß für eine befremdliche Kreatur, abstoßend und faszinierend zugleich? Zusammen mit dem Nachbarsmädchen Mina kümmert sich Michael um das dürre Wesen mit den auffällig knochigen Schulterblättern, das sich selbst nach einiger Zeit ›Skellig‹ nennt. Die beiden Kinder machen dabei die ungewöhnlichsten Erfahrungen. Und vieles in Michaels Leben verändert sich … Endlich ist Almonds weltweit gefeiertes Buch ›Skellig‹ wieder für den deutschsprachigen Buchmarkt erhältlich Skellig ist David Almonds erstes und wohl bedeutendstes Kinderbuch (auf Deutsch früher unter dem Titel ›Zeit des Mondes‹ erschienen). Es wurde ein Welterfolg, wurde in mehr als 30 Sprachen übersetzt und ist vielfach preisgekrönt (u.a. mit der Carnegie Medal und jüngst beim Literaturfestival Berlin 2021/Internationale Kinder- und Jugendliteratur mit der Auszeichnung »Das außergewöhnliche Buch/The Extraordinary Book« versehen). Allein in Großbritannien wurden weit über 1 Million Exemplare verkauft. ›Skellig‹ wurde zudem verfilmt (2009) und als Radio-, als Theaterstück sowie als Oper bearbeitet. Wir freuen uns mit und für David Almond über den James Krüss Preis 2022 für internationale Kinder- und Jugendliteratur!

Product Details

ISBN-13: 9783772546310
Publisher: Verlag Freies Geistesleben
Publication date: 08/24/2022
Sold by: Bookwire
Format: eBook
Pages: 182
File size: 870 KB
Age Range: 11 Years
Language: German

About the Author

David Almond, 1951 in Gateshead geboren, ist einer der bedeutendsten britischen Kinder- und Jugendbuchautoren der Gegenwart. Er wurde unter anderem mit der Carnegie Medal (1998), dem Hans Christian Andersen-Preis (2010), dem Guardian Children's Fiction Prize (2015) und dem James Krüss Preis für internationale Kinder- und Jugendliteratur (2022) ausgezeichnet. David Almond lebt mit seiner Familie in Northumberland (England).

Read an Excerpt

I found him in the garage on a Sunday afternoon. It was the day after we moved into Falconer Road. The winter was ending. Mum had said we'd be moving just in time for the spring. Nobody else was there. Just me. The others were inside the house with Dr. Death, worrying about the baby.

He was lying there in the darkness behind the tea chests, in the dust and dirt. It was as if he'd been there forever. He was filthy and pale and dried out and I thought he was dead. I couldn't have been more wrong. I'd soon begin to see the truth about him, that there'd never been another creature like him in the world.

We called it the garage because that's what the real estate agent, Mr. Stone, called it. It was more like a demolition site or a rubbish dump or like one of those ancient warehouses they keep pulling down at the wharf. Stone led us down the garden, tugged the door open, and shined his little flashlight into the gloom. We shoved our heads in at the doorway with him.

"You have to see it with your mind's eye," he said. "See it cleaned, with new doors and the roof repaired. See it as a wonderful two-car garage."

He looked at me with a stupid grin on his face.

"Or something for you, lad-a hideaway for you and your pals. What about that, eh?"

I looked away. I didn't want anything to do with him. All the way round the house it had been the same. Just see it in your mind's eye. Just imagine what could be done. All the way round I kept thinking of the old man, Ernie Myers, that had lived here on his own for years. He'd been dead nearly a week before they found him under the table in the kitchen. That's what I saw when Stonetold us about seeing with the mind's eye. He even said it when we got to the dining room and there was an old cracked toilet sitting there in the comer behind a plywood screen. I just wanted him to shut up, but he whispered that toward the end Ernie couldn't manage the stairs. His bed was brought in here and a toilet was put in so everything was easy for him. Stone looked at me like he didn't think I should know about such things. I wanted to get out, to get back to our old house again, but Mum and Dad took it all in. They went on like it was going to be some big adventure. They bought the house. They started cleaning it and scrubbing it and painting it. Then the baby came too early. And here we were.

Chapter 2

I NEARLY GOT INTO THE GARAGE that Sunday morning. I took my own flashlight and shined it in. The outside doors to the back lane must have fallen off years ago and there were dozens of massive planks nailed across the entrance. The timbers holding the roof were rotten and the roof was sagging in. The bits of the floor you could see between the rubbish were full of cracks and holes. The people that took the rubbish out of the house were supposed to take it out of the garage as well, but they took one look at the place and said they wouldn't go in it even for extra money. There were old chests of drawers and broken washbasins and bags of cement, ancient doors leaning against the walls, deck chairs with the cloth seats rotted away. Great rolls of rope and cable hung from nails. Heaps of water pipes and great boxes of rusty nails were scattered on the floor. Everything was covered in dust and spiders' webs. There was mortar that had fallen from the walls. 'There was a little window in one of the walls but it was filthy and there were rolls of cracked linoleum standing in front of it. The place stank of rot and dust. Even the bricks were crumbling like they couldn't bear the weight anymore. It was like the whole thing was sick of itself and would collapse in a heap and have to get bulldozed away.

I heard something scratching in one of the corners, and something scuttling about; then it all stopped and it was just dead quiet in there.

I stood daring myself to go in.

I was just going to slip inside when I heard Mum shouting at me

"Michael! What you doing?"
She was at the back door.
"Didn't we tell you to wait till we're sure it's

I stepped back and looked at her.
"Well, didn't we?" she shouted.
"Yes," I said.
"So keep out! All right?"
I shoved the door and it lurched half shut on its
single hinge.
"All right?" she yelled.
',All right,” said. "Yes. All right. All right."
"Do you not think we've got more to worry about than stupid you getting crushed in a stupid garage?

"Yes."
"You just keep out, then! Right?"
"Right. Right, right, right.
Then I went back into the wilderness we called garden and she went back to the stupid baby.

Copyright 2001 by David Almond

What People are Saying About This

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Reading Group Guide

1. Michael is very unhappy at the beginning of the novel. Discuss how Michael's life changes after he discovers Skellig and meets Mina. Think about ways that you deal with fear and loneliness. How can you help a friend who appears unhappy?

2. Almond never gives the reader a specific description of Skellig. Based on the glimpses of Skellig found throughout the novel, what is your impression of Skellig? How might Michael describe Skellig at the end of the novel?

3. Michael brushes his hands against Skellig's back and detects what appear to be wings. When he asks his mother about shoulder blades, she answers, "They say that shoulder blades are where your wings were when you were an angel . . . where your wings will grow again one day." What does this statement reveal about Skellig?

4. When Michael questions why Skellig eats living things and makes pellets like an owl, Mina answers, "We can't know. Sometimes we just have to accept that there are things we can't know." Why is this an important moment in the novel?

5. When Michael's soccer teammates discover his friendship with Mina, they begin teasing him. How does this affect Michael's relationship with them? Why do you think they make fun of Mina? How does she handle the teasing? How would you handle the situation if your classmates made fun of a special friend?

6. Discuss Michael's relationship with his mother and father. How does the baby's illness put a strain on these relationships? How is Michael's relationship with his parents different from Mina's relationship with her mother?

7. At the same time that his sister is undergoing heart surgery, Michael discovers that Skellig is gone. Mina calmsMichael by quoting William Blake: "[Blake] said the soul was able to leap out of the body for a while and then leap back again. He said it could be caused by great fear or enormous pain. Sometimes it was because of too much joy. It was possible to be overwhelmed by the presence of so much beauty in the world." Why do you think Mina quoted this passage to Michael? How are fear and pain related? How are joy and beauty related? How does Skellig represent all these qualities?

8. What does the nurse mean when she describes Michael's baby sister as having a "heart of fire"? Why does Michael want to name the baby Persephone? Why is Joy an appropriate name for her? What other names might symbolize her journey and her place in the world?

9. Skellig returns for one last visit with Michael and Mina. What do you think is Skellig's purpose for entering Michael's life? How does he touch other lives? Do you think he'll ever return?

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