- We Call on Him
- Easy Come, Easy Go
- Any Old Time
- Anyone Can Play
- I Got Love
- I'll Never Know
- All I Needed Was the Rain
- How Can You Lose What You Never Had
- Spin Out
- Magic Fire
- I'll Be Back
- Love on the Rocks
- Stay Away, Joe
- Cross My Heart and Hope to Die
- Clambake
- There's So Much World
- Do the Clam
- Restless
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0602567491439
Elvis Presley Primary Artist,Vocals
Kevin Grantt Bass
Catherine Marx Keyboards
David McEowen Tape Transfer
Dana Smart Project Assistant
Vartan Art Direction
Luke Wooten Mixing,Mastering
Darrell Fuller Composer
Michael Ruthig Supervisor
Ute Friesleben Production Manager
Sid Wayne Composer
Carl Jackson Producer,Mastering
Jochem van der Saag Mixing
John Heiden Design
Xilonen Oreshnick Photo Research
Steve Auerbach Executive Producer
Perry Cunningham Tape Transfer
Matt D'Amico Supervisor
Alan Light Liner Notes
Kristin Biskup Project Assistant
Laura Kimbrell Production Coordination
Dolores Fuller Composer
Kristina Fox Tape Research
Ben Weisman Composer,Producer
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Overview
Glen Campbell's connection to Elvis was evident but didn't appear to be particularly strong prior to the 2018 release of Sings for the King. As part of Los Angeles' famed Wrecking Crew, he played guitar on the soundtrack for Presley's 1963 flick Viva Las Vegas but that was his only session for Elvis. By the time Presley considered Campbell part of his TCB touring band, Glen's star was ascendant, so he never supported the King. Unbeknownst to the public in 1968, Campbell was wrapping up several years as the unofficial demo singer for Ben Weisman, Presley's songwriter of choice. Weisman penned a few of Elvis' notable songs of the 1960s, including "Crawfish" and "Follow That Dream," which are just two of the 57 Weisman compositions cut by Presley over the years. Between 1965 and 1968, Weisman hired Campbell to sing lead on songwriting demos intended to be heard by no one other than Elvis. These weren't mere guitar-and-voice recordings: Campbell was backed by a full studio band playing arrangements that are very similar to what wound up on Presley's own recordings. Sings for the King contains 17 of these recordings (there is also an opening ringer, "We Call on Him," which is an electronically created duet, that unfortunately kicks the disc off on a bum note). Many of these titles will be familiar to aficionados of Presley's mid-'60s movie soundtracks: "Spin out," "Stay Away Joe," "Clambake," "Do the Clam," and "Cross My Heart" are all here. Much of this is intentionally splashy and silly, yet these versions wind up highlighting Weisman's savvy songwriting, in part because they're leaner than what wound up on Presley's records. Perhaps these recordings lack cinematic pizazz and the Jordanaires, but Campbell is a charismatic, lively presence on these tunes, rarely attempting to mimic Elvis' swagger (he does do a bit of Presley's signature lower-register growl on "Anyone Can Play," though) and just singing these songs with gusto and precision. During the period these demos were recorded, Campbell was in the process of launching his own career as a vocalist, and it's not hard to imagine that he used this opportunity to figure out how to decisively deliver a variety of styles: rock & roll, big ballad pop, blues, vaudeville shuffles, and Hollywood razzmatazz. The variety is a testament to Weisman but the success of the music is down to Campbell, who makes this intentionally frothy material seem compelling -- sometimes more compelling than the King himself, at least as far as these songs are concerned. ~ Stephen Thomas Erlewine
Product Details
Release Date: | 11/16/2018 |
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Label: | Ume / Universal |
UPC: | 0602567491439 |
Tracks
Album Credits
Performance Credits
Glen Campbell Primary Artist,VocalsElvis Presley Primary Artist,Vocals
Kevin Grantt Bass
Catherine Marx Keyboards
Technical Credits
Fred Karger ComposerDavid McEowen Tape Transfer
Dana Smart Project Assistant
Vartan Art Direction
Luke Wooten Mixing,Mastering
Darrell Fuller Composer
Michael Ruthig Supervisor
Ute Friesleben Production Manager
Sid Wayne Composer
Carl Jackson Producer,Mastering
Jochem van der Saag Mixing
John Heiden Design
Xilonen Oreshnick Photo Research
Steve Auerbach Executive Producer
Perry Cunningham Tape Transfer
Matt D'Amico Supervisor
Alan Light Liner Notes
Kristin Biskup Project Assistant
Laura Kimbrell Production Coordination
Dolores Fuller Composer
Kristina Fox Tape Research
Ben Weisman Composer,Producer
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