Signature Kill

by David Levien Narrated by Scott Brick

Overview

A stunning serial-killer novel from David Levien, featuring his acclaimed and indomitable investigator, Frank Behr . . . this is the bigger thriller we've been wanting for from Levien. A young woman's body is found on a side street in Indianapolis, horrifyingly arranged. Meanwhile, Frank Behr, who is down on his luck and virtually broke, takes on a no-win case to locate a single mother's wayward daughter who's been missing for months. Suddenly Behr feels the two cases may be connected, but he is years removed from his life as a legitimate police officer and has few friends left on the force. His relentless focus has always been his greatest strength . . . and his deepest flaw. As the death toll rises, it becomes clear Indianapolis has a serial killer in its midst . . . an invisible average Joe who passes beneath the radar but commits unspeakable acts. Frank Behr's pursuit will lead him to a dark place-and ultimately to a devastating decision from which he will not be able to turn back. Signature Kill is David Levien's most masterful novel yet-a book that will attract attention from a wider group of thriller fans.

Editorial Reviews

Publishers Weekly

01/19/2015
In Levien’s solid fourth Frank Behr novel (after 2011’s Thirteen Million Dollar Pop), the Indianapolis, Ind., PI can’t resist going after the $100,000 reward offered by widow Kerry Gibbons for finding her grown daughter, Kendra, whose disappearance has been advertised on billboards. Behr, a former cop, chases down routine leads without much to show for it. He later connects with Indianapolis police detective Gary Breslau, who’s investigating the murder and dismemberment of an unidentified young woman. Digging through case files and getting some help from a profiler and a crime-scene photographer, Behr finds a startling number of similar dismemberment crimes. Kendra fits the mold of those victims. While Behr hunts the sadistic killer, the killer continues to stalk, torture, and dismember more women. Behr sets a trap that only serves to anger the fiend. Behr is a complex and compelling sleuth, though readers should be prepared for some gruesome murder scenes. Agent: David Gernert, Gernert Agency. (Mar.)

From the Publisher

Praise for SIGNATURE KILL

“Arguably the best crime writer in contemporary fiction. . . . [Signature Kill] is as bulletproof as they come.” —The Free Lance-Star (Fredericksburg)

“There's never any doubt that Behr will get his man, but what happens when he does will make your hair stand on end.” —Kirkus Reviews
 
“The truth of [Levien’s] characters—and the intensity of their pain—is as unbearably real as it gets.” —The New York Times Book Review

Acclaim for David Levien

“Levien has placed himself among the best writers in the field.” —Robert Crais

“[Levien] infuses his . . .  tale with heart-wrenching emotion.” —People

“Veteran screenwriter David Levien imagines with icy, almost sadistic precision.” —Entertainment Weekly

“Levien has an ear for dialogue that many of us don’t often hear.” —The Indianapolis Star

“David Levien is a marvel. . . . His descriptions are true to life, real and unflinching, a combination of Mickey Spillane, Wallace Stroby and Richard Stark, but nonetheless all Levien.” —BookReporter

Kirkus Reviews

2015-01-07
When a sex killer terrorizes Indianapolis, ex-cop Frank Behr (Thirteen Million Dollar Pop, 2011, etc.) swings into action, with darkly mixed results.His subzero bank balance prompts Frank to call on Kerry Gibbons, who's offering a $100,000 reward for information about her daughter, Kendra, who disappeared more than a year ago. Making preliminary inquires among the people he considers his contacts, Behr soon learns that his friendships, like his finances, are running on fumes. Lt. Gary Breslau of the Indianapolis Metro PD keeps him at arm's length. Frank's old training officer, bar owner Gene Sasso, indicates that Frank's extended silence has all but burned the bridge between them. Forensic pathologist Jean Gannon has retired from practice. Even Behr's girlfriend, Susan, has moved out, taking their baby son, Trevor. Meanwhile, interspersed chapters that become harder and harder to read track the killer as he stalks, abducts, tortures, kills and photographs the latest in what turns out to be a long series of victims. Luckily, Behr finds new helpers to replace the friends who've dropped out, or dropped him. Criminal psychologist Lisa Mistretta is so avid to collaborate with Behr that they end up in bed. And crime scene photographer Django Quinn gets close enough to the killer to rue the day he was born. There's never any doubt that Behr will get his man, but what happens when he does will make your hair stand on end. The combination of peerlessly depressive Behr and the formulaic serial-killer plot produces a thriller at once mordant, grueling and routine.

Product Details

BN ID:	2940170642861
Publisher:	Recorded Books, LLC
Publication date:	03/24/2015
Edition description:	Unabridged

Read an Excerpt

1

Movement in the pin oak on the hillside caught Frank Behr’s eye. He stood hidden in thick trees on a low rise two hundred fifty yards away, scanning the underbrush above the shallow bowl of a meadow. Gray and stealthy, the whitetails picked their way down toward the good feed, and the horizontal lines of their backs broke the vertical pattern of the trees. Behr felt the nerves along the still-­healing left side of his collarbone call out in protest as he slowly raised his Remington 870 Express and used the four-­by scope to get a better look. The deer were all doe. Even the controlled movement of his lifting the gun was enough to give them pause. They stopped, three of them, their heads perfectly still, save for their ears, the insides twitching white as they rotated around to capture a telltale sound. Behr stood there, gun steady, watching. After a long moment the deer continued, in serpentine fashion, down toward the edge of the meadow. When his arm started to throb, he lowered the gun.

Over the next half hour several more doe and a pair of forkies came out of the trees and began their evening graze. Behr waited. He’d been doing this a long time, and he was familiar with the habits of whitetail. The cagey big bucks often let the young ones, and the doe, go first. There was no change for several long minutes until, like a gray ghost of the forest, the senior buck of the herd became visible far up the hill. He was out of range and in the shadows of deep cover.

Behr carefully slung his Remington and pulled a pair of old antlers from his belt and began clacking them together. The rut was on, and he hoped to rattle the old boy out into the open looking for a fight. Behr slid a plastic tube up out of his coat and blew a breath into it, causing it to emit a low grunt. He saw the buck look in his direction, but felt the silhouette of his six-­and-­a-­half-­foot, two-­hundred-­forty-­plus-­pound frame was broken up enough that the buck couldn’t see him. As long as the wind didn’t change, Behr had a chance.

The buck picked his way down to the edge of the meadow, stopping behind a brake of prickly ash. Behr gave a final knock and scrape of the antlers, then tucked them into his belt and raised his Remington again, snugging the butt onto his shoulder. The last rattle had caused the buck to lift his head and scent the wind, and Behr finally got a clear look at the old boy’s rack. He was a ten pointer with thick beams and a wide spread. Bramble slightly obscured the shot, but Behr was able to put his crosshairs square on the deer’s chest. He held. If the buck continued into the open and quartered broadside it’d be ideal, but this was a good shot, and one Behr had made before. He clicked the safety off and let out a slow breath, closing the valve on the anticipation and the pity and all other emotion in his chest. When hunting, a cold, clean killing edge is best. He was ready. The ideal time came and went. He should have squeezed. But something made him wait. He watched the deer for a long moment. The moment continued as the buck ticked forward a dozen more steps. Behr felt his mind drift.

Trevor. Six months old now, but one day I’ll be standing on a hillside like this with my boy, teaching him the ways of the woods, how to shoot, how to hunt.

Behr refocused his eye and the reticle. Then he saw the buck flinch, and a millisecond later the boom of another slug gun echoed off the hillside. The deer in the field scattered, and the old boy’s head whipped to the side and he disappeared into the foliage.

The crack of breaking branches and the thick chunking sound of hooves knocking against downed trunks reached Behr in his spot as the buck, hit and hurt, careened heedlessly into the deep timber. Behr waited a few minutes, until he saw the blaze orange of Lester’s cap, atop a suit of Mossy Oak Break-­Up pattern, make its way like a bobbing cork above the bramble, then he started down the hill and across the meadow to where he’d seen the buck plunge into the trees.

Behr reached the deer first and found him in a clearing, rolled up on his left side, face plowed into a carpet of dead leaves. There was a small hole just behind the shoulder that oozed only a trickle of blood. It was a near-perfect shot. Lester made the clearing seconds later, breathing hard.

“Hot damn,” he said over a lip full of Copenhagen when he saw what he’d collected.

“Well done, Les,” Behr said and gave him a whack on the shoulder. In his late sixties, Lester Dollaway was the father of one of Behr’s old college football teammates, Des, a reservist who’d died in Afghanistan five years back. The hunting trips had been a long-­standing tradition between the three of them, and Behr hadn’t considered ending them just because his friend was gone. That first year when it was just him and Les pulling permits had been difficult. The pain in the older man’s darting black eyes was almost unbearable. Things had gotten easier with each passing year. A native Iowan, Les lived only an hour away from where they were now, and he knew all the landowners and got permission to scout in the spring and hunt in the early winter season.

“It’s the last day,” Lester said, taking off his cap and rubbing up his steel wool hair. “I can do this if you want to get on over the hill and look for them forkies or something.”

Behr gave some thought to his $400 nonresident antlered deer license that would go unfilled.

“Nah, I’ll help you and we can drag him down together.”

“It’ll be dark before long,” Les said. “You won’t get a shot.”

“Probably not.”

“I thank you.”

“Want me to dress him?” Behr offered and pulled the drop point skinner off his belt.

“If it’s no trouble,” Lester said. “These damn eyes . . .”

Behr nodded and removed his coat, then pushed up his shirtsleeves. “Seemed fine when you squeezed off on this old boy.”

He rolled the deer onto his back and made the first cut from sternum to crotch, his blade parting the white belly fur and whiter layer of fat beneath it before the red of muscle and blood leapt forth. Once the buck was opened up, Behr reached up into the warmth and wetness of the cavity and removed the organs. After splitting the pelvis, Behr cut the heart free. It came out thick and heavy and purplish in his hand, and he set it off to the side before he tilted the carcass downhill to drain. As the garnet fluid soaked into the dry ground, Behr looked at the battered forehead and broken brow tine on the old buck.

“See the Roman nose on this one? He was a fighter,” Lester said.

Behr absently rubbed his own nose with his upper arm. Had he not liked his shot? he wondered. He’d made many as difficult and some much more so. Maybe he’d seen too much gunfire recently, or perhaps an awareness of the damage a gun like the one he had brought could do was still just too fresh. He wasn’t sure and it didn’t matter. He hadn’t fired and hadn’t filled his tag after four days of hunting.

“Couldn’t believe you didn’t take him before he came on down toward me,” Lester said. “You’re in for some meat after I get him to the butcher.”

“Thanks, Les,” Behr said.

“Hell, you rattled him right in.”

Behr used the remainder of his water bottle to rinse the blood and gore from his hands and forearms. Lots of guys wore rubber gloves when field dressing these days, to prevent picking up infection, but not Behr. It wasn’t how he was taught. And he’d yet to catch a disease from a deer. He couldn’t say the same for people.

The sun throbbed crimson and dropped down over the hill, flattening out the light in the meadow to a pale purple as they each took a hind leg and dragged the deer a half mile to Lester’s truck.

2

It’s happening again . . .

The words come from a place deep within him. He feels that stuff down there, bubbling and stirring, as the thing inside him that is other looks to push up and outward. He has to take it for a ride.

It’s happening again and before long the red curtain will come down once more . . . Soon.

So soon it is almost confusing.

He should be at work by now, but he finds himself turning toward Irvington instead. He’ll have to make up the time on his own. His bosses just want results, they care less about his coming and going and being punctual as long as the work gets done. And he has seniority. Besides, he doesn’t know this neighborhood. Yet.

The streets are filled with cars this morning as people go to their jobs, the sidewalks populated with mothers and their children on the way to school, along with the occasional jogger bundled in a sweatshirt moving down the road, blowing cold clouds of breath. He rolls along, as slowly as he can without getting in the way, without becoming noticeable.

He turns the corner onto East Lowell, and sees a lone woman walking. In her late twenties or early thirties, she has blond hair streaked with light reddish brown the color of ground cinnamon. She isn’t out for a healthful stroll, he can see by the cigarette in her hand and the black leather jacket and jeans that look like they were worn to a bar the night before.

Dirty girl, dirty girl . . .

He slows, trolling behind her for a bit. She is petite, with a light stride. Young.

Go to work. Now. A voice inside tries to instruct him. But it is weak. Certainly not strong enough to win out, and it will soon fall mute.

He no longer feels the car around him. All is silent. He is flying, floating along next to her. He is near her, with her, of her . . .

Finally, his senses return. The steering wheel is in his hands, the seat beneath him, and the pedals under his feet once again. He speeds up and pulls abreast of her for just a moment before continuing on, her presence and her location filed away automatically in his mind. A certain fluttering sensation arrives in his gut—the one that comes along when he’s found a new project.

Hello, Cinnamon . . .

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