Publishers Weekly
★ 12/21/2015
In Montanari’s exceptional ninth procedural featuring Det. Kevin Byrne and ADA Jessica Balzano (after 2015’s The Doll Maker), Kevin investigates a series of odd, violent home invasions scattered throughout Philadelphia. While the victims appear to have little connection, clues prove these murders aren’t random. The reader knows that the killer is Michael Farren, a member of an Irish crime family with a vendetta to enforce. Michael, who calls himself Billy the Wolf, has an unusual handicap: he suffers from face blindness, which makes it impossible for him to recognize people by their faces. The murders turn out to echo a decades-old crime committed in the Devil’s Pocket neighborhood during Kevin’s childhood there. Montanari takes care to show the humanity in each character, even in the criminals. As Kevin’s investigation intensifies, the brisk plot quickly becomes an engrossing story of a neighborhood’s residents—those who escape, those who stay, and those who are buried there. Agent: Jane Berkey, Jane Rotrosen Agency. (Feb.)
From the Publisher
One of the New York Times Book Review's Best Crime Novels of 2016
"There's a lot of flawed humanity in Devil's Pocket. . . . Richard Montanari's elegiac tone takes the curse off Shutter Man, a blood-drenched thriller about a group of imperfectly domesticated boys who came from the same blighted neighborhood and grew up to become criminals and killers-and cops. . . . Pay special mind to Detective Kevin Byrne, the ethically conflicted hero of Montanari's gripping police procedurals."—Marilyn Stasio, New York Times Book Review
"A bit like Memento for Philadelphia"—Keri Blakinger, New York Daily News
Library Journal
02/01/2016
A serial killer commits a series of strange home invasions in Philadelphia; handicapped by a rare disease that renders him unable to recognize faces, the perpetrator carries a photograph of his victims in his pocket. As Det. Kevin Byrne and assistant DA Jessica Balzano, his former partner, investigate, past crimes committed in Byrne's childhood neighborhood of Devil's Pocket raise their ugly heads to haunt the present. VERDICT Montanari's newest series offering (after The Doll Maker) includes spooky and mystical elements in this story of hardscrabble living, remorse, and renewal.
Kirkus Reviews
2015-11-19
The streets of Philadelphia swim with blood in the latest Byrne and Balzano adventure. Kevin Byrne, one of Philly's best homicide cops, and Jessica Balzano, his former partner who's become a prosecutor, team up to stop a killer who's brutally murdering people with no apparent connection. The first killings, of a family named Rousseau, leave a woman, her husband, and their teenage son dead. All three have been duct-taped to chairs and shot once in the chest. In addition, the mother's face has been cut off. Other murders follow, all identical in nature. Each time, the victim's face has been hacked off and an old linen handkerchief with a strange five-letter word written in blood is found at the scene. Witnesses also report seeing a singing woman in white nearby. Flashback to Byrne's childhood, when he and three other boys roamed the Irish neighborhood known as the Devil's Pocket. When a little girl named Catriona is murdered, the boys immediately know who killed her: a degenerate named Des Farren, the not-quite-right son of a murderous criminal family When Des is killed, Byrne has his suspicions as to the killer's identity, and the memory of the day the little girl died floods back when another Farren is implicated in the citywide killings. Montanari creates rich, interesting characters, but he spills buckets of blood and brutally murders everyone who crosses his killer's path. Fans of writers who keep the carnage to a minimum will find Montanari's bloody stories both disturbing and rife with unnecessary violence; those who like their bad guys depraved, killings graphic, and violence amped to high volume will find this and the author's other works more to their liking. Montanari researches his books well, but the almost clinical explanations of police procedure add little to the narrative and serve mostly as a vehicle to yank the reader out of the story.
