Shot-Blue

by Jesse Ruddock

Overview

‘Shot-Blue is that rarest species, a genuinely wise novel.’ – Rivka Galchen

Rachel is a young single mother living with her son, Tristan, on a lake that borders the unchannelled north – remote, nearly inhospitable. She does what she has to do to keep them alive. But soon, and unexpectedly, Tristan will have to live alone, his youth unprotected and rough. The wild, open place that is all he knows will be overrun by strangers – strangers inhabiting the lodge that has replaced his home, strangers who make him fight, talk, and even love, when he doesn't want to. Ravenous and unrelenting, Shot-Blue is a book of first love and first loss.

Product Details

ISBN-13:	9781552453407
Publisher:	Coach House Books
Publication date:	04/02/2017
Pages:	224
Product dimensions:	5.20(w) x 8.20(h) x 0.80(d)

About the Author

Jesse Ruddock is author of the novel Shot-Blue. Born and raised in Guelph and based in Montreal, Jesse attended Harvard on a hockey scholarship, playing starting goal. After a series of concussions, she turned to studying modern poetry and medieval meditation, next completing a Master’s at the University of Toronto. From age thirteen to twenty-three, Jesse worked in the summer as a carpenter’s apprentice on a remote lake in northern Ontario.

The New York Times says, ‘Ruddock writes moments of startling intimacy.’ The National Post says, ‘Ruddock is a poet (among other things) and we can call her debut a novel or we can call it what it is: poetry.’ Her writing and photographs have appeared in the New Yorker.com, N+1, BOMB, Music & Literature, and VICE, among other places.

Editorial Reviews

01/02/2017
Ruddock’s complex debut novel set in Canada’s north is a story of a tough but character-forming hardscrabble life and of the deep bonds and rivalries created among people who live together far away from urban civilization. In the first section, Rachel and her teenage son, Tristan, live out in the wilderness, determined to survive without help from anyone else. When Rachel doesn’t come home one day, Tristan continues to live alone for a time. In the second section, the land has been sold and Tristan has ended up back at his former home, now turned into a holiday lodge. He lives among strangers and works as a backwoods guide. He becomes closest to Tomasin, who also works there, and the relationship between them is tender, tragic, and perplexing. This poetically written book is full of riddles, of characters talking past each other and misunderstanding one another in the vein of a Shakespearean love tangle. Loneliness, the very human inability to communicate with one another in a way that reveals our deepest selves, is the point. The novel is a fine corrective to fiction that assumes that people are rational actors and that motive is straightforward or even discernible. (Mar.)

Publishers Weekly

"Simply breathtaking … Ruddock writes moments of startling intimacy." – New York Times

"All big dreams and knitted brows, Shot-Blue is a serious and demanding book, contemplating widely in wandering prose. Ruddock is a poet (among other things) and we can call this her debut novel or we can call it what it is: poetry. She taps skills honed across mediums – Ruddock a songwriter and photographer besides – to paint vividly a savage, inhospitable northern winter and the human collateral it claims." – National Post

"There is something ancient, primal and almost biblical about the story Shot-Blue tells … An intensely imaginative and lucid study of human feeling in all its depth and range." – Music & Literature

"A tough, hardscrabble book … Ruddock has a horrible knack for immediacy." – Globe and Mail

"A moving, lyrical novel. [...] A searing debut." – Kirkus Reviews

"This poetically written book is full of riddles, of characters talking past each other and misunderstanding one another in the vein of a Shakespearean love tangle. Loneliness, the very human inability to communicate with one another in a way that reveals our deepest selves, is the point. The novel is a fine corrective to fiction that assumes that people are rational actors and that motive is straightforward or even discernible." – Publishers Weekly

"Ruddock’s prose style is often painterly, a talent she is unafraid to wield with bravado … She ends her book as poetically as she began it, foregoing straightforward answers for something bordering on intuition, leaving the reader to float face up in the sea of vibrant language, bobbing in her shifting, ambiguous, and graceful waves." – Culture Trip

"Much like Winter’s Bone, Shot-Blue is written in a style that somehow combines an easy-spoken blue collar minimalism with wordplay and lyricism. The oblique, hidden emotions of the characters are balanced in part by the ingenuity and playfulness of Ruddock’s language." – Cleaver Magazine

"An electric debut novel from a young Canadian writer. Reading Jesse Ruddock’s prose sentence to sentence is like rowing at high speed, each stroke forward is a blunt, visceral experience." – Librairie Drawn & Quarterly

"Jesse Ruddock’s powerful debut, Shot-Blue, is at once charged with lyrical energy and grounded in a complex, human understanding of trauma, desire and loss." – The Rusty Toque

"Ruddock’s ability to craft a complicated story into a haunting and vivid set of ideas of otherness and connection is clear." – Hamilton Review of Books


"Jesse Ruddock understands the weight of things that cannot be said aloud. A sensitive book about lives lived at the edge of society, in the shadow of an idyllic panorama, given voice only in the silence of adolescence." – Jenny Erpenbeck, author of The End of Days

"Stunning and just so gracefully told. Ruddock’s landscape and characters are told by heart and her fierce and beautiful language makes you feel it." – Naja Marie Aidt, author of Rock, Paper, Scissors

From the Publisher

2016-12-18
Poverty, youth, and longing collide on an isolated Canadian island in Ruddock's searing debut novel.Rachel and her 11-year-old son, Tristan, are alone in Canada's rugged north, working odd jobs when they can but most often isolating themselves on a small, wild island where Rachel's father kept a hunting cabin. Trying to provide for her son, Rachel begins sleeping with local boatman Keb in exchange for money. After winter drives them to a town on a neighboring island, Rachel wanders too far from their small cabin and perishes in the cold, only being found when the ice on which she died thaws and she is washed to shore. This leaves Tristan alone in a harsh world that doesn't show much compassion to the boy beyond getting him a job at a resort being built on the island he and his mother once called home. There, Tristan becomes just another nameless worker, all the while harboring a sense of loss for the place that was once his refuge. When a young girl named Tomasin arrives for the summer, she picks Tristan out and develops a crush that pushes both of them beyond their emotional limits. In haunting prose, the author has created a moving and tense look at what becomes of children when they aren't or can't be cared for and must fend for themselves. It explores the depths of human emotion and the limits we struggle to overcome. A moving, lyrical novel that explores the emotional pain of hardship on children.

Kirkus Reviews