Shostakovich Studies

by David Fanning (Editor)

Overview

Few composers' posthumous reputations have grown as steadily as Shostakovich's. Yet outside the concert hall the focus of attention seems to have been on the extraordinary circumstances of his life rather than on the music itself. This book seeks to show that the power of his work stems as much from its craftsmanship as from its political and personal context. The eleven essays lay a foundation for a proper understanding of Shostakovich's musical language as well as providing new insights into the issues surrounding his composition.

Product Details

ISBN-13:	9780521452397
Publisher:	Cambridge University Press
Publication date:	11/09/1995
Series:	Cambridge Composer Studies
Pages:	292
Product dimensions:	6.26(w) x 9.29(h) x 1.10(d)

Table of Contents

Acknowledgements; 1. Introduction: talking about eggs: musicology and Shostakovich David Fanning; 2. Public lies and unspeakable truth: interpreting Shostakovich's Fifth Symphony Richard Taruskin; 3. Form in Shostakovich's instrumental works Yuriy Kholopov; 4. Russian theorists on modality in Shostakovich's music Ellon D. Carpenter; 5.The cycle of structure and the cycle of meaning: the Piano Trio in E Minor, Op. 67 Patrick McCreless; 6. Leitmotif in Lady Macbeth David Fanning; 7. From Lady Macbeth to Katerina: Shostakovich's versions and revisions Laurel E. Fay; 8. The Golden Age: the true story of the première Manashir Yakubov; 9. 'And art made tongue-tied by authority': Shostakovich's song-cycles Dorothea Redepenning; 10. A debt repaid? Some observations on Shostakovich and his late-period recognition of Britten Eric Roseberry; 11. Shostakovich and Schnittke: the erosion of symphonic syntax Alexander Ivashkin; Index.

Editorial Reviews

"This work joins Cambridge's eclectic list of books on 20th-century music. It is an important contribution to the critical assessment of a major modern composer." Choice

From the Publisher