Sharpe fans who may have worried that Cornwell's popular series was drawing to a close can heave a sigh of relief-the 19th entry (after 2002's Sharpe's Prey) brings the up-from-the-ranks rifleman back to the Peninsular War where the series began, among such familiar comrades-in-arms as Sergeant Harper and the "old poacher" Dan Hagman. In the treacherous villain role without which no Sharpe adventure would be complete, the Shakespeare-quoting Colonel Christopher plays both sides of the fence in an effort to contrive a peace between the warring parties that will leave him a rich man. But Christopher hasn't reckoned with the new British commander, Sir Arthur Wellesley, the future Duke of Wellington, who arrives in time to catch Marshal Soult's invading army by surprise. Meanwhile, Sharpe and his men, cut off in a Portuguese village, hold off superior French forces with the aid of Lieutenant Vicente, a Portuguese lawyer, poet and philosopher turned soldier. Sharpe's antilawyer barbs, as well as some later banter about the troubled relations between the English and Irish and between the Spanish and Portuguese, provide comic relief, while Kate Savage, a naive 19-year-old Englishwoman seduced by Christopher, lends relatively minor romantic interest. A delicious scene at Wellesley's headquarters, in which Sharpe has to account for his seemingly inactive role, will please aficionados, as will the ringing words with which Cornwell closes his customary afterword on the historical background: "So Sharpe and Harper will march again." (Apr. 1) Forecast: An eight-city author tour, his first in the U.S., plus the human interest story of the author's recent discovery of his biological parents after being give up for adoption at birth, should ensure that Cornwell builds on his ever-increasing U.S. sales. Whether Cornwell will clamber up national bestseller lists, though, as he routinely does in the U.K., remains to be seen. Copyright 2003 Reed Business Information.
Sharpe's Havoc (Sharpe Series #7)
Narrated by Rupert Farley
Bernard CornwellUnabridged — 12 hours, 37 minutes
Sharpe's Havoc (Sharpe Series #7)
Narrated by Rupert Farley
Bernard CornwellUnabridged — 12 hours, 37 minutes
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Overview
New York Times Bestselling Author
Newly Reissued
Richard Sharpe returns to the battlefields of the Iberian Peninsula, where he and his men bravely fight the French invasion into Portugal in 1809. The world-renowned Sharpe series is now available with gorgeous packaging for a new generation of readers
A few years after Richard Sharpe's heroic exploits on the battlefields of Trafalgar, Sharpe finds himself once again in Portugal, fighting the savage armies of Napoleon Bonaparte, as they try to bring the whole of the Iberian Peninsula under their control. Travelling with a small British contingent, Sharpe is on the lookout for Kate Savage, the daughter of an English wine shipper, who has gone missing a few months before. But just as he follows the first leads to the missing girl, the French onslaught on Portugal begins and the city of Oporto becomes a bloody scene of carnage and disaster as it falls into the hands of the enemy.
Editorial Reviews
Cornwell (Gallows Thief) continues his popular "Sharpe" series with this latest entry. It is 1809, and Napoleon has plans to annex the Iberian Peninsula; British troops are sent to help the Portuguese in their battle against the French. Sharpe and his small regiment of riflemen are separated from the main body of British troops, and once again find themselves in the thick of the action, which centers in and around the city of Oporto. Complicating matters is Kate Savage, the daughter of a British wine merchant in Oporto, whom Sharpe must find and escort to safety. Meanwhile, a French spy marries Kate solely to get his hands on her fortune. The action shifts between battle scenes and the spy, whom Sharpe unmasks. Although the outcome is never in doubt, this nevertheless makes for a rousing story. The reader is pleased to encounter an ongoing cast of characters, familiar from the previous books in the series. In an afternote, Cornwell mentions that this book is based on actual historical events and people. Recommended for popular historical fiction collections. [Previewed in Prepub Alert, LJ 12/02.]-Fred M. Gervat, Concordia Coll. Lib., Bronxville, NY Copyright 2003 Reed Business Information.
Isolated but far from impotent, Sharpe and his trusty riflemen hold off vast Napoleonic forces in the Portuguese wine country. With years to go before the Corsican Menace is safely quarantined, there is never any doubt but that intrepid, supremely resourceful Richard Sharpe, amiable hero of 18 previous outings (Sharpe's Prey, 2001, etc.), will prevail, though Cornwell, always using good history and always explaining where he has fantasized, never fails to engross and beguile. Sharpe is every gentle reader's secret vision of his or her own self: the victim of idiotic superiors, the idol of his troops, unsure of his place in the world, utterly sure of his place in battle. And doesn't he go to the loveliest places! Now he's in greater Oporto, home to the great red wine and the great English red wine-exporting families, where Bonaparte's troops threaten the city and such lovely citizens as Kate Savage, heiress to House Beautiful and a port fortune, who has disappeared. Sharpe is on the scene because he and his riflemen have been cut off from their battalion and because shrewd Captain Hogan needs him around for the odd commando task. In this case, the task is dual: find Kate and keep an eye on a certain slippery Colonel Christopher. Hightailing it out of the city as the Emperor's troops invade, Sharpe is witness to the disastrous collapse of a bridge and is near victim himself of a French ambush. His bacon is saved by a band of Portuguese irregulars led by Lieutenant Vicente, a young philosopher-lawyer-poet learning army tactics on the fly. Sharpe and Vicente's united little bands find their way to Kate Savage's country estate, where Kate is about to marry the perfidious ColonelChristopher. How perfidious? Not only has he arranged a bogus wedding mass, but he's busy playing off subfactions of the French against each other. Fool that he is, the Colonel, like the French, fears nothing from the obviously ill-born Lieutenant Sharpe. The best stuff.
Patrick Tull's brassy bass voice is tailor-made for the swashbuckling escapades of Lieutenant Richard Sharpe as he duels, fights, schemes, plots, and shoots his way through the Peninsular War of 1809. As Sharpe advances with the aid of Captain Harper to halt Napoleon Bonaparte’s attempt to bring Portugal under French control, Sharpe focuses on both the war and the rescue of a missing English wine merchant's daughter, Kate Savage (modeled on Shakespeare's rousing Katrina in THE TAMING OF THE SHREW). In HAVOC the narrator must keep track of an unusually large cast of characters. Unfortunately, Tull, who is good at differentiating individual characters, falters on presenting the big picture. M.D.H. © AudioFile 2003, Portland, Maine
Product Details
| BN ID: | 2940176092271 |
|---|---|
| Publisher: | HarperCollins Publishers |
| Publication date: | 03/22/2022 |
| Series: | Sharpe Series , #7 |
| Edition description: | Unabridged |
Read an Excerpt
Sharpe's Havoc
Richard Sharpe and the Campaign in Northern Portugal, Spring 1809
Chapter One
Miss Savage was missing.
And the French were coming.
The approach of the French was the more urgent crisis. The splintering noise of sustained musket fire was sounding just outside the city and in the last ten minutes five or six cannonballs had battered through the roofs of the houses high on the river's northern bank. The Savage house was a few yards down the slope and for the moment was protected from errant French cannon fire, but already the warm spring air hummed with spent musket balls that sometimes struck the thick roof tiles with a loud crack or else ripped through the dark glossy pines to shower needles over the garden. It was a large house, built of white-painted stone and with dark-green shutters closed over the windows. The front porch was crowned with a wooden board on which were gilded letters spelling out the name House Beautiful in English. It seemed an odd name for a building high on the steep hillside where the city of Oporto overlooked the River Douro in northern Portugal, especially as the big square house was not beautiful at all, but quite stark and ugly and angular, even if its harsh lines were softened by dark cedars which would offer welcome shade in summer. A bird was making a nest in one of the cedars and whenever a musket ball tore through the branches it would squawk in alarm and fly a small loop before returning to its work. Scores of fugitives were fleeing past the House Beautiful, running down the hill toward the ferries and the pontoon bridge that would take them safe across the Douro. Some of the refugees drove pigs, goats and cattle, others pushed handcarts precariously loaded with furniture, and more than one carried a grandparent on his back.
Richard Sharpe, Lieutenant in the second battalion of His Majesty's 95th Rifles, unbuttoned his breeches and pissed on the narcissi in the House Beautiful's front flower bed. The ground was soaked because there had been a storm the previous night. Lightning had flickered above the city, thunder had billowed across the sky and the heavens had opened so that the flower beds now steamed gently as the hot sun drew out the night's moisture. A howitzer shell arched overhead, sounding like a ponderous barrel rolling swiftly over attic floorboards. It left a small gray trace of smoke from its burning fuse. Sharpe looked up at the smoke tendril, judging from its curve where the howitzer had to be emplaced. "They're getting too bloody close," he said to no one in particular.
"You'll be drowning those poor bloody flowers, so you will," Sergeant Harper said, then added a hasty "sir" when he saw Sharpe's face.
The howitzer shell exploded somewhere above the tangle of alleys close to the river and a heartbeat later the French cannonade rose to a sustained thunder, but the thunder had a crisp, clear, staccato timbre, suggesting that some of the guns were very close. A new battery, Sharpe thought. It must have unlimbered just outside the city, maybe half a mile away from Sharpe, and was probably whacking the big northern redoubt in the flank, and the musketry that had been sounding like the burning of a dry thorn bush now faded to an intermittent crackle, suggesting that the defending infantry was retreating. Some, indeed, were running and Sharpe could hardly blame them. A large and disorganized Portuguese force, led by the Bishop of Oporto, was trying to stop Marshal Soult's army from capturing the city, the second largest in Portugal, and the French were winning. The Portuguese road to safety led past the front garden of the House Beautiful and the bishop's blue-coated soldiers were skedaddling down the hill as fast as their legs could take them, except that when they saw the green-jacketed British riflemen they slowed to a walk as if to prove that they were not panicking. And that, Sharpe reckoned, was a good sign. The Portuguese evidently had pride, and troops with pride would fight well given another chance, though not all the Portuguese troops showed such spirit. The men from the ordenança kept running, but that was hardly surprising. The ordenança was an enthusiastic but unskilled army of volunteers raised to defend the homeland and the battle-hardened French troops were tearing them to shreds.
Meanwhile Miss Savage was still missing.
Captain Hogan appeared on the front porch of the House Beautiful. He carefully closed the door behind him and then looked up to heaven and swore fluently and impressively. Sharpe buttoned his breeches and his two dozen riflemen inspected their weapons as though they had never seen such things before. Captain Hogan added a few more carefully chosen words, then spat as a French round shot trundled overhead. "What it is, Richard," he said when the cannon shot had passed, "is a shambles. A bloody, goddamned miserable poxed bollocks of an agglomerated halfwitted shambles." The round shot landed somewhere in the lower town and precipitated the splintering crash of a collapsing roof. Captain Hogan took out his snuff box and inhaled a mighty pinch.
"Bless you," Sergeant Harper said.
Captain Hogan sneezed and Harper smiled.
"Her name," Hogan said, ignoring Harper, "is Katherine or, rather, Kate. Kate Savage, nineteen years old and in need, my God, how she is in need, of a thrashing! A hiding! A damned good smacking, that's what she needs, Richard. A copper-sheathed, goddamned bloody good walloping."
"So where the hell is she?" Sharpe asked.
"Her mother thinks she might have gone to Vila Real de Zedes," Captain Hogan said, "wherever in God's holy hell that might be. But the family has an estate there. A place where they go to escape the summer heat." He rolled his eyes in exasperation.
"So why would she go there, sir?" Sergeant Harper asked.
"Because she's a fatherless nineteen-year-old girl," Hogan said ...
Sharpe's HavocRichard Sharpe and the Campaign in Northern Portugal, Spring 1809. Copyright © by Bernard Cornwell. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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