Shakespeare's Sublime Ethos: Matter, Stage, Form

Shakespeare's Sublime Ethos: Matter, Stage, Form

by Jonathan P. A. Sell
Shakespeare's Sublime Ethos: Matter, Stage, Form

Shakespeare's Sublime Ethos: Matter, Stage, Form

by Jonathan P. A. Sell

eBook

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Overview

Winner of the AEDEAN "Enrique García Díez" Literature Research Award 2023

Shakespeare’s Sublime Ethos: Matter, Stage, Form breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically, it explores how Shakespeare generates a sublime mood or ethos which predisposes audiences intellectually and emotionally for the full experience of sublime pathos, explored in the companion volume, Shakespeare’s Sublime Pathos. To do so, it examines Shakespeare’s invention of sublime matter, his exploitation of the special characteristics of the Elizabethan stage, and his dramaturgical and formal simulacra of absolute space and time. In the process, it considers Shakespeare’s conception of the universe and man’s place in it and uncovers the epistemological and existential implications of key aspects of his art. As the argument unfolds, a case is made for a transhistorically baroque Shakespeare whose "bastard art" enables the dramatic restoration of an original innocence where ignorance really is bliss. Taken together, Shakespeare’s Sublime Ethos and Shakespeare’s Sublime Pathos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved.


Product Details

ISBN-13: 9781000407884
Publisher: Taylor & Francis
Publication date: 07/29/2021
Series: Routledge Studies in Shakespeare
Sold by: Barnes & Noble
Format: eBook
Pages: 278
File size: 2 MB

About the Author

Jonathan P. A. Sell is Professor of English Literature at the Universidad de Alcalá, Spain. He holds degrees from the universities of Oxford, London and Alcalá, and his main fields of research are early modern and contemporary literature. He has written numerous articles and several books, including Rhetoric and Wonder in English Travel Writing, 1560–1613 (2006), Allusion, Identity and Community (2012) and Conocer a Shakespeare [Getting to Know Shakespeare] (2012).

Table of Contents

Introduction

Aside

"With reason to admire"

Plan of the work

Chapter 1. On the Sublime

Quod erat demonstrandum

Replotting the sublime

The early modern sublime

Plato, Longinus, and the Christian sublime

Some notes on the sublime

Chapter 2. "Brightest heaven of invention": Sublime Topics

Ethos and the sublime gestalt

Sublime cues and "strong expressions"

Sublime phenomena

"Outstretched heroes"

Counterfeit metaphysics

Chapter 3. "The fairy way of writing": Sublime Matter

"The hateful incredible"

The sublime and the wonderful

The tyranny of knowledge

Chapter 4. "’Twixt heaven and earth": Sublime Scenography

The sublime stage

Perspective/Scenography

The dangerous edge

The art of intermediacy

Chapter 5. Divine Mechanisms: Sublime Form and Shape

"Irregularities of genius"

Poems unlimited

Divinity bursts forth

No clocks in Rome [Entre’acte]

"Awful parenthesis"

"The very body of the time"

"Fissures of sublimity"

Chapter 6. Bastard Art, Innocent Experience

Wood clearing

The art of the blemish

Atomism, atheism, aesthetics

Sublimity and beauty

"Damned custom", primal nescience

"Fairing the foul"

Child father

Conclusions: Shakespeare’s Sublime Ethos

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