Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble
Siblings Sarah Siddons (1755–1831) and John Philip Kemble (1757–1823) were the most famous British actors of the late-18th and early-19th centuries. Through their powerful acting and meticulous conceptualisation of Shakespeare's characters and their worlds, they created iconic interpretations of Shakespeare's major roles that live on in our theatrical and cultural memory. This book examines the actors' long careers on the London stage, from Siddons's debut in 1782 to Kemble's retirement in 1817, encompassing Kemble's time as theatre manager, when he sought to foreground their strengths as Shakespearean performers in his productions.

Over the course of more than thirty years, Siddons and Kemble appeared opposite one another in many Shakespeare plays, including King John, Henry VIII, Coriolanus and Macbeth. The actors had to negotiate two major Shakespeare scandals: the staging of Vortigern – a fake Shakespearean play – in 1796 and the Old Price Riots of 1809, during which the audience challenged Siddons's and Kemble's perceived attempts to control Shakespeare.

Fiona Ritchie examines the siblings' careers, focusing on their collaborations, as well as placing Siddons's and Kemble's Shakespeare performances in the context of contemporary 18th- and 19th-century drama. The volume not only offers a detailed consideration of London theatre, but also explores the importance of provincial performance to the actors, notably in the case of Hamlet – a role in which both appeared across Britain and in Ireland.
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Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble
Siblings Sarah Siddons (1755–1831) and John Philip Kemble (1757–1823) were the most famous British actors of the late-18th and early-19th centuries. Through their powerful acting and meticulous conceptualisation of Shakespeare's characters and their worlds, they created iconic interpretations of Shakespeare's major roles that live on in our theatrical and cultural memory. This book examines the actors' long careers on the London stage, from Siddons's debut in 1782 to Kemble's retirement in 1817, encompassing Kemble's time as theatre manager, when he sought to foreground their strengths as Shakespearean performers in his productions.

Over the course of more than thirty years, Siddons and Kemble appeared opposite one another in many Shakespeare plays, including King John, Henry VIII, Coriolanus and Macbeth. The actors had to negotiate two major Shakespeare scandals: the staging of Vortigern – a fake Shakespearean play – in 1796 and the Old Price Riots of 1809, during which the audience challenged Siddons's and Kemble's perceived attempts to control Shakespeare.

Fiona Ritchie examines the siblings' careers, focusing on their collaborations, as well as placing Siddons's and Kemble's Shakespeare performances in the context of contemporary 18th- and 19th-century drama. The volume not only offers a detailed consideration of London theatre, but also explores the importance of provincial performance to the actors, notably in the case of Hamlet – a role in which both appeared across Britain and in Ireland.
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Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble

Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble

Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble

Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble

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Overview

Siblings Sarah Siddons (1755–1831) and John Philip Kemble (1757–1823) were the most famous British actors of the late-18th and early-19th centuries. Through their powerful acting and meticulous conceptualisation of Shakespeare's characters and their worlds, they created iconic interpretations of Shakespeare's major roles that live on in our theatrical and cultural memory. This book examines the actors' long careers on the London stage, from Siddons's debut in 1782 to Kemble's retirement in 1817, encompassing Kemble's time as theatre manager, when he sought to foreground their strengths as Shakespearean performers in his productions.

Over the course of more than thirty years, Siddons and Kemble appeared opposite one another in many Shakespeare plays, including King John, Henry VIII, Coriolanus and Macbeth. The actors had to negotiate two major Shakespeare scandals: the staging of Vortigern – a fake Shakespearean play – in 1796 and the Old Price Riots of 1809, during which the audience challenged Siddons's and Kemble's perceived attempts to control Shakespeare.

Fiona Ritchie examines the siblings' careers, focusing on their collaborations, as well as placing Siddons's and Kemble's Shakespeare performances in the context of contemporary 18th- and 19th-century drama. The volume not only offers a detailed consideration of London theatre, but also explores the importance of provincial performance to the actors, notably in the case of Hamlet – a role in which both appeared across Britain and in Ireland.

Product Details

ISBN-13: 9781350073296
Publisher: Bloomsbury Publishing
Publication date: 11/03/2022
Series: Shakespeare in the Theatre
Sold by: Barnes & Noble
Format: eBook
Pages: 248
File size: 2 MB

About the Author

Fiona Ritchie is Associate Professor of Drama and Theatre in the Department of English at McGill University, Montreal, Canada. She is the author of Women and Shakespeare in the Eighteenth Century (2014) and the co-editor (with Peter Sabor) of Shakespeare in the Eighteenth Century (2012). She has published articles in journals including Shakespeare Survey, Borrowers and Lenders: The Journal of Shakespeare and Appropriation, and Literature Compass.
Fiona Ritchie is Associate Professor of Drama and Theatre in the Department of English at McGill University, Montreal, Canada. She is the author of Women and Shakespeare in the Eighteenth Century (2014) and the co-editor (with Peter Sabor) of Shakespeare in the Eighteenth Century (2012).
Peter Holland holds the McMeel Family Chair in Shakespeare Studies in the Department of Film, Television and Theatre and is Associate Dean for the Arts at the University of Notre Dame. He was formerly Director of the Shakespeare Institute, Stratford-upon-Avon and is editor of Shakespeare Survey and co-general editor of the Oxford Shakespeare Topics series.

Peter Holland is McMeel Family Chair in Shakespeare Studies at the University of Notre Dame, USA.

Peter Holland is the McMeel Family Chair in Shakespeare Studies and the Associate Dean for the Arts at the University of Notre Dame, USA.
Farah Karim-Cooper is Head of Higher Education&Research, Shakespeare's Globe and Professor of Shakespeare Studies, King's College London, UK.

.
BRIDGET ESCOLME is Senior Lecturer in Drama at Queen Mary, University of London, UK.

Table of Contents

List of Illustrations
Acknowledgements
A Note on the Text
Series Preface

Introduction: Debuts (1775, 1782, 1783)
1. Acting Together (the 1780s)
2. Producing Shakespeare at Drury Lane (1788-96, 1800-2)
3. Vortigern (1796): 'a most audacious impostor'
4: Macbeth and Unrest: Covent Garden Management (1803-12) and the OP Riots (1809)
5. Sibling Hamlet
Conclusion: Retirements (1812, 1817)

Appendix: Siddons's and Kemble's Performances Together in London
Bibliography

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