Shakespeare and Gesture in Practice: Shakespeare in Practice

by Darren Tunstall

Overview

When actors perform Shakespeare, what do they do with their bodies? How do they display to the spectator what is hidden in the imagination?

This is a history of Shakespearean performance as seen through the actor's body. Tunstall draws upon social, cognitive and moral psychology to reveal how performers from Sarah Siddons to Ian McKellen have used the language of gesture to reflect the minds of their characters and shape the reactions of their audiences. This book is rich in examples, including detailed analysis of recent performances and interviews with key figures from the worlds of both acting and gesture studies. Truly interdisciplinary, this provocative and original contribution will appeal to anyone interested in Shakespeare, theatre history, psychology or body language.

Product Details

ISBN-13:	9780230276413
Publisher:	Bloomsbury Academic
Publication date:	09/02/2016
Series:	Shakespeare in Practice , #3
Edition description:	1st ed. 2090
Pages:	200
Product dimensions:	5.50(w) x 8.50(h) x 0.50(d)

About the Author

Darren Tunstall was a professional actor, director, movement director, writer and dramaturg before becoming Lecturer in Acting at the Guildford School of Acting, University of Surrey, UK.
Darren Tunstall was a professional actor, director, movement director, writer and dramaturg before becoming Lecturer in Acting at the Guildford School of Acting, University of Surrey, UK.

Table of Contents

Introduction
PART ONE: THEORY
1. What is a Gesture?
2. Ideas of Gesture – Before and After Shakespeare
PART TWO: PRACTICE
3. Shakespeare's Practice
4. Eighteenth Century Gesture
5. Gestural Landmarks from Garrick to Irving
6. Modern and Postmodern Gestures
7. The Use of Video in the Study of Gesture
8. Interviews and Closing Thoughts
Further Reading
Bibliography
Index.

What People are Saying About This

From the Publisher

What is the actor to do with her hands? The answer, according to this fascinating, highly original and elegantly argued book, is much more than you might think. A compelling account of the ways in which the action, the word and the thought are deeply, richly interdependent.' – Robert Shaughnessy, University of Kent, UK

'From the language of early modern gesture through to gesture in modern acting theory and practice, this is a wonderfully sure-footed and engaging guide.' – Peter Holland, University of Notre Dame, USA

'An ambitious and important book. Tunstall draws on contemporary cognitive understandings of the metaphorical content of actors' gestures and applies them transhistorically to examine shifting social moralities embodied in Shakespearean performance history.' – Bruce McConachie, University of Pittsburgh, USA

Editorial Reviews

'What is the actor to do with her hands? The answer, according to this fascinating, highly original and elegantly argued book, is much more than you might think. A compelling account of the ways in which the action, the word and the thought are deeply, richly interdependent.' Robert Shaughnessy, University of Kent, UK
'From the language of early modern gesture through to gesture in modern acting theory and practice, this is a wonderfully sure-footed and engaging guide.' Peter Holland, University of Notre Dame, USA
'An ambitious and important book. Tunstall draws on contemporary cognitive understandings of the metaphorical content of actors' gestures and applies them transhistorically to examine shifting social moralities embodied in Shakespearean performance history.' Bruce McConachie, University of Pittsburgh, USA"

From the Publisher