Shakespeare, Alchemy and the Creative Imagination: The Sonnets and A Lover's Complaint
Shakespeare's Sonnets and A Lover's Complaint constitute a rich tapestry of rhetorical play about Renaissance love in all its guises. A significant strand of this is spiritual alchemy: working the 'metal' of the mind through meditation on love, memory work and intense imagination. Healy demonstrates how this process of anguished soul work – construed as essential to inspired poetic making – is woven into these poems, accounting for their most enigmatic imagery and urgency of tone. The esoteric philosophy of late Renaissance Neoplatonic alchemy, which embraced bawdy sexual symbolism and was highly fashionable in European intellectual circles, facilitated Shakespeare's inscription of an interior drama of a desiring mind creating poetry. Arguing that Shakespeare's incorporation of alchemical textures throughout his late works is indicative of an artistic stance promoting religious toleration and unity, this book sets out a crucial new framework for interpreting the 1609 poems, and transforms our understanding of Shakespeare's art.
"1102251739"
Shakespeare, Alchemy and the Creative Imagination: The Sonnets and A Lover's Complaint
Shakespeare's Sonnets and A Lover's Complaint constitute a rich tapestry of rhetorical play about Renaissance love in all its guises. A significant strand of this is spiritual alchemy: working the 'metal' of the mind through meditation on love, memory work and intense imagination. Healy demonstrates how this process of anguished soul work – construed as essential to inspired poetic making – is woven into these poems, accounting for their most enigmatic imagery and urgency of tone. The esoteric philosophy of late Renaissance Neoplatonic alchemy, which embraced bawdy sexual symbolism and was highly fashionable in European intellectual circles, facilitated Shakespeare's inscription of an interior drama of a desiring mind creating poetry. Arguing that Shakespeare's incorporation of alchemical textures throughout his late works is indicative of an artistic stance promoting religious toleration and unity, this book sets out a crucial new framework for interpreting the 1609 poems, and transforms our understanding of Shakespeare's art.
120.0 In Stock
Shakespeare, Alchemy and the Creative Imagination: The Sonnets and A Lover's Complaint

Shakespeare, Alchemy and the Creative Imagination: The Sonnets and A Lover's Complaint

by Margaret Healy
Shakespeare, Alchemy and the Creative Imagination: The Sonnets and A Lover's Complaint

Shakespeare, Alchemy and the Creative Imagination: The Sonnets and A Lover's Complaint

by Margaret Healy

Hardcover

$120.00 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

Shakespeare's Sonnets and A Lover's Complaint constitute a rich tapestry of rhetorical play about Renaissance love in all its guises. A significant strand of this is spiritual alchemy: working the 'metal' of the mind through meditation on love, memory work and intense imagination. Healy demonstrates how this process of anguished soul work – construed as essential to inspired poetic making – is woven into these poems, accounting for their most enigmatic imagery and urgency of tone. The esoteric philosophy of late Renaissance Neoplatonic alchemy, which embraced bawdy sexual symbolism and was highly fashionable in European intellectual circles, facilitated Shakespeare's inscription of an interior drama of a desiring mind creating poetry. Arguing that Shakespeare's incorporation of alchemical textures throughout his late works is indicative of an artistic stance promoting religious toleration and unity, this book sets out a crucial new framework for interpreting the 1609 poems, and transforms our understanding of Shakespeare's art.

Product Details

ISBN-13: 9781107004047
Publisher: Cambridge University Press
Publication date: 04/28/2011
Pages: 272
Product dimensions: 6.20(w) x 9.00(h) x 0.80(d)

About the Author

Margaret Healy is Reader in English and Director of the Centre for Early Modern Studies at the University of Sussex. She teaches many aspects of Renaissance literature and is particularly interested in the cultural history of the body and the interfaces among literature, medicine, science and art. She is the author of Fictions of Disease in Early Modern England: Bodies, Plagues and Politics (2001) and Richard II (1998), and the co-editor of Renaissance Transformations: The Making of English Writing, 1500–1650 (2009). She edits the new British Medical Journal, Medical Humanities.

Table of Contents

Introduction; 1. Alchemical contexts; 2. Lovely boy; 3. The Dark Mistress and the art of blackness; 4. A Lover's Complaint by William Shakespeare; 5. Inner looking, alchemy and the creative imagination; 6. Conclusion: Shakespeare's poetics of love and religious toleration.
From the B&N Reads Blog

Customer Reviews