Loss, guilt and regret are conquered and transformed in McGhee's graceful second novel (after Rainlight), a poignant tale of family history regained. Events of her past year are narrated by 12 1/2-year-old Clara winter, who spells her surname with a lowercase "w" as "a rejection of winter, an acknowledgment of what winter really is and how it can kill." Though Clara's mother, Tamar, never speaks about the past, refusing even to name the father and grandfather Clara has never met, Clara knows she was born in a blizzard that probably killed her twin sister. Her grandfather, driving her mother to the hospital from their remote North Sterns home in upstate New York, took the wrong road and ran his truck into a ditch. Stranded, Tamar delivered her own babies, and only Clara survived. Obsessed by her mysterious past, Clara tries to create her own world, reading avidly, writing brilliant school reports on imaginary works, creating story lives for real people. When she meets a solitary old man who hangs his beautiful, hand-crafted lanterns in the dark Adirondack woods, she feels she has found a "compadre." Immigrant metalworker Georg Kominsky also knows the power of winter; as a youth, the lantern he left with his younger brother failed to guide the boy through a deadly snowstorm. Clara becomes Georg's apprentice in "the art of possibility," scavenging with him discarded tin cans he transforms into "objects of light." Gradually, gently, Georg points Clara toward the answers she craves, and teaches her to see beauty in the overlooked and forgotten, even in past tragedy. With a mix of deadpan humor and pathos, McGhee perfectly captures the voice of a sensitive, wise child on the cusp of adulthood, at once knowing and na ve. Agent, Doug Stewart. (Apr.) Copyright 2000 Cahners Business Information.|
Shadow Baby
Narrated by Christina Moore
Alison McGheeUnabridged — 6 hours, 44 minutes
Shadow Baby
Narrated by Christina Moore
Alison McGheeUnabridged — 6 hours, 44 minutes
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Overview
Editorial Reviews
Clara Winter, the 12-year-old narrator of this tender coming-of-age tale, was born when the car in which her grandfather was driving her pregnant mother to the hospital crashed. Her twin sister did not survive, and Clara grows up feeling the loss of her sister like the phantom sensation of a lost limb. As Clara tries to make sense of what happened, she finds an unlikely soul mate and guide in Georg Kominsky, an elderly man she interviews for an oral history assignment. Clara soon uncovers the important pieces of his life story, including the tragedy that they have in common--losing a sibling during a cold, harsh winter. Georg drives her to meet her grandfather for the first time, and she prods him to heal his relationship with Clara's mother. When a terrible accident separates the two friends, Clara realizes that Georg has taught her a way of seeing objects in the world that she will continue using. Full of unforgettable, rich characters, McGhee's second novel will move many readers by its beauty and simplicity and by its implicit hopefulness. Highly recommended for all libraries.--Lisa S. Nussbaum, Euclid P.L., OH Copyright 2000 Cahners Business Information.\
Adult/High School-Clara Winter, 11, narrates this flashback about her friendship with elderly Georg Kominsky, an immigrant living in her upstate New York village. Their relationship begins as a school oral-history project, and the two form a bond over hot chocolate and cookie baking. Georg is a good match for Clara, who is anything but an ordinary child. She creates extravagant book reports for nonexistent books and makes up such vivid family history that she forgets it is fantasy. Mr. Kominsky teaches the girl to scavenge for discarded materials to make into useful and beautiful objects, like the intricately patterned lanterns he designs and hangs, lighted, throughout winter for the local people. Through their friendship, the child learns, "the art of possibility; and the possibility of beauty." They also share secrets. Clara yearns for her twin sister who died at birth, and for her grandfather whose mistake caused the twins to be born in a stranded car in a blizzard. Georg had to leave his injured brother in a blizzard on the trip to America and never saw him again. When Georg dies saving Clara from a fire in his trailer, his guidance enables her to talk to her mother about her twin and to bring her grandfather back into their lives. Clara's insights bring both introspection and humor to this skillfully told story about seeing and finding the possibilities in life.-Becky Ferrall, Stonewall Jackson High School, Manassas, VA Copyright 2001 Cahners Business Information.
Suspenseful and moving."
—New York Times
"This is one of those novels in which the quality of the writing lulls a reader . . . the way beauty does in real life."
—Los Angeles Times Book Review
“Perfectly constructed and beautifully written.”
—The Dallas News
"A feisty little heroine who often seems equal parts Huck Finn, Eloise, and . . . well, maybe Shakespeare's Beatrice-to-be. . . At once witty, tender, funny, touching, and, by the end, tragic in a way that perfectly brings all to a close, if never to an end. Bound for success, or else the world has gone mad." - Kirkus Reviews (starred)
“Loss, guilt and regret are conquered and transformed in McGhee's graceful second novel (after Rainlight), a poignant tale of family history regained…With a mix of deadpan humor and pathos, McGhee perfectly captures the voice of a sensitive, wise child on the cusp of adulthood, at once knowing and naïve.” – Publishers Weekly
"At last, a heroine to root for! In this charming novel, Alison McGhee has opened a new window on childhood."
— Hilma Wolitzer
"Bright, funny, and almost spookily imaginative, Clara, by her own admission, is a student of the laws of nature, an expert in the ways of hermits and pioneers, an 'apprentice' to life. That she is also eleven years old is probably the least important fact about her; she's an old soul. With a mother who doesn't talk and a father who never existed, she manages to fashion a version of her own history that she can live with, at the same time that she chronicles a life for her best friend, Georg Kominsky, a retired metalworker who lives in Nine Mile Trailer Park. Clara, the yarn-spinner, lover of words and of happy endings, takes on the secrets of her past with wit and ferocity. Alison McGhee, with her seductive, almost hypnotic prose, has created a heroine that one simply must love."
—Judith Guest
"McGhee writes about childhood and old age with equal skill and grace. Poignant and bittersweet, her novel has life on every page."
—William Gay
While you know from the jacket photo and tonal quality of her voice that Christina Moore is an adult, her performance of 12-year-old Clara winter (who “always” spells her name with a small “w”) is totally, convincingly childlike. Clara’s single mother has refused to tell her about her father, grandfather, and baby sister, leaving the precocious preteen obsessed with learning about her past. A growing friendship with an elderly immigrant helps, if not to find the answers, at least to learn which questions are really important. Moore jumps effortlessly from Clara’s first-person narration to the characters of her mother, the immigrant, and a number of lesser players. Her mastery of the speech patterns of the young, however, makes this book an unqualified award winner. R.P.L. Winner of AudioFile Earphones Award. © AudioFile 2001, Portland, Maine
Product Details
| BN ID: | 2940170500901 |
|---|---|
| Publisher: | Recorded Books, LLC |
| Publication date: | 08/26/2011 |
| Edition description: | Unabridged |
Read an Excerpt
Now that the old man is gone, I think about him much of the time. I remember the first night I ever saw him. It was March, a year and a half ago. I was watching skiers pole through Nine Mile Woods on the Adirondack Ski Trail, black shapes moving through the trees like shadows or bats flying low. I watched from the churchhouse as my mother, Tamar, and the rest of the choir practiced in the Twin Churches sanctuary.
That was my habit back then. I was an observer and a watcher.
When the choir director lifted her arm for the first bar of the first hymn, I left and walked through the passageway that leads from the sanctuary to the churchhouse. The light that comes through stained-glass windows when the moon rises is a dark light. It makes the colors of stained glass bleed into each other in the shadows. A long time ago one of the Miller boys shot his BB gun through a corner of the stained-glass window in the back, near the kitchen. No one ever fixed it. The custodian cut a tiny piece of clear glass and puttied it into the broken place. I may be the only person in the town of Sterns, New York, who still remembers that there is one stained-glass window in a corner of the Twin Churches churchhouse that is missing a tiny piece of its original whole.
It's gone. It will never return.
That first night, the first time I ever saw the old man, I dragged a folding chair over to that window and stood on it so I could look through the tiny clear piece of patch-glass onto the sloping banksof the Nine Mile Woods. Down below you can see Nine Mile Creek, black and glittery. You would never want to fall into it even though it's only a few feet deep.
I watched the old man in the woods that night. He held fire in his bare hands. That's what it looked like at first, before I realized it was an extralong fireplace match. Tamar and I do not have a fireplace but still, I know what an extralong fireplace match looks like. I watched the old man for what seemed like two hours, as long as the choir took to practice. The moonlight turned him into a shadow amongst the trees, until a small flame lit up a few feet from the ground. The small flame rose in the air and swung from side to side, swinging slower and slower until it stopped. Then I saw that it was a lantern, hung in a tree. An old-time kind of lantern, with candlelight flickering through pierced-tin patterns. I knew about that kind of lantern. It was a pioneer lantern.
You might wonder how I knew about lanterns. You might wonder how a mere girl of eleven would have in-depth knowledge of pierced-tin pioneer lanterns.
Let me tell you that a girl of eleven is capable of far more than is dreamt of in most universes.
To the casual passerby a girl like me is just a girl. But a girl of eleven is more than the sum of her age. Although it is not often stated, she is already living in her twelfth year; she has entered into the future.
The first night I saw him the old man was lighting up the woods for the skiers. First one lantern hung swinging in the tree, then another flame hung a few trees farther down. I stood on my folding chair and peeked through the clear patch-glass on the stained-glass window. Three lanterns lit, and four. Six, seven, eight. Nine, and the old man was done. I watched his shadow move back to the toboggan he had used to drag the lanterns into Nine Mile Woods. He picked up the toboggan rope, he put something under his arm, and he walked through the woods to Nine Mile Trailer Park, pulling the toboggan behind him. The dark shapes of skiers flitted past. The old man kept walking.
I watched from my folding chair inside the churchhouse. In the light from the lanterns I could see each skier saluting the old man as he walked out of the woods. A pole high in the air, then they were gliding on past.
He never waved back.
I pressed my nose against the clear patch of glass and then the folding chair collapsed under me and I crashed to the floor. My elbow hurt so much that despite myself I cried. I dragged over another chair and climbed up again. But by then the old man was gone.
The old man lived in Sterns and I live in North Sterns. A lot of us in North Sterns live in the woods. You could call a girl like me a woods girl. That could be a name for someone like me, who lives in the woods but who could not be considered a pioneer. Pioneer children lived in days gone by.
I started at Sterns Elementary, I am now in Sterns Middle, and in three years I will be at Sterns High. So has, and does, and will everyone else in my class. CJ Wilson, for example. CJ Wilson's bullet-shaped head, his scabbed fingers, the words that come leaking from his mouth, I have known all my life. Were it not for CJ Wilson, and the boys who surround him, I might have been a different kind of person in school. I might have been quicker to talk, faster to raise my hand. I might have been picked first for field hockey. I might have walked down the middle of the hallway instead of close to the lockers. I might have been known as a chattery girl. I might have had a nickname.
Who's to say? Who's to know?
Jackie Phillips wet her pants in kindergarten. We were in gym class. Jumping jacks. I looked to my right, where Jackie Phillips was jumping kitty-corner from me, and saw a puddle below her on the polished gym floor. A dark stain on her blue shorts.
Six years later, what do the students of Sterns Middle School think of when they think about Jackie Phillips? Do they think, Captain of Mathletics, Vice-President of
4-H, science lab partner of Bernie missing-his-right-thumb Hauser, Jackie Phillips whose hair turns green in summer from the chlorine at Camroden Pool, Jackie Phillips who's allergic to strawberries?
They might. But they will also think: Jackie Phillips wet her pants in kindergarten while everyone was doing jumping jacks. That's the way it is.
Does everyone look at me and think, Clara Winter who loathes and despises snow and cold, who lives with her mother The Fearsome Tamar in North Sterns, whose eyes can look green or gray or blue, depending, who has never met her father or her grandfather, who has represented Sterns Elementary at every state spelling bee since first grade, whose hair could be called auburn, who loves books about days gone by? Clara Winter who saw that Jackie had wet her pants in gym class and so stopped jumping jacks and ran out of line and tried but failed to wipe up the spill surreptitiously with a used tissue before anyone else would notice? Is that what they think?
They do, and they do not.
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