Shadow and Light: A Novel

by Jonathan Rabb Narrated by Simon Prebble

Overview

Berlin, between the two world wars. When an executive at the renowned Ufa film studios is found dead floating in his office bathtub, it falls to Nikolai Hoffner, a chief inspector in the Kriminalpolizei, to investigate. With the help of Fritz Lang (the German director) and Alby Pimm (leader of the most powerful crime syndicate in Berlin), Hoffner finds his case taking him beyond the world of film and into the far more treacherous landscape of Berlin's sex and drug trade, the rise of Hitler's Brownshirts (the SA), and the even more astonishing attempts by onetime monarchists to rearm a post-Versailles Germany. Being swept up in the case are Hoffner's new lover, an American talent agent for Metro-Goldwyn-Mayer, and his two sons: Georg, who has dropped out of school to work at Ufa, and Sascha, his angry, older son, who, unknown to his father, has become fully entrenched in the new German Workers Party as the aide to its Berlin leader, Joseph Goebbels.



Shadow and Light is brilliant and atmospheric, and hard to put down or shake off. Like Joseph Kanon or Alan Furst, Rabb magically fuses a smart, energetic narrative with layers of fascinating, vividly documented history. The result is a stunning historical thriller, created by a writer to celebrate-and contend with.

Editorial Reviews

Publishers Weekly

Set in 1927 Germany, Rabb's superb sequel to Rosa correlates the advent of talking movies with the rise of Nazism. When Kriminal-Oberkommisar Nikolai Hoffner investigates the apparent suicide of an Ufa film studio executive, the trail leads the Berlin policeman to the sex and drug trade as well as to the National Socialist German Workers Party's local leader, Joseph Goebbels. Working with Helen Coyle, an attractive American talent agent for MGM, Hoffner learns how cutthroat the picture business is. Rumors of films with sound threaten to change the industry. "Without sound, all you have is shadow and light," an inventor tells Hoffner. With sound, movies can do a lot more than entertain, as soon to be shown by Nazi propaganda films and newsreels. Rabb's meticulous research brings to life a corrupt society vulnerable to extremism. Well-conceived cameos by director Fritz Lang and actor Peter Lorre add to the intrigue. Author tour. (Apr.)

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Library Journal

Morose, self-loathing Nikolai Hoffner, chief inspector in Weimar Berlin's Kriminalpolizei, was first introduced in Rosa, in which he investigated the murder of German Communist Rosa Luxemburg. It's now 1927, and Hoffner is called in to investigate the death of a German film magnate-a murder disguised to look like suicide. The story that follows is convoluted, tricky, and at times confusing, but it grips the reader's attention throughout. In the end, Hoffner solves the murder, but there is no feeling of triumph, so much does he lose en route. He has a love affair that never gets off the ground, and he won't let the son who loves him get close. His other son, who hates him, joins Herr Doktor Goebbels and his nasty crowd, just then becoming a force in German politics. Rabb's second entry in his German trilogy is both a first-rate historical novel and a singularly artful crime noir that will remind readers of Alan Furst (The Spies of Warsaw). That's good company! Enthusiastically recommended for public collections. [See Prepub Alert, LJ12/08.]
—David Keymer

Kirkus Reviews

A suspicious suicide at a film studio sets off a chilling chain of events in the second of Rabb's Berlin-between-the-wars trilogy (Rosa, 2005). In 1919, Nikolai Hoffner was a Berlin detective with a bleak worldview. Now it's eight years later, and to describe Hoffner's worldview as bleak would be an unpardonable understatement, like calling Hitler mean-spirited. Herr Kriminal-Oberkommissar (Chief Inspector) Hoffner sees both Berlin and himself as beyond redemption-the city because it has sunk into joyless decadence; himself because in the vital roles of husband and father he's been so total and abject a failure. All he shares with his sons, 16-year-old Georgi and 24-year-old Sascha, is the unshakable belief that he was responsible for the death of their mother. Still, he is once and forever a cop, unalterably skilled and efficient, and a cop's got to do what he's hard-wired to do. Within minutes after his arrival at Ufa, Berlin's major film studio, he recognizes that the suicide he's been summoned to validate is distinctly ersatz; in fact, it's a murder ineptly disguised. To begin with, no one can adequately explain why Gerhard Thyssen-a well-liked, successful executive-would want to kill himself. On the other hand, as Hoffner discovers when his investigation deepens, motives for murder are in unexpected profusion. Thyssen, like almost everyone else at Ufa, led a secret life involving a multiplicity of agendas, and before Hoffner can make sense of them all, he will find himself dealing with a surplus of bad guys. Rabb's prose can occasionally be provokingly gnomic, but as usual, he has a good story to tell and most readers will bear with him contentedly.

From the Publisher

A darkly gripping, intellectually sophisticated new mystery.” —The Boston Globe

“Rabb has a gift for capturing the intoxicating — and toxic — atmosphere of post-World War I Berlin. . . . His gallery of real-life characters, scattered across the fictional landscape, lends a touch of Ragtime-like fun.” —The New York Times Book Review

“An innovative historical detective mystery . . . gives a haunting, dark portrait of Berlin society in the Weimar Republic.” —The Denver Post

“Rabb's brilliantly plotted narrative leads his detective past dead ends and red herrings to the discovery that much more is at stake. . . . We can expect some spectacular explosions when next we meet his wounded detective in his beloved, battered city.” —The Washington Post

“An ambitious historical mystery novel that beautifully blends escapist adventure with a surprisingly compelling underpinning of spiritual and moral ambiguity . . . terrific reading.” —The Boston Globe

“Atmosphere is all in Jonathan Rabb's brooding new mystery . . . brilliantly plotted narrative . . . Rabb writes so well and the mood he creates is so haunting.” —Wendy Smith, The Washington Post

“Set in 1927 Germany, Rabb's superb sequel to Rosa correlates the advent of talking movies with the rise of Nazism. When Kriminal-Oberkommisar Nikolai Hoffner investigates the apparent suicide of an Ufa film studio executive, the trail leads the Berlin policeman to the sex and drug trade as well as to the National Socialist German Workers Party's local leader, Joseph Goebbels. Working with Helen Coyle, an attractive American talent agent for MGM, Hoffner learns how cutthroat the picture business is. Rumors of films with sound threaten to change the industry. "Without sound, all you have is shadow and light," an inventor tells Hoffner. With sound, movies can do a lot more than entertain, as soon to be shown by Nazi propaganda films and newsreels. Rabb's meticulous research brings to life a corrupt society vulnerable to extremism. Well-conceived cameos by director Fritz Lang and actor Peter Lorre add to the intrigue.” —Publishers Weekly (starred review)

“Weimar Berlin's legendary film industry provides the cinematically dissolute milieu for Jonathan Rabb's stylish noire Shadow and Light, in which Fritz Lang himself makes a cameo.” —Vogue

“Rabb's second entry in his German trilogy is both a first-rate historical novel and a singularly artful crime noir that will remind readers of Alan Furst (The Spies of Warsaw). That's good company! Enthusiastically recommended.” —David Keymer, Library Journal

“There's plenty of Weimar decadence on view here, but it's the fascinating slice of film history overlaid with a sense of the gathering storm that gives the novel its punch. That and Hoffner himself, a noir hero in every way, from his unquenchable thirst for potables to the inevitability with which he finds himself caught in the riptide of history.” —Bill Ott, Booklist (starred review)

“Rabb to call on his true strengths as a writer, most notably his atmospheric evocation of time and place. The city itself is an important character in the book, and Weimar Berlin is brilliantly portrayed in all its gritty decadence and postwar opportunism. . . Shadow and Light is an entertaining book that demands a bit more concentration than most books in the genre, but the effort pays off.” —Robert Weibezahl, Bookpage

“A suspicious suicide at a film studio sets off a chilling chain of events in the second of Rabb's Berlin-between-the-wars trilogy (Rosa, 2005). In 1919, Nikolai Hoffner was a Berlin detective with a bleak worldview. Now it's eight years later, and to describe Hoffner's worldview as bleak would be an unpardonable understatement, like calling Hitler mean-spirited. Herr Kriminal-Oberkommissar (Chief Inspector) Hoffner sees both Berlin and himself as beyond redemption—the city because it has sunk into joyless decadence; himself because in the vital roles of husband and father he's been so total and abject a failure. All he shares with his sons, 16-year-old Georgi and 24-year-old Sascha, is the unshakable belief that he was responsible for the death of their mother. Still, he is once and forever a cop, unalterably skilled and efficient, and a cop's got to do what he's hard-wired to do.” —Kirkus Reviews

“Fritz Lang is more than simply a character in Jonathan Rabb's deliciously sinister new novel: Shadow and Light inhabits the same chiaroscuro world as Doktor Mabuse and M., but imbues it with a subtlety and elegance all its own. Rabb's Berlin is an irresistibly beguiling city, but I wouldn't want to find myself alone there at night. What a delightful novel.” —John Wray, author of Lowboy

“I loved Shadow and Light. Viciously imaginative, chillingly plausible, Rabb's novel re-awakens Berlin in the 1920s—a city of aged youth and weary sin, where decency is as fragile as celluloid.” —Jason Goodwin, author of The Bellini Card

Product Details

BN ID:	2940170813100
Publisher:	Tantor Audio
Publication date:	05/28/2009
Edition description:	Unabridged

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