Sexual Violence and American Manhood
Taking up topics as diverse and timely as the work of FBI profilers, the pornography debates, feminist analyses of male supremacy as sexual abuse, the ritual meanings of fraternity gang rape, and the interplay of racial and sexual injustice, T. Walter Herbert illuminates the chronic masculine anxieties that seek compensation in fantasies of sexual coercion and in sexual offenses against women. His work offers an unusually clear view of this prevailing convention of insecure and destructive masculinity, which Herbert connects with contemporary analyses of male identity formation, sexuality, and violence and with cultural, political, and ideological developments reaching back to the nation's democratic beginnings.

Reading iconic nineteenth-century texts by Whitman, Hawthorne, and Stowe, and pursuing the articulation of their gender logic in Richard Wright's Native Son, Herbert traces a gender ideology of dominance and submission, its persistence in masculine subcultures like the military and big-time football, and its debilitating effects on imaginations and lives in our own day. In materials as diverse as Hannah Foster's post-Revolutionary War novel The Coquette and the Coen brothers' 1996 movie Fargo, this book taps into popular culture and high art alike to outline the logic of American manhood's violent streak—and its dire consequences for a culture with truly democratic and egalitarian ambitions.

1101975876
Sexual Violence and American Manhood
Taking up topics as diverse and timely as the work of FBI profilers, the pornography debates, feminist analyses of male supremacy as sexual abuse, the ritual meanings of fraternity gang rape, and the interplay of racial and sexual injustice, T. Walter Herbert illuminates the chronic masculine anxieties that seek compensation in fantasies of sexual coercion and in sexual offenses against women. His work offers an unusually clear view of this prevailing convention of insecure and destructive masculinity, which Herbert connects with contemporary analyses of male identity formation, sexuality, and violence and with cultural, political, and ideological developments reaching back to the nation's democratic beginnings.

Reading iconic nineteenth-century texts by Whitman, Hawthorne, and Stowe, and pursuing the articulation of their gender logic in Richard Wright's Native Son, Herbert traces a gender ideology of dominance and submission, its persistence in masculine subcultures like the military and big-time football, and its debilitating effects on imaginations and lives in our own day. In materials as diverse as Hannah Foster's post-Revolutionary War novel The Coquette and the Coen brothers' 1996 movie Fargo, this book taps into popular culture and high art alike to outline the logic of American manhood's violent streak—and its dire consequences for a culture with truly democratic and egalitarian ambitions.

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Sexual Violence and American Manhood

Sexual Violence and American Manhood

by T. Walter Herbert
Sexual Violence and American Manhood

Sexual Violence and American Manhood

by T. Walter Herbert

Hardcover

$64.00 
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Overview

Taking up topics as diverse and timely as the work of FBI profilers, the pornography debates, feminist analyses of male supremacy as sexual abuse, the ritual meanings of fraternity gang rape, and the interplay of racial and sexual injustice, T. Walter Herbert illuminates the chronic masculine anxieties that seek compensation in fantasies of sexual coercion and in sexual offenses against women. His work offers an unusually clear view of this prevailing convention of insecure and destructive masculinity, which Herbert connects with contemporary analyses of male identity formation, sexuality, and violence and with cultural, political, and ideological developments reaching back to the nation's democratic beginnings.

Reading iconic nineteenth-century texts by Whitman, Hawthorne, and Stowe, and pursuing the articulation of their gender logic in Richard Wright's Native Son, Herbert traces a gender ideology of dominance and submission, its persistence in masculine subcultures like the military and big-time football, and its debilitating effects on imaginations and lives in our own day. In materials as diverse as Hannah Foster's post-Revolutionary War novel The Coquette and the Coen brothers' 1996 movie Fargo, this book taps into popular culture and high art alike to outline the logic of American manhood's violent streak—and its dire consequences for a culture with truly democratic and egalitarian ambitions.


Product Details

ISBN-13: 9780674009172
Publisher: Harvard University Press
Publication date: 11/22/2002
Pages: 272
Product dimensions: 5.50(w) x 8.00(h) x 1.00(d)

About the Author

T. Walter Herbert is Professor of English at Southwestern University.

Table of Contents

Prologue

1. Frontiers of Masculinity

2. Rape as an Activity of the Imagination

3. Becoming a Natural Man

4. Pornographic Manhood

5. Investigations behind the Veil

6. Rape as Redemption

7. Democratic Masculinities

Epilogue

Works Cited

Acknowledgments

Index

What People are Saying About This

Thread by thread, Walter Herbert reveals the knot conjoining masculinity, sexuality, and violence. Compelling, carefully reasoned, and large in scope, the book is ambitious--and it delivers. Using literature, popular culture, and, most movingly, his own story, Herbert authoritatively places sexualized violence in a particular American context, This is an important work that should be read, not only by historians, psychologists, and sociologists, but by anyone desiring a better understanding of our current world, or anyone dreaming of a better one.

David Leverenz

This is a passionate and provocative book, more a polemical sketch than an in-depth scholarly study, but powerfully urgent in those terms. It literary analyses are first rate, uncommonly pithy and wide-ranging. An important and unusually intimate book.
David Leverenz, Professor of English at the University of Florida

Dana Nelson

Herbert demonstrates the centrality of violence to the developing culture of democratic manhood. The book's power comes in the lean simplicity and directness of its argument, and its framing personal reflections that document the author's own willingness to apply this analysis to himself, and invite readers to see the possibilities of such self-analysis. Sexual Violence also demonstrates Walt Herbert's absolute passion for social change, for the idea that people can, by struggling courageously with their own flaws and demons, improve their own lives and American democratic practice.
Dana Nelson, Professor of English at the University of Kentucky

Terrence Real

Thread by thread, Walter Herbert reveals the knot conjoining masculinity, sexuality, and violence. Compelling, carefully reasoned, and large in scope, the book is ambitious--and it delivers. Using literature, popular culture, and, most movingly, his own story, Herbert authoritatively places sexualized violence in a particular American context, This is an important work that should be read, not only by historians, psychologists, and sociologists, but by anyone desiring a better understanding of our current world, or anyone dreaming of a better one.
Terrence Real, author of How Can I Get Through to You: Reconnecting Men and Women and I Don't Want to Talk About It: Overcoming the Secret Legacy of Male Depression

Andrea Dworkin

This book is hopeful and sympathetic. Herbert's argument is measured, nuanced, and patient. His discussion of pornographic manhood is insightful and his outstanding observations about martial rape advance the issue.

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