Selling Women's History: Packaging Feminism in Twentieth-Century American Popular Culture

by Emily Westkaemper

Overview

Only in recent decades has the American academic profession taken women’s history seriously. But the very concept of women’s history has a much longer past, one that’s intimately entwined with the development of American advertising and consumer culture. 
 
Selling Women’s History reveals how, from the 1900s to the 1970s, popular culture helped teach Americans about the accomplishments of their foremothers, promoting an awareness of women’s wide-ranging capabilities. On one hand, Emily Westkaemper examines how this was a marketing ploy, as Madison Avenue co-opted women’s history to sell everything from Betsy Ross Red lipstick to Virginia Slims cigarettes. But she also shows how pioneering adwomen and female historians used consumer culture to publicize histories that were ignored elsewhere. Their feminist work challenged sexist assumptions about women’s subordinate roles. 
 
Assessing a dazzling array of media, including soap operas, advertisements, films, magazines, calendars, and greeting cards, Selling Women’s History offers a new perspective on how early- and mid-twentieth-century women saw themselves. Rather than presuming a drought of female agency between the first and second waves of American feminism, it reveals the subtle messages about women’s empowerment that flooded the marketplace. 
 
 

Product Details

ISBN-13:	9780813576329
Publisher:	Rutgers University Press
Publication date:	01/09/2017
Edition description:	Reprint
Pages:	272
Product dimensions:	6.00(w) x 8.90(h) x 2.80(d)
Age Range:	18 Years

About the Author

EMILY WESTKAEMPER is an associate professor of history at James Madison University in Harrisonburg, Virginia. 

Table of Contents

Acknowledgments
 
Abbreviations
 
Introduction
 
1Martha Washington (Would Have) Shopped Here: Women’s History in Magazines and Ephemera, 1910-1935
 
2“The Quaker Girl Turns Modern”: How Adwomen Promoted History, 1910-1940
 
3Broadcasting Yesteryear: Women’s History on Commercial Radio, 1930-1945
 
4Gallant American Women: Feminist Historians and the Mass Media, 1935-1950
 
5“Betsy Ross Red” Lipstick: 1940s Products as Inspirations and Artifacts
 
6“You’ve Come a Long Way, Baby”: Women’s History in Consumer Culture from World War II to Women’s Liberation
 
Epilogue
 
Notes
Index
 

Editorial Reviews

"[Westkaemper's] extensive research and creative attention to marginalized spheres effectively shape our understanding of the development of U.S. women’s history as a field of inquiry and of the intersections of popular culture and feminism across time, as well as of histories of women, feminism, and cultural production."

The American Historian

"Deeply informed in foundational scholarship on consumer culture."

Journal of American History

Highly original and beautifully written and researched… Effectively put[s] to bed tired assumptions about the commercialization of politics and the apolitical nature of consumer culture in modern America.”
 

Enterprise & Society

"The strengths are in the use of a wide range of archival material including letters, business documents, scrapbooks, cartoons, and photographs....A researcher studying women’s roles in media and business, especially before and after World War II, would do well to consult this list, the careful notes, and the excellent index."

American Literature

"Westkaemper argues convincingly that the very assertion that women had a history was a feminist message, and that public history could build feminist community. This book is a valuable and beautifully researched addition to an underwritten period in U.S. women’s history."
 

author of Feminism as Life's Work: Four Modern American Women through Two World Wars - Mary Trigg

"Selling Women’s History is dense with information, skillfully weaving together the influence of adwomen, the emergence of the female consumer and the rise of feminism into this diverse collection of women’s historical legacy."

Communication Arts Magazine

"Westkaemper compellingly demonstrates 'the variety of twentieth-century feminism” that traffics through mass media, with feminism here defined by “the shared logic that women’s history merits documenting.'"

American Literary History

"Through this considerably detailed look into the parallels between women’s social roles and the changes in mass media, Westkaemper paints a sweeping picture of feminism through history and how the fight for equality is undeniably linked with changes in communication tactics. This book is informative, but in-depth, and would be useful for scholars already familiar with mass communication history. From there, scholars can jump into Westkaemper’s writing as a building block to preliminary media knowledge."

Communication Booknotes Quarterly

"Before Women's History became an academically recognized pursuit, it developed in the marketplace. Westkaemper presents a fascinating and trenchant account of how women toiled across multiple popular sites to make history."
 

Professor of History, University of Wisconsin, Madison - Nan Enstad

"The book’s real strength lies in its accounts of the commodification of women’s history for various purposes, feminist or not....Westkaemper’s book is best understood as a work of media history focused on how historical appeals were deployed to inspire gender consciousness—women’s sense of themselves as a group sharing social and political interests—among media producers and consumers." 

American Historical Review

"This original work considers the advertising women and historians who encouraged modern American culture to continually embrace real and imagined historical women, not just as actors, but as heralding feminism."

author of Food is Love: Food Advertising and Gender Roles in Modern America - Katherine Parkin

Highly original and beautifully written and researched… Effectively put[s] to bed tired assumptions about the commercialization of politics and the apolitical nature of consumer culture in modern America.”
 

Enterprise and Society

"The book’s real strength lies in its accounts of the commodification of women’s history for various purposes, feminist or not....Westkaemper’s book is best understood as a work of media history focused on how historical appeals were deployed to inspire gender consciousness—women’s sense of themselves as a group sharing social and political interests—among media producers and consumers." 

From the Publisher