![See You at the Toxteth: The Best of Cliff Hardy and Corris on Crime](http://vs-images.bn-web.com/static/redesign/srcs/images/grey-box.png?v11.11.4)
See You at the Toxteth: The Best of Cliff Hardy and Corris on Crime
336![See You at the Toxteth: The Best of Cliff Hardy and Corris on Crime](http://vs-images.bn-web.com/static/redesign/srcs/images/grey-box.png?v11.11.4)
See You at the Toxteth: The Best of Cliff Hardy and Corris on Crime
336eBook
Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
Related collections and offers
Overview
Product Details
ISBN-13: | 9781760871918 |
---|---|
Publisher: | Allen & Unwin |
Publication date: | 08/05/2019 |
Sold by: | Barnes & Noble |
Format: | eBook |
Pages: | 336 |
File size: | 1 MB |
About the Author
Read an Excerpt
CHAPTER 1
THE BEST OF CLIFF HARDY, THE SHORT STORIES
What follows is a selection from the Cliff Hardy short stories, published in six separate volumes, from HeroinAnnie in 1984 to The Big Score in 2007. These were good ideas that couldn't be incorporated into a full novel, or they were written for publication in magazines or other anthologies. On one occasion, they accompanied a novella, Man in the Shadows (1988). The stories demonstrate some of Peter's favourite themes — battlers, sport (especially boxing), his love of Sydney (corruption and all), his concern for and admiration of Indigenous people, as well as politics, local and national. Plus of course, crime.
Re-reading them, I'm struck by his graceful facility with the short story — his instinctive understanding of its shape and his unerring sense of when to finish, sometimes with the case unsolved, but always with some sort of resolution along the way. These stories are clever and humorous, sympathetic and cynical, and they do what all the best short stories do — they open small windows out to a larger world.
— JB
MAN'S BEST FRIEND
From Heroin Annie (1984)
I was walking along Vincent Street in Balmain, down near the soapworks, minding someone else's business, when a brick hit me, then another brick hit me, then another and I lost count; it felt as if a brick wall had moved out of line and wrapped itself around Cliff Hardy.
When I woke up Terry Kenneally was sitting beside my bed. My first thoughts were that my sheets had got very white and my windows very clean and that I'd finally got Terry to stay the night; and then I realised that I wasn't at home, I was in hospital. I've been in hospital before; the first thing to do is to check that you've still got all your bits and pieces and that they haven't mixed you up with the guy who had gangrene. I moved and wriggled and blinked; everything seemed to work.
'Don't move,' Terry said. 'They say you're not to move.'
'They say that to break your spirit,' I said. I grabbed at her brown left arm and the movement sent an arrow of pain through my head. I groaned.
'They're right, I won't move. How did you get here, love?'
Terry showed her nice white teeth. 'Someone found Dad's cheque in your pocket and phoned him. I came, he sends his regards.'
'I'm glad you came and not him, waking up to his face would be a shock. I wonder how your mum stood it.'
'Shut up.' She was holding my hand now, and it didn't hurt a bit.
'Did they find anything else? I mean my wallet ...'
'All that,' she said. 'And your bloody gun; there's a policeman outside who wants to talk to you. I made them let me in first but I can't stay, I have to get back to work.' She leaned forward to kiss me and then pulled back.
'Possible fracture, they said.' She backed away and blew the kiss. 'Be back tonight, Cliff.'
She went out, the door stayed closed for ten seconds and then fourteen stone of plain-clothes copper walked in. His name was Detective Sergeant Moles and, although he didn't have much of a bedside manner, I told him all I could. I told him that I was a licensed private investigator, fidelity bonded and all, and that I was working for Pat Kenneally, who is a greyhound trainer. I didn't tell him that I was trying to find out who was doping Pat's dogs. I had a bit of trouble remembering what I'd been doing in Vincent Street, but it came: I'd been going to see the Frenchman. Moles nodded at that, he knew the Frenchman. Pierre Cressy knew all there was to know about racing greyhounds in New South Wales, he'd know who stood to win if Pat's dogs lost.
'Did you see the Frenchy?' Moles asked.
I had to think about it. 'No, I was on my way when the wall fell on me. What's your interest?' Moles scratched his ear and fidgeted, the way cops do when you ask them something. They figure ten of their questions to one of yours is about the right ratio. 'Bloke who found you saw your weapon, and called in. The boys who answered the call poked around a bit and asked a few questions. Seems people saw a man hanging around that spot before you came along.'
'What about the poking?'
'The wall didn't fall, Hardy, it was pushed. Someone tried to hurt you. Any ideas?'
I said, 'No,' and lay there with my possibly broken skull, thinking about it. Moles had talent, he read my mind.
'The Frenchy's okay,' he said. 'That all you've got to say?'
I said it was and he shrugged and left. I didn't tell him that I was in love with Pat's daughter or that I was afraid of greyhounds; I didn't think he'd be interested.
Doctors and nurses came and went and the time passed slowly. They told me I didn't have a fractured skull, just a lot of bruises and abrasions. I was grateful to them. Terry came back in the evening and we did some more hand-holding.
'Dad's worried about what happened,' she said. 'He's thinking of calling in the police.'
'He can forget about half his income if he does,' I said. 'You know what the greyhound people are like, Terry, any whisper of trouble at Pat's place and they'll pull their dogs out. Most of 'em anyway.'
'I know, but if someone's trying to kill you ...'
I squeezed the upper part of her arm where she has a long, hard muscle under the smooth skin. 'I'll be careful,' I said. 'I'm used to it. Tell Pat to give me a few more days.'
'All right.' She kissed me the way you kiss invalids, as if they're made of feathers. Terry is tall and brown, as befits a professional tennis player. She has a terrific serve and aced me three times the day we met. She was overseas a lot reaching the finals of tournaments; we packed a lot into the time she was in Sydney, but I came a distant third in her life after her father and tennis.
They let me leave the hospital the next morning and I went home and read books and drank a bit and slept. Pat phoned, and I convinced him that I was fit to go on with the enquiry; Terry phoned, and I convinced her that I was fit to see her the following night. In the morning I took off some of the bandages and admired the deep blue bruises on my arms and chest. I'd been keen enough on the job in the first place on account of Terry, and now it had got very, very personal.
It was hot when I got to Vincent Street and a sweet, sickly coconut smell was coming up from the water, as if the bay were full of copra. I parked and walked up to the Frenchman's place; the crumpled wall had been tidied back on to the empty lot behind it, and soon the grass and weeds would be creeping up to the bricks and covering them like a winding sheet.
The Frenchman's house is a tumbledown weatherboard on rotting stumps; developers and trendies eye it greedily, but Cressy has some kind of protected lease and will die there. I walked up the overgrown path, brushing branches aside and wincing as the movement hurt my head. A tattered brown paper blind moved in the window of the front room; I reached through the hole in the wire screen and knocked on the door. It opened and Cressy stood there in slippers, pyjama pants and a buttonless cardigan. Pendulous breasted, toothless and with long, wispy white hair, he looked like a witch. But the thing in his hand wasn't a broomstick, it was a shotgun. He poked it through the hole so that it almost touched my chest.
'Go 'way,' he said.
I backed off a step. 'Take it easy. I just want to talk to you. My name ...'
'I know you. Go 'way or I shoot you.'
I looked at the gun; the barrel was acned with rust, it was green around the trigger guard and the stock was dusty; but that didn't mean it couldn't kill me.
'Why?'
'Don't talk.' He lifted the gun a fraction. 'Just go.'
I was in no condition for side-stepping, ducking or for grabbing shotguns through wire screens. I went.
I was swearing, and my head was hurting as I drove back towards Glebe; if I'd had a dog I would have kicked it. I was driving fast down Cummins Street towards the turn up to Victoria Road, and when I touched the brake there was nothing there. My stomach dropped out as I pumped uselessly and started to flail through the gears and grab the handbrake, which has never had much grip. I fought the steering and felt the wheels lift as I wrestled the Falcon left at the bottom of the hill. The road was clear, the tyres screamed and I got round. I ran the car into the gutter, closed my eyes and shook; the tin fence at the bottom of the hill had been rushing towards me and what you mostly meet on the right around the corner are trucks — heavy ones. I felt as if I was walking on stilts when I got out to examine the car: there was no brake fluid in the cylinder. It's not a good way to kill someone; what if the victim thumps the brake a few times in the first hundred yards? But it is a good way to scare a man, like pushing a wall over on him. The more I thought about it the angrier I got.
I flagged down a cab and went back to Vincent Street. There was a lane running down behind the Frenchman's place, and I went down that and climbed over his decaying fence. The yard was a tangle of pumpkin vines, weeds and many, many strata of animal, vegetable and mineral rubbish. I crept past a rusting shed and almost whistled when I saw the back of the house: there were about twenty broken window panes on the glassed-in verandah, some smashed completely, others starred and cracked around neat holes.
I got my gun out and sneaked up to the side of the verandah; the Frenchman was sitting in a patch of sun at a small table with a flagon of red wine and a racing guide on it. A breeze through the bullet holes was stirring the paper and he moved his glass to hold it down. I couldn't see the shotgun. I wrenched the door open and went in; the Frenchman barely moved before I had the .38 in his ear.
'Sit down, Frenchy,' I said. 'I think I'll have a glass with you. Where's the popgun?'
He jerked his head at the door leading into the house and I went through into the kitchen, if you call a stove and sink a kitchen. The shotgun was leaning against a wall and I broke it open and took out the shell. I rinsed a dirty glass in rusty water. Back on the verandah the Frenchman was marking the guide with a pencil stub. He ignored me. I poured out some of the red and took a drink; it was old, not good old, stale old. It tasted as if it had been filtered through used tea leaves. I poured my glass into his.
'Who did the shooting?' I said.
He shrugged and made a mark with the pencil.
'Don't come over all Gallic on me, Pierre. I've had a wall drop on me, a shotgun pointed at me and my brakes taken out, and it all has to do with you.'
He looked up; his eyes were gummy and hair from his nostrils had tangled up with a moustache as wild as his backyard. 'I don't know what you're talking about. The shotgun? I protect myself, that's all.' He put some of the red down his throat as if he liked it.
'Protection? From me?'
He shrugged again. 'He shoots my house all to hell and tells me don't talk to you. So I don't. Now you have the gun, so I must talk to you.'
I put the gun away and sat on a bench under the window, then I realised what a good target that made me and I moved across the room.
'Who told you not to talk to me?'
'On the telephone, how do I know? Bullets everywhere, then the phone. Don't talk to Hardy. Hardy is tall and skinny with bandages. So.' He opened his hands expressively, they shook and he put them back on the table.
He was scared but he drank some more wine and got less scared. I offered him fifty bucks and cab fare to Central Station and he accepted. He said he could go to Gosford for a few days, and I said that sounded like a good idea. After I'd given him the money he got out a bottle of wine with a respectable label on it and we drank that. He gave me names of people who'd profit if Pat's dogs lost. The names didn't mean anything to me. I asked him if these men would dope dogs, and he smiled and said something in French. It might have been 'Do bears live in the forest?' but French was never my strong point at Maroubra High.
I spent the early part of the afternoon getting my car towed to a garage and persuading a reluctant mechanic to give it priority. Then I went home and rested; the red wine buzzed in my head as a background to the throbbing pain, but after a sleep and a shower I felt better. I collected the car and drove to Rozelle to confer with Pat and pick up Terry, who was visiting there. Pat's street is narrow and jam-packed with houses, but the blocks are deep, and Pat keeps his dogs out the back. He once showed me the kennels and the mattresses they sunbathe on and the walking machine they use when it's too hot or wet for the roads; it was like a country club except that the members were thin and fit. I didn't like them much and they didn't like me; without their muzzles I liked them even less.
Terry was out the front chatting to the neighbours when I pulled up. They'd known her since she started knocking a ball against the factory wall opposite, and even though they saw her on television now their attitude to her hadn't changed nor hers to them — it was that sort of street. Terry and I went inside to talk to Pat, who was drinking tea in the kitchen.
Pat is a widower of five years' standing but his housekeeping is as good as the Frenchman's was bad. Terry made coffee in the well-ordered kitchen; Pat tried to talk about my injuries but I wouldn't let him.
'The Frenchy gave me these names,' I said. 'What d'you reckon?' I read him the names and he chewed them over one by one. He sipped tea and smoked a rolled cigarette: Pat is small, brown and nuggety; his wife was six inches taller than him and gave her build and looks to Terry. Pat must have contributed warmth and charm because he has plenty of both. He was loyal to the game he was in too; he ruled out all the men I named as non-starters in the doping stakes. Two he knew personally, one was decrepit he said, and another was too stupid.
'It's none of them, mate,' Pat said. 'Could be some new bloke the Frenchy doesn't know about.'
'Yeah, I'll have to check that angle. Takes time though; this'll be costing you, Pat.'
'Worth it.' He puffed smoke at me and I coughed. 'Sorry, forgot you were a clean-lunger, like Terry. Good on you.' He drew luxuriously on the cigarette.
Terry and I went to a pub down near the wharf in Balmain. You can eat outside there, and hear yourself talk above the acoustic bush band. They have a couple of very heavy people to deal with the drunks and the food is good. Terry seems to eat mainly lettuce, and drink hardly at all; I was manfully doing my share of both food and drink when she told me that two of Pat's owners had pulled their dogs out.
'Hear about the doping, did they?' I said.
'Yes.'
'I thought that was a close-kept secret.'
'So did I, so did Dad. What does it mean, d'you think?'
I ate and drank and thought for a while. 'Sounds as if the doper spread the word.'
'That wouldn't make sense.' She took a tiny sip of wine, as if even half a glass would ruin her backhand.
'It might, if the idea is just to put Pat out of business, not to actually fix races. Does that open up a line of thought?'
'No.'
'Well, try this; it could be revenge.'
She almost choked. 'On Dad? Come on.' Then she saw that I was serious. 'Revenge,' she said slowly. 'We go in a bit for that on the circuit, but it's not common in real life, is it?'
That's another thing I like about Terry, although she's serious about her tennis she doesn't think it's 'real life'; she won't go on the gin when it's over. 'No, it's not common,' I said. 'In fact it's rare. "Maintain your rage" and all that, people can't do it mostly. But it does happen; we'd better ask Pat about his enemies.'
'I'm sure he hasn't any.'
'Everyone has.' She didn't like that too much; she doesn't like my suspicious nature or the work I do, really. It's a problem, and we spent the rest of the dinner talking about other things and getting over the bad spot.
Back in Rozelle Pat was still up, working on his books. We went through the tea and coffee ritual again and I asked Pat if he'd made any enemies in the game.
'Few,' he said. I glanced up at Terry.
'Any that'd want to put you out of business?'
He blew smoke and deliberated. 'Only one I reckon. Bloke was a vet and I gave evidence against him for doping. He didn't like it, and said he'd get me.'
'Why didn't you tell me about him?'
'Couldn't be him, mate. He's in gaol; he went to Queensland, got mixed up in something, and I heard he got ten years.'
'When was this?'
'Oh, four, five years ago.'
'He could be out, Pat,' I said.
Terry and I went back to her flat at Rushcutters Bay, near the White City courts, and she acknowledged that I could be on to something. We left it there and went to bed; it hurt a bit, what with the bruises and all, but it didn't hurt enough to stop us. The ex-vet's name was Leslie Victor Mahony, and it took me two phone calls and half an hour to find out that he'd been released from gaol in Brisbane three months back having served four and a half years of a ten-year sentence for embezzlement and fraud. I spent the next two days confirming that Mahony had come to Sydney and failing to locate him. There was a definite feeling that Doc Mahony was in town, but no one knew where, or they weren't saying.
(Continues…)
Excerpted from "See You at the Toxteth"
by .
Copyright © 2019 Estate of Peter Corris.
Excerpted by permission of Allen & Unwin.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Introduction by Jean Bedford,
The best of Cliff Hardy, the short stories,
Man's best friend,
Silverman,
The arms of the law,
Tearaway,
The deserter,
The big lie,
The House of Ruby,
Meeting at Mascot,
Black Andy,
Death threats,
Last will and testament,
Break point,
An ABC of Crime Writing,
Crime and crime writing, the Godfather columns,
On being reviewed,
On booze,
On the origin of his ideas,
On Lee Child,
On his editors,
On El Dorado,
On literary vs popular fiction,
On retrospectives,
On his swansong,
On the Neddies,
On writing his final book,
List of books,