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“I could write a thousand words about Emily St. John Mandel, and this book, and this moment but I won’t dare spoil it. Truly soul-affirming.”
—Emma Straub, best-selling author of All Adults Here
"A spiraling, transportive triumph of storytelling - sci-fi with soul."
—Kiran Millwood Hargrave, author of The Mercies
“In Mandel’s stunning latest, people find themselves inhabiting different places and times, from early 20th-century Canada to a 23rd-century moon colony… The novel’s narratives crystallize flawlessly. Brilliantly combining imagery from science fiction and the current pandemic, Mandel grounds her rich metaphysical speculation in small, beautifully observed human moments. By turns playful, tragic, and tender, this should not be missed.”
—Publishers Weekly, starred
"A complicated and mysterious puzzle concerning the nature of reality solved perfectly, all loose ends connected... Even more boldly imagined than Station Eleven. Exciting to read, relevant, and satisfying."
—Kirkus, starred
“A time-travel puzzle… Mandel’s prose is beautiful but unfussy; some chapters are compressed into a few poetic lines. The story moves quickly… In the end, the novel’s interlocking plot resolves beautifully, making for a humane and moving time-travel story, as well as a meditation on loneliness and love.”
—BookPage, starred
"An emotionally devastating novel about human connection: what we are to one another—and what we should be."
—Omar El Akkad, Scientific American
"If you loved Station Eleven and The Glass Hotel, you’ll devour this dystopian novel that’s about time travel and mystery as much as it is about love, the importance of family and how much our individual actions impact the world. With vivid and memorable characters, gorgeously imaginative settings and a plot that will have you gasping aloud, it ping-pongs from an eerie encounter in North America in 1912 to the anxiety of trying to escape a plague-ravaged Earth to moon colonies that feel at once just like home and far from it. This is a triumph of science fiction, so give it a try even if the genre usually leaves you cold."
—Good Housekeeping
“‘When have we ever believed that the world wasn’t ending?’ asks a character in Emily St. John Mandel’s Sea of Tranquility… At a time when that fear is so acutely alive, the question is revelatory. While Mandel focuses on many of the things that terrify us, she also illustrates how hope and humanity are flames that can never be fully extinguished.”
—Adrienne Gaffney, Elle
“[The] feeling of something lovely glimpsed and lost is everywhere in these pages…In Sea of Tranquility, Mandel offers one of her finest novels and one of her most satisfying forays into the arena of speculative fiction yet, but it is her ability to convincingly inhabit the ordinary, and…project a sustaining acknowledgment of beauty, that sets the novel apart…Born of…empathy and hard-won understanding, beautifully built into language, for all of us who inhabit this ‘green-and-blue world’ and who one day might live well beyond.”
—Laird Hunt, The New York Times
11/01/2021
After breaking out with the National Book Award finalist Station Eleven and following up with the multi-best-booked The Glass Hotel, Mandel returns with another fantastical work that links stories over the centuries as it contemplates the passage of time (and its disruption), the value of art (with music and literature figuring here), and the endless mystery of life (with mystery and speculative tropes both contributing to the narrative). Tossed out of polite society after all too boldly revealing outré opinions at a dinner party, young son-of-an-earl Edwin St. Andrew crosses the ocean by steamship in the early 1900s and lands in the stunning Canadian wilderness, where he hears the notes of a violin in (surprisingly) an airship terminal. Two centuries later, a violinist playing in a forest-shadowed air terminal appears in a best-selling pandemic novel written by famed author Olive Llewellyn, who's on a book tour of Earth though her home is the second moon colony. Finally, Gaspery-Jacques Roberts, a detective in the Night City, is tasked with investigating strange events—an aristocrat gone mad, an author trapped on Earth by pandemic—even as he and a childhood friend recognize that they might be able to rearrange the timeline of the universe. Sounds stunning to me, and with both Station Eleven and The Glass Hotel having sold 1.2 million copies so far and heading to the silver screen, you can bet this title will be big.