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Scorpions
Dane Zajc belongs to the first post-war generation of poets who brought modernism to Slovene poetry. Sharing sentiments of a tense, sceptical and disillusioned worldview, they relinquished intimate testimony in lieu of an impersonal portrayal of reality on the charred ruins of the Second World War. On a formal level, their poetic expression broke grammatical rules, coalescing within free verse. This poet generation is remembered by the Slovene literary lore as the surrealists or neo-expressionists. The lyrical world of Zajc is one of inescapable, constant duality and arising ever-incompletion, even antagonistic ambivalence – "a twofold void”, a twofold loneliness, a twofold language (one uttering, one mute). Though Dane, who was considered the most influential of Slovene modernists, is frequently portrayed as the "poet of existential dread, of despair and grim obsession with the suffering of man”, his verses sparkle with refined irony and bestial dark humour. "Dane Zajc understands the paradoxes between the physical and the metaphysical the same way he understands the balance between pathos and the quotidian, between magic incantation and ironic, cold alienation. Zajc's poetry does not entirely forego personal elements – a fallen partisan-brother, the mother figure – what remains central, though, is the natural landscape of things and his own "inability of expression”, making Zajc's verse neither intimate confession nor propaganda. He consistently rejects political tendencies, any ideological engagement whatsoever, in fact, which – in the Communist era – won him the fame of a rebel poet”, writes Ilma Rakusa in her afterword to the Scorpions collection.
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Scorpions
Dane Zajc belongs to the first post-war generation of poets who brought modernism to Slovene poetry. Sharing sentiments of a tense, sceptical and disillusioned worldview, they relinquished intimate testimony in lieu of an impersonal portrayal of reality on the charred ruins of the Second World War. On a formal level, their poetic expression broke grammatical rules, coalescing within free verse. This poet generation is remembered by the Slovene literary lore as the surrealists or neo-expressionists. The lyrical world of Zajc is one of inescapable, constant duality and arising ever-incompletion, even antagonistic ambivalence – "a twofold void”, a twofold loneliness, a twofold language (one uttering, one mute). Though Dane, who was considered the most influential of Slovene modernists, is frequently portrayed as the "poet of existential dread, of despair and grim obsession with the suffering of man”, his verses sparkle with refined irony and bestial dark humour. "Dane Zajc understands the paradoxes between the physical and the metaphysical the same way he understands the balance between pathos and the quotidian, between magic incantation and ironic, cold alienation. Zajc's poetry does not entirely forego personal elements – a fallen partisan-brother, the mother figure – what remains central, though, is the natural landscape of things and his own "inability of expression”, making Zajc's verse neither intimate confession nor propaganda. He consistently rejects political tendencies, any ideological engagement whatsoever, in fact, which – in the Communist era – won him the fame of a rebel poet”, writes Ilma Rakusa in her afterword to the Scorpions collection.
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Scorpions

Scorpions

Overview

Dane Zajc belongs to the first post-war generation of poets who brought modernism to Slovene poetry. Sharing sentiments of a tense, sceptical and disillusioned worldview, they relinquished intimate testimony in lieu of an impersonal portrayal of reality on the charred ruins of the Second World War. On a formal level, their poetic expression broke grammatical rules, coalescing within free verse. This poet generation is remembered by the Slovene literary lore as the surrealists or neo-expressionists. The lyrical world of Zajc is one of inescapable, constant duality and arising ever-incompletion, even antagonistic ambivalence – "a twofold void”, a twofold loneliness, a twofold language (one uttering, one mute). Though Dane, who was considered the most influential of Slovene modernists, is frequently portrayed as the "poet of existential dread, of despair and grim obsession with the suffering of man”, his verses sparkle with refined irony and bestial dark humour. "Dane Zajc understands the paradoxes between the physical and the metaphysical the same way he understands the balance between pathos and the quotidian, between magic incantation and ironic, cold alienation. Zajc's poetry does not entirely forego personal elements – a fallen partisan-brother, the mother figure – what remains central, though, is the natural landscape of things and his own "inability of expression”, making Zajc's verse neither intimate confession nor propaganda. He consistently rejects political tendencies, any ideological engagement whatsoever, in fact, which – in the Communist era – won him the fame of a rebel poet”, writes Ilma Rakusa in her afterword to the Scorpions collection.

Product Details

ISBN-13: 9789616995313
Publisher: Slovene Writers' Association
Publication date: 07/25/2017
Sold by: Bookwire
Format: eBook
Pages: 168
File size: 368 KB
Language: French

About the Author

Dane Zajc, born 1929 in Zgornja Javoršica, Slovenia. Completed high school in Ljubljana, where, until his retirement, he worked as a librarian. Published his first poems in the 1948/49 "Mladinska revija” and was later associated with other literary magazines ("Beseda”, "Naša sodobnost”, "Revija 57”, "Perspektive”, "Problemi”, "Sodobnost”, "Nova revija”). During the years 1991–95 he was President of the Slovenian Writers' Association. He was a member of the Slovenian Academy of Sciences and Arts and winner of many awards, including the national Prešeren Prize for literature. Up to the time of his death Zajc published eight books of poetry: "Požgana trava” (Scorched Grass, 1958), "Jezik iz zemlje” (Language of the Earth, 1961), "Ubijalci kač” (The Snake-Killers, 1968), "Rožengruntar” (Master of the Roses, 1975), "Si videl” (You Have Seen, 1979), "Kepa pepela” (A Lump of Ash, 1984), "Zarotitve” (Conspiracies, 1985) and "Dol dol” (Down Down, 1998). He also published the plays "Otroka reke” (The River Children, 1963), "Potohodec” (Pathwalker, 1971), "Voranc” (1978), "Mlada Breda” (Young Breda, 1981), "Kalevala” (1985), "Medeja” (Medea, 1988) in "Grmače” (Rocky Peak, 1994). His play "Jagababa” (2007) was published posthumously. His poems have appeared in many anthologies worldwide. He has also published numerous volumes of poems and fairy-tales for children.
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