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CHAPTER 1
"Bravo! Bravissimo!"
"Meg! Meg! Our Meg!"
Applause and chanting rose to a crescendo as the curtain dropped, isolating the new darling of the London stage from her enthusiastic admirers.
Faint from the heat, the smell of grease paint, perfume, and sweat, dizzy with the success of the performance, Meg Fletcher clutched an armful of flowers to her breast as she squeezed past stagehands and flats of scenery. The narrow corridor leading to the main dressing rooms was lit by a single lantern, but Meg was familiar with every uneven floor board; she could have found her way in the dark.
She still heard the crowd clamoring for their Meg, but she never went back after she had taken a bow and blown kisses to the audience from the pit to the highest gallery. Shutting the dressing room door on the noise and bustle, Meg thrust the flowers into a vase before seating herself in front of the mirror. Of course, she had a dresser at her disposal, a competent woman perfectly willing to assist with the removal of makeup and the changing of gowns and costumes. But after a show, Meg wanted to be alone.
She liked to relax in solitude, to slowly let go of the emotions she had captured and stored for her part in the play. She liked to look into the gilt-framed mirror and imagine that, in bygone years, the glass had reflected the faces of Sarah Siddons and Dora Jordan while they played at the Drury Lane. It was impossible, of course. When the theater burned down in '09, every stick of furnishing had most likely burned with it. But it was an inspiring thought. Mrs. Siddons and Mrs. Jordan had each been a queen of the theater in her own right, the one as a tragic actress, the other as a comedienne.
Someday ...
Meg sighed, satisfaction at her achievements mingling with the longing for "someday." She let her gaze wander to the flowers delivered backstage during the performance: red roses, as usual, from Lord Ipswich; pink roses from Mr. Selwyn; and, for the third time that week, white lilacs, her favorites. Again, without a card.
Despite herself, Meg grew curious about the sender. Who knew of, or shared, her liking for the fragrance of lilacs?
Her attention was caught by a gigantic bouquet of mixed flowers. The handwriting on the attached note drew a smile to her lips. Impatiently, she broke the seal.
Meg, love. Congratulations! was written in a sprawling masculine fist. A feminine hand had added, I'm mad with envy that you realized your dream before I did mine! Stephen and I arrived in town this evening — too tired to attend the performance, but will do so tomorrow. Come and take lunch with us! Love, Maryann.
Stephen and Lady Maryann Fant. Without them, Meg would not yet have realized her dream.
Two years ago, she had been a dancer at the Drury Lane with nary a chance of a speaking part. Each time she auditioned, she was defeated by the speech pattern acquired during her growing years in London's back alleys.
She had also, on occasion, helped out at the Bow Street Court where her father was employed as a runner. On that particular occasion two years ago, Sir Nathaniel Conant, the chief magistrate, had assigned her to assist Stephen Fant while he gathered the evidence to convict Lady Maryann's betrothed of white slavery. In the end, it had been Lady Maryann herself who helped Stephen get the proof, but she and Stephen had shown their appreciation of Meg's willingness to serve as a decoy by arranging for much-needed voice and elocution lessons.
With the transformation of her speech, Meg had immediately been offered small parts at the Drury Lane. And at the start of the theater season this past September, Meg Fletcher had suddenly, due to an indisposition of Miss Kelly, risen from understudy and walk-on to the position of leading lady in The Country Girl.
As Peggy, Meg had won the public's heart. They had adored her as Rosalind in As You Like It, and now, a scant eight months after her debut, they worshipped her as Viola in Twelfth Night. Meg's shapely figure and long, elegant legs were admirably suited to the saucy "breeches parts" and stirred the blood of every male in the audience while flashing emerald eyes and long, riotous curls the color of burnished copper, which she refused to hide under a wig, drew admiration from even the most strait-laced of females.
Rousing herself from her reverie, Meg changed hurriedly. She wished — not for the first time — that she were not required to put in an appearance in the Green Room. But, despite the successes of Mr. Kean's and her own performances, Drury Lane was in dire financial straits. It would not do to alienate those patrons who deemed it their right to mingle with the actors and actresses after the play.
Gathering her hair, Meg tied it at the nape of her neck with a velvet ribbon. As she was about to leave the dressing room, her eyes fell on the white lilacs. She hesitated only briefly before reaching for a pair of scissors and snipping off a fragrant spray of blooms. She always wore simply cut gowns with long sleeves and a high neckline to the theater. The only variation she allowed herself was in the material and the shade of gray she wore. On this night, her gown was of silver-gray poplin, and the spray of white lilac pinned to the shoulder added a touch of elegance.
Her long, graceful stride took her quickly, yet without obvious haste, to the Green Room. She never stayed long, and on this night, her appearance would be even briefer than usual. The sooner she got home to her bed, the sooner she could rise to see Maryann and Stephen.
Meg stopped in the doorway. Already, the Green Room was crowded with gentlemen, young and old, bloods and dandies, fashionable noblemen and ordinary citizens. And it would fill even more after the pantomime, when the dancers joined the actors and actresses who had performed in the play.
Surely, no one but Lord Ipswich and Mr. Selwyn would miss her if she slipped away this one time. By now, the bucks and blades and would-be rakehells knew that Meg Fletcher, although perfectly willing to share a laugh and a glass of wine after the performance, did not accept invitations to intimate suppers, or any other tempting offers.
"Miss Fletcher."
The deep, quiet voice broke through the hubbub of chatter and laughter and caught Meg in mid-turn, poised for flight. She swallowed an expletive acquired during her years in Seven Dials and faced the speaker with the famed Meg Fletcher smile firmly in place.
He was tall. Very tall even for Meg, who stood nose-to-nose with most gentlemen of her acquaintance. Tall and dark. But not handsome. His features were too harsh to invite comparison to a Greek or Roman god. ' "Philip Rutland, ma'am." His eyes never leaving her face, he sketched a bow. "I'm delighted that my flowers have found favor with you."
Meg, who hardly knew a blush and had not faltered under a man's stare since she was knee-high, felt a treacherous warmth steal into her cheeks under that look. It was a look of undisguised admiration and, at the same time, one of cool appraisal.
She touched the spray of lilac pinned to the shoulder of her gown. "These?" she stammered like the veriest bread-and-butter miss. "Thank you very much. They are lovely. I've always liked white lilacs."
For a moment longer he observed her — as though weighing his next move, his next words. A smile lit his face, softening it, and she saw that his eyes, which at first had looked a dark, muddy brown, were in fact hazel with a green circle around the irises.
"Miss Fletcher, will you do me the honor of supping with me?"
The invitation was all the impetus needed to restore Meg to her normal poised, detached self. An intimate supper, no doubt in one of the private chambers at the Clarendon where, for a consideration, the obliging waiter would hand over the room key to Mr. Philip Rutland! How predictable. And how disappointing. For some reason, she had expected better of this tall, dark gentleman who sent white lilacs.
But worse — and less comprehensible — was the temptation to accept the invitation.
"I am sorry, Mr. Rutland." For once, Meg did not have to feign regret for politeness' sake. "I have an early appointment tomorrow, and I'm afraid I cannot afford to stay up late. In fact, I was about to leave when you spoke to me."
He bowed. "Perhaps I will be luckier when I return to town next month."
"Perhaps. But, as you know, in little over a fortnight the theater will close for the summer."
"I shall find a way to see you and renew my invitation."
Their eyes met, and she read in his the conviction that her answer would be yes when he invited her the next time. His self-confidence, rather than irritating, pleased and excited her. But Meg would not admit this to any man — leave alone one as cocksure as Mr. Rutland.
"Good-bye, Mr. Rutland." She held out her hand. Knowing that he would not find it easy to locate her once the theater closed, she gave him a mischievous look. "And good luck. Next time."
A corner of his mouth twitched. "Thank you, Miss Fletcher."
His handshake was firm and brief. "I shall accompany you to your carriage," he said in a tone that brooked no objection. "Or will you need a hackney?"
"A hackney," Meg told him and stepped out into the corridor, where she promptly collided with a skinny youth about to hurtle himself into the Green Room.
A strong arm caught her around the shoulders, saving her from a painful knock against the doorjamb. With his free hand, Philip Rutland steadied the youth, who looked as though he were about to collapse from exhaustion.
Now that Meg could see the boy clearly, she recognized beneath a shock of lank, untidy hair the sharp features of her father's latest protege. Jigger was a pickpocket Fletcher had captured and, instead of turning the young culprit over to the Bow Street magistrate, had employed at the Fighting Cock, the tavern he had bought for his retirement.
Meg's insides twisted. There was only one reason why Jigger would come to the Drury Lane. Something had happened to her father. Something bad.
Above the pounding of her heart and the talk and laughter in the Green Room, she barely heard Philip Rutland admonishing the lad to be more careful the next time he planned to enter a room.
"Jigger!" Meg grasped the boy's arm. "What happened? For heaven's sake, speak!"
"Yer pa!" he choked out. "He's been 'urt mortal bad. Stabbed."
The arm around her shoulders tightened, and Meg realized that she was shaking.
But her voice was firm. "Where is he? At home? Has the physician been sent for?"
"Aye, an' Sir Nathaniel, too." Jigger gasped for breath. "Two runners brung yer pa to the Fightin' Cock on a door, an' Mrs. Bellamy says ye must come right quick, Miss Meg. T'old leech, Dr. Walters, wants ter bleed 'im, but Mrs. Bellamy says 'e lost more'n enough of the claret already."
Meg hurried to the side entrance of the theater. Jigger set up a shout for a hackney while they were still in the building, and before she knew it, Philip Rutland had assisted her into a musty-smelling old coach.
"Shall I go with you?" he asked as Jigger climbed upon the box beside the jarvey.
"No!"
Meg looked at Rutland, surprised and irritated. Surely he wouldn't pursue her to the Fighting Cock where her father lay gravely injured. But in his gaze she read none of the signs of a man bent on seduction; she saw only compassion.
Mollified, she said, "I thank you for the offer and for your concern, Mr. Rutland, but I'd rather go alone."
He nodded and shut the door. The coach started to roll, and her view of him, standing motionless at the curb, his gaze on the hackney, was soon cut off by encroaching darkness.
Philip Rutland, Earl of Stanbrook, did not return to the Green Room of the Drury Lane. When the lumbering vehicle carrying Meg Fletcher rolled out of sight, he turned toward the fashionable part of town.
From the tail of his eye, he caught a movement in the light by the theater door. A dark shape, the figure of a man, narrow and tall, stepped out into the street. There was something furtive, stealthy, about him, and Philip instinctively braced himself for an attack. He would not be the first to be set upon in these unsavory streets around the theater.
But the man turned away, scuttling in the direction the hackney had taken. He was probably an admirer of Meg Fletcher, disappointed that he hadn't been able to speak to her.
With a shrug, Philip continued on his way to St. James's. St. James's and Seven Dials — both in London, yet poles apart. There was no doubt in his mind that Miss Fletcher was a product of that thieves' den, that most notorious of the London stews — Seven Dials. Jigger's directions to the jarvey had been explicit.
But even though Miss Fletcher still called the Fighting Cock tavern her home, she was undoubtedly destined for better things — a small house on the fringe of a fashionable district, where he could visit her at his leisure. And her own carriage and pair.
Philip smiled, remembering their brief exchange in the doorway of the Green Room. She was a superb actress, the saucy wench who had captivated him on his first visit to the Drury Lane four nights ago with her shapely, breeches-clad legs, with her pert smile and flashing eyes. She had almost convinced him with that plain gray gown, the girlishly tied hair, the blush and stammer, that she was in fact a demure young lady.
But the speech and manner of a lady were assumed. Miss Fletcher had clawed her way out of the stews, and there was only one way a girl from Seven Dials could have achieved that end — a liaison with a gentleman of the ton. And when she wished him luck for the next time they would meet, Philip had known that Meg Fletcher was his for the taking.
So she wanted to play coy, pretend she wasn't a bit of muslin to be won over with a supper invitation. It suited him well. When he was done with his duty visit to Cousin Richard, he would return to town and spend time "courting" the beautiful Miss Fletcher.
Her father should be well by then. Or dead, in which case he'd have to be careful. He wouldn't want to take advantage of her grief. And that she would grieve, Philip did not doubt. She had been badly shaken when the boy blurted out her father's injury. She was a woman of feeling, this Meg Fletcher.
Soon to be his Meg.
"Where is he?" Several paces ahead of Jigger, Meg ran across the dark courtyard of the Fighting Cock. She tore open the narrow back door. "Where, Jigger?"
"In the taproom. Leastways, 'e was there when I come after ye."
Skirts flying, Meg rushed to the front of the tavern. The long room smelling of ale and rum, of boiled mutton and cabbage, was empty.
"Pa? Pa!"
Fear gripped her. It lacked an hour till closing time, yet not a single customer lingered in the popular taproom of the Fighting Cock.
She looked around wildly, as though she might discover her father at the serving counter or in the dim corner by the fireplace where he was wont to drink his mug of ale in the company of cronies. She even searched under the big trestle table where she had known men to sleep off the effects of Blue Ruin. Anything, anything, would be better than the growing conviction that he was dead and had been taken off in the mortuary cart.
She turned to speak to Jigger, but he had slunk off somewhere.
"Jigger! Mrs. Bellamy! Where the deuce is everyone?"
"Here now, Miss Meg. Calm yerself."
Meg gave a start. Above the drum of her pulse and the hammering of her heart, she had not heard the approach of Mrs. Bellamy, the cook.
"Where is Pa?" Meg rounded on the plump woman. "If they've taken him — If Dr. Walters has —"
She broke off. If she were too late, there was nothing she could do. In the Dials, death came as quickly and as easily as the beginning of life. She had known it since she was a little girl, but she had never accepted it. Not when her brothers and sisters died one by one, not when her mother died.
Mrs. Bellamy screwed her face into the stern visage she assumed when she was fretted.
"Come now, Miss Meg," she said sharply. "Think of yer pa. He's upstairs, and what he'll be thinkin' when he hears yer screechin' is more than I can say. That old leech is with him, an' I'm mightily worried —"
But Meg heard no more. Her father was alive. That was all she wanted to know.
Skirts hiked above her knees, she flew up the stairs. At the end of the long, candle-lit corridor, the door to her father's room stood open. She heard his voice, shockingly feeble and thin, as he told the physician to put away his knife and leeches.
(Continues…)
Excerpted from "A Scandalous Lady"
by .
Copyright © 1991 Karla Hocker.
Excerpted by permission of Diversion Publishing Corp..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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