Save What's Left: A Novel (Good Morning America Book Club)

Save What's Left: A Novel (Good Morning America Book Club)

by Elizabeth Castellano

Narrated by Thérèse Plummer

Unabridged — 8 hours, 48 minutes

Save What's Left: A Novel (Good Morning America Book Club)

Save What's Left: A Novel (Good Morning America Book Club)

by Elizabeth Castellano

Narrated by Thérèse Plummer

Unabridged — 8 hours, 48 minutes

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Overview

GMA BOOK CLUB PICK ¿ ONE OF PEOPLE MAGAZINE'S BEST BOOKS OF SUMMER ¿ An outrageously funny debut novel about a woman who moves to a small beach town looking for peace, only to find herself in an all-out war with her neighbors.

“Irreverent and unexpectedly tender, this story takes neighborhood feuding to new heights and finds beauty and reinvention in unlikely places." -Oprah Daily

"Brings a tongue-in-cheek tone to the beach read genre."-TIME


When Kathleen Deane's husband, Tom, tells her he's no longer happy with his life and their marriage, Kathleen is confused. They live in Kansas. They've been married thirty years. Who said anything about being happy? But with Tom off finding himself, Kathleen starts to think about what she wants. And her thoughts lead her to a small beach community on the east coast, a town called Whitbey that has always looked lovely in the Christmas letters her childhood friend Josie sends every year.

It turns out, though, that life in Whitbey is nothing like Josie's letters. Kathleen's new neighbor, Rosemary, is cantankerous, and the town's supervisor won't return Kathleen's emails, but worst of all is the Sugar Cube, the monstrosity masquerading as a holiday home that Kathleen's absentee neighbors are building next door to her quaint (read: tiny) cottage. As Kathleen gets more and more involved in the fight against the Sugar Cube and town politics overall, she realizes that Whitbey may not be a fairytale, but it just might be exactly what she needed.

Save What's Left can best be described as the “un-beach read.” It pulls back the curtain on life in a beach town, revealing the true cost of a pretty view. Told from the candid and irreverent perspective of a newcomer turned local, this is a story of forgiveness, fortitude, and second chances.

Editorial Reviews

Publishers Weekly

04/24/2023

Castellano turns the beach-read genre on its head in her clever debut. Fifty-nine-year-old Kathleen moves from Kansas to the little seaside town of Whitbey, N.Y., after her husband, Tom, makes the surprising announcement that he wants a divorce. Expecting a “bucolic paradise” and “small-town charm,” Kathleen buys a waterfront oyster shack and drives across country, but instead of beachfront bliss, she finds a two-room shed with a leaking roof and a rotting bulkhead, next door to a McMansion-in-progress, a monstrosity the locals call the Sugar Cube. Soon she finds herself engaged in an impassioned, one-sided correspondence with the town supervisor, detailing her grievances regarding the massive construction project. She also inadvertently takes a side in a local turf war regarding the development of a vacant waterfront property. And rather than meeting a handsome stranger as she’d hoped, Kathleen is instead surprised when Tom shows up, having bailed on a cruise around the world and purchased an Airstream, which he parks in Kathleen’s driveway. The plot, which culminates in some big, late-breaking twists, is a bit lopsided, but Kathleen’s character and worldview are impeccably drawn, thanks to Castellano’s idiosyncratic and assured voice. This witty send-up is a winner. (June)

From the Publisher

ONE OF PEOPLE MAGAZINE'S BEST BOOKS OF SUMMER A MOST ANTICIPATED BOOK: Today.com, The Skimm, Southern Living, She Reads, Good Housekeeping A MUST READ BOOK: New York Post, USA Today

"Irreverent and unexpectedly tender, this story takes neighborhood feuding to new heights and finds beauty and reinvention in unlikely places. A wickedly funny debut."
Oprah Daily

"When her marriage goes bust, Kathleen heads for Long Island, where the challenges of owning a beach house—okay, a converted oyster shack—fuel a series of unfortunate, yet absolutely hilarious, events."
People

"With its wisecracking protagonist—Kathleen Deane, still reeling from her husband Tom’s declaration that he was unhappy with their Kansas life and marriage—Save What’s Left brings a tongue-in-cheek tone to the beach read genre."
TIME

"Debut novelist Elizabeth Castellano has a fresh, funny new voice."
Katie Couric Media

"You’ll laugh out loud as [Kathleen] goes to war against the development (and her neighbors), and cheer her on as she figures out just what she needs."
—The Skimm
 
"In this hilarious farce, we realize that paradise really is anything but when you actually live there."
Good Housekeeping

"Don't miss this hilarious sendup of beach town politics."
Newsday

"The novel walks the line between funny and outright wacky, and Kathleen's battles will resonate with any homeowner."
the Star Tribune

"Devilishly astute."
East End Beacon

"I loved every page of Save What’s Left—this voice, this eye, this story, its originality and wit, its offbeat social satire, its loopy cynicism, and a whole town’s good intentions gone awry. Fighting city hall has never been so delicious. Brava, Elizabeth Castellano. I can’t wait for your next book."
—Elinor Lipman, author of Ms. Demeanor

"Save What’s Left is an absolute delight. It’s laugh out loud funny and full of heart. I loved it."
—J. Courtney Sullivan, New York Times bestselling author of Friends and Strangers

"Laugh-out-loud funny, Save What’s Left is a novel about life in a town that makes the perfect escape."
—Today.com

"Castellano's wickedly funny debut unfurls in miserable yet gleeful detail the soul-sucking nightmare of owning a house on the Long Island oceanfront. . . . Clearly, the key requirement for successful beach house ownership is a (possibly illegal) sense of humor. Bring it on!"
Kirkus Reviews (starred review)

"Castellano turns the beach-read genre on its head in her clever debut. . . . Kathleen’s character and worldview are impeccably drawn, thanks to Castellano’s idiosyncratic and assured voice. This witty send-up is a winner."
Publishers Weekly

Library Journal

05/19/2023

DEBUT After Kathleen Deane's husband Tom tells her he wants to trade their routine life for a year on a cruise ship without her, she impulsively purchases a beach house on the East Coast and moves halfway across the country from Kansas. Upon arrival in Whitbey, Kathleen is surprised to find that her new home is next door to a construction site. She quickly befriends her neighbor Rosemary, and they bond over a shared enemy—the disruption on their street. Together they fight the construction project's many code violations by attending local meetings, writing countless emails, and composing an ill-advised letter to the editor. Kathleen is soon consumed with the behemoth next door. When her complaints are largely ignored, it only fuels her obsession. Then out of nowhere, Tom shows up, his world cruise a bust, and camps out on her property. When it becomes clear that Kathleen has uncovered local corruption, she's faced with the possibility that she may have gone too far. VERDICT Funny and relatable, this fast-paced debut novel is guaranteed to give pause to anyone thinking about moving to a beach town.—Karen Core

Kirkus Reviews

★ 2023-04-25
Long Island beach house update: Still ruining lives, one zoning violation and bachelorette party at a time.

"Never buy a beach house. Don't even dream about one. Don't save your money or call real estate agents or pick out a white couch. If you must do something, pray for the people who do own beach houses." Following in the fearsome footsteps of Amy Fusselman's The Means (2022), Castellano's wickedly funny debut unfurls in miserable yet gleeful detail the soul-sucking nightmare of owning a house on the Long Island oceanfront. As the novel opens, its narrator, Kathleen Deane, explains that just three years ago she was "a normal person [with] a husband, a job, and a house with no view in Kansas City." But when her husband leaves her to "find himself" on a four-month world cruise, she falls prey to a decade of Christmas letters from a childhood friend singing the praises of living in a beach town on Long Island. She purchases a 700-square-foot oyster shack, recently updated to include indoor plumbing, located in a spot so close to the waterfront that it's "practically floating." Then she drives out there, using the interstate highway system to traverse the five stages grief—denial in Missouri, anger in Illinois, etc.—ultimately becoming "the first person in history to reach acceptance on the Long Island Expressway." Arriving at her new digs, she's greeted by Rosemary, her neighbor from across the street, who draws her attention to a gigantic McMansion being built right next door to her shack. Rosemary will become her partner in a futile war against the construction of the Sugar Cube, whichis steaming along with town-sanctioned exceptions to every ordinance on the books. Long and deeply hilarious emails from Kathleen to the town supervisor enumerate the outrages as they pile up, including the time the Sugar Cube's septic tank contaminates the water supply, sending her to the hospital; the illegal rental of the finished house as an Airbnb party venue; and her embroilment in an FBI money-laundering and racketeering sting. Not long after she gets settled in her new home, she takes a depression quiz from the AARP magazine: "a fun little treat!" When she reports that she's only "moderately" depressed, Rosemary comments presciently, "Well, there's still time."

Clearly, the key requirement for successful beach house ownership is a (possibly illegal) sense of humor. Bring it on!

Product Details

BN ID: 2940176763409
Publisher: Penguin Random House
Publication date: 06/27/2023
Edition description: Unabridged

Read an Excerpt

1

Never buy a beach house. Don’t even dream about one. Don’t save your money or call real estate agents or pick out a white couch. If you must do something, pray for the people who do own beach houses. Pity them. Certainly don’t, under any circumstance, envy them.

Maybe it’s too late for you. Maybe you’ve gone ahead and picked up some starfish tchotchkes and turquoise nonsense and you feel you’re in too deep. Well, then let me tell you right now that those warm summer nights you’re dreaming about will be spent arguing over parking restrictions and beach access. You won’t paint or write or play tennis. You’ll be too busy filing code enforcement complaints in the town attorney’s office. You’ll wake up to the sound of leaf blowers and you’ll either spend half your life trying to protect a tree or cut one down. The village will be charming. The view will be beautiful. You’ll attend countless meetings about how to keep them that way. Do yourself a favor and put a lawyer on retainer. Don’t waste any time about that. You will, without question, not be on speaking terms with at least one of your neighbors in a year’s time.

And, if you’re like me, you’ll eventually end up in a courthouse conference room in some godforsaken town, nervously clutching a tattered, overflowing, cardboard Christmas box with a picture of a dopey snowman and the words, “Bring on the Snow!” The box will be filled with letters and emails and blueprints and surveys and photos that began as minor grievances but are now exhibits in a money-­laundering scheme. And what you’ll think to yourself as you stare at that stupid snowman and search frantically for a tissue to wipe away the sweat which now routinely rockets from the top of your head is this: Why did I ever buy that house?

The worst part about all of this, I mean the really worst part—worse than the alleged wire fraud or the ruined view or the mounting therapy bills—is that now I am one of these people. I’m now the kind of horrible person who genuinely cares about what so-­and-­so had to say about the traffic from the chowder festival. I’m the kind of person who has an opinion about whether the beach sticker should be placed on the front or rear bumper of the car. I know more than one person named Bunny. I spend weekends reconstructing osprey nests. I carry around Freedom of Information forms in my purse. I fantasize about a tsunami sweeping away my neighbor’s house and floating it out to sea (preferably with them in it). I, honest to God, look forward to town board work sessions airing on Channel 36. I’m the kind of person who has the town supervisor’s cell phone number posted on my refrigerator and who has cried more than once in the town attorney’s office. I’m that kind of person. The worst kind of person. I’m a beach person.

Three years ago, I didn’t have a beach house. Three years ago, I was a normal person. I had a husband, a job, and a house with no view in Kansas City. Every Sunday, my husband and I would go to the same diner for breakfast. We’d order two omelets. We’d request the same waitress. We’d eat at the same table. We’d leave the same tip. We’d talk about work or we wouldn’t talk at all. Then, one day, we went to a different diner and Tom ordered pancakes and he left me.

I don’t know about you, but I’d like to think that if I were rotten enough to leave someone over pancakes after thirty years of marriage, I’d have the decency to have a good, juicy reason for it. I’d, at the very least, have the decency to make something up. You’d like to think there’d be some seedy affair or coming-­out proclamation or witness protection situation. But, Tom didn’t have any reason at all. He just looked up at me while he very casually poured his maple syrup and asked me, “So . . . do you think this is working?” I thought he meant the restaurant. I said I thought it was wonderful. I really did. I said, “I think it’s wonderful.”

I guess Tom hoped that I would say something like, “No, I see what you’re saying. It’s not working. Let’s get a divorce.” That would have been better. Then, we could have gone on enjoying our breakfast and possibly could have still made that stop at the estate sale on the way home to buy yet another old radio to add to Tom’s collection. Instead, Tom launched into a twenty-­minute monologue about feeling trapped and stuck and in a rut and weighed down and a few more metaphors meant to say, “I just can’t stand you anymore.”

Tom said he needed adventure. He said he felt suffocated. He wanted to “find himself,” a phrase he no doubt picked up from one of his many self-­help manuals about breathing and thinking and eating and general basic living. Whether Tom’s “self” was lost or never found in the first place, I don’t know. But, either way, he felt the most likely place to find it was on the Queen Mary 2 ocean liner. So, he went ahead and booked a solo ticket for a four-­month world cruise. It was setting sail from New York in a week. “It’s the only way,” he said. “I’ve had a paradigm shift.” This was the man who needed the butcher to put pieces of paper in between each slice of American cheese—the one who had me ironing his boxer shorts for thirty years. It was the man who told me every summer that a beach vacation was not necessary because we belonged to the YMCA and that traveling to Europe would be nothing but a headache.

While Tom continued to walk me through all the reasons why he now considered our life to be unbearably dull, I started thinking about a pain in my rib that I had for about three years in the ’90s. I started thinking about it because the pain came back right around the time Tom mentioned that he was planning to purchase a tiny home and trailer it across the country when he returned from his world cruise.

The pain first started in 1994 when my daughter was six. I woke up with a lightning bolt feeling in my rib and like any good hypochondriac, I immediately consulted my 1978 copy of The Merck Manual of Diagnosis and Therapy, which I always keep on my nightstand in the event of such a situation. After a good deal of poking, I was able to identify the exact location of the pain—left side, fourth rib from the clavicle, smack-­dab over my heart. If you’re wondering how it is that I was able to poke a rib that was sitting directly over my heart, well, then you’ll discover the reason why I married Tom in the first place. When I was twenty, I brought Tom home for Thanksgiving and my mother told me that if he ever asked me to marry him, I should accept because he was the best I would ever do considering my cup size, which was and remains nonexistent. This was bad advice. But, I took it. My mother also told me to never sign a prenup. This was good advice that I, of course, ignored.

Anyway, the pain in my rib lasted for about four days. On the fifth day, when it moved down my arm, I started writing my will. Lucky for me, my husband is a cardiologist. When he got home from work, he asked, “How was your day?”

“Pretty good,” I said. “I think I’m having a heart attack.” Something you should know about Tom is that he rides bicycles. Many people ride bicycles, but Tom has somehow managed to make it into a personality trait. It takes Tom at least fifteen minutes to enter or exit the house due to the amount of bicycle accouterments required for his everyday living. The news of my impending death did not interrupt this routine. When he finished clicking off his cleats and tucking them neatly into a basket beneath the bench by the door labeled Cleats, he asked, “Right now?”

“What?” I said.

“Right now you’re having a heart attack?”

“Yes, Tom,” I said. “Right now. Right now, I’m having a heart attack.” He walked over to me and asked me where it hurt. I pointed to the spot—fourth rib down from the clavicle, left side. Then, without saying a word, he took his index finger and gave me a tremendous poke right in that very spot. I lurched backward.

“You’re not having a heart attack,” he said and casually opened the refrigerator to gather the ingredients for his midafternoon cool-­down protein smoothie.

“Well, I’m having something,” I said.

“It’s muscular,” he said. “Muscular or skeletal. Classic presentation. I see it all the time.” Tom was always saying things were classic presentations. I hated that.

Over the course of the next few years, the pain would come and go. I went to at least eight doctors. I had x-rays and MRIs and EKGs and all kinds of acronyms, which all came back perfectly normal. I was sick over it, the not knowing, I mean. I was sure there was a tumor buried somewhere in there, too small to show up on any scan. Then, one day, I was at the gynecologist and I happened to mention, just for the hell of it, that I get a terrible pain in my rib that seems to come and go at random. She said it was anxiety. She said everyone in the office had had it. “You’re hyperventilating,” she said. “Stop doing that.” And that was the end of my rib pain.

This is a long way of explaining why I was doing highly noticeable breathing exercises at breakfast. I resented Tom. God, did I resent him. Bad enough he was asking for a divorce, or a separation, or I don’t even know what he was asking for. But, now, my rib pain was back and I would have to go around until the end of time practicing something called triangle breathing and chewing gum and sucking on mints, all while Tom gallivanted off into the sunset. That’s the problem with a bad marriage. I don’t mean a bad marriage. I mean, a just-­okay marriage—one that isn’t awful, but isn’t quite good either. It’s like a benign rib pain. It’s not lethal. It’s not causing excruciating pain. No one cares about it. You can still perform normal activities. It’s just a worrisome annoyance that eats away at you until one day it decides to leave.

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