"Sato...walks upright through a natural world reminiscent of the Chirri & Chirra series—one that offers enchanting and sometimes droll revelations. He waters his garden, and a spread traces the water along a twisting, turning course through the forest back to its source, a pond that, in Blaskowsky’s natural-sounding translation, “is blowing water into the hose as hard as it can.” Each episode is over in a few pages, and every one offers kaleidoscopic, pleasingly sensorial images made for dreaming on." —STARRED REVIEW, Publishers Weekly
"A child’s vivid imagination transforms everyday activities into magical interactions. Similarly charming artwork illustrates the interconnectedness among nature, children, and creativity in six other episodic expeditions featuring distinct themes...alongside Sato, readers travel through the seasons while sharing his myriad, surprising lenses on the universe. The journey culminates in a homecoming when Sato settles into bed, cozily “sipping stories late into the night.” The painterly illustrations suggest homage to Where the Wild Things Are, works by Eric Carle, and others. Sweet, surreal, and contemplative." —Kirkus
A 2021 Horn Book Fanfare Best Book of 2021
"In a set of seven small vignettes that span the seasons, Sato’s daily activities — watering the garden, doing the laundry, splashing in puddles — turn into magic. Cracking open a walnut reveals an inviting miniature world. Eating a watermelon turns into a seafaring adventure. (“Nothing compares to eating watermelon on the sea.”) Observing a meteor shower leads to a star-collection mission. Paintings in a naive style burst with saturated color — watermelon red, night-sky blue, spring chartreuse. For fans of Doi’s Chirri & Chirra books, this import provides another cozy glimpse into mystery, independence, and imaginative play. " —STARRED REVIEW, The Horn Book
“Dreamlike and fanciful, each adventure is as much a flight of fancy as it is a plunge into gorgeous colors and shapes. Sato catches stars during a meteor shower, and the yellow glow guides a family of bears on a moonless night; he eats delicious watermelon which becomes a boat in the sea; while cracking open walnuts, he discovers miniature treasures inside each shell - loaves of bread, a warm bath - and when he covers his eyes with the shells, he finds himself beneath a sky full of stars. The ocean, clouds, the night sky, reflections - these are the cosmic places Sato explores in each beautifully wrought adventure. Simple, brief poetic text and illustrations in rounded shapes, in light and dark toned pastel colors, add to the feeling of wonder.” —Youth Services Book Review
“Our hero in this compact little picture book (translated by Michael Blaskowsky) is a boy who wears a rabbit costume and sees all sorts of wonderful possibilities in the world. While watering the garden, he imagines—as we see in a beguiling painting—that a distant pond is “blowing water into the hose as hard as it can.” Noticing the sunset reflected in a puddle, Sato the Rabbit lifts up its rosy surface, like a luminous manhole cover, and finds himself transported to the sky. In another story, Sato cracks walnuts and discovers tiny loaves of bread and a pot of hot coffee inside one set of shells, a miniature bed and steaming bath inside another. The soft lines and delectable colors of Ms. Ainoya’s pictures, and their charming details (the walnut bath has a loofah and a little towel rack), will have 4- to 8-year-olds wishing they could climb into Sato’s world. Their parents may wish it, too.” —The Wall Street Journal
"Each story starts with Sato doing a more or less normal activity. He does laundry. He eats watermelon. He cracks open walnuts. He goes for a walk to an observatory. And then each story takes a turn and Sato has a fantastical, almost-poetic, experience. He catches stars, he rides a watermelon, he opens a puddle to find a window to the sky. The illustrations with their saturated colors and fun details enhance the poetic feel. Sato swims in the bright teal sea next to his hot pink watermelon boat. He wears a bathing suit that matches the green striped rind; a whale spouts in the distance. This is a world that I would love to step into where the forest ice is full of feelings and colors and stories. A beautiful world for young readers." —Jackie Friedman Mighdoll, World Kid Lit
A 100 Scope Notes Most Astonishingly Unconventional Book of 2021
“Enchanted Lion is a publisher who appreciates the unconventional side of children’s literature, and Japanese import Sato the Rabbit is a perfect example of this. Just your average, everyday story about a boy who has decided to be a rabbit and his whimsically surreal life and adventures.” —Travis Jonker, 100 Scope Notes (A School Library Journal blog)
A 2022 Mildred L. Batchelder Honor Book
“In seven short imaginative tales, Sato’s imagination transforms the details of ordinary life into fanciful antics that embrace and enhance the natural world.” —American Library Association
“Gentle lighthearted humor throughout the text delights the reader and endears them to the imaginative and ingenious Sato.” —Dr. Marie A. Lejeune, 2022 Batchelder Chair
A Bank Street College of Education Best Book of 2022
"A surreal symphony of vibrant colors and images, Sato the Rabbit is a whimsical trilogy of picture books for readers age 4-8... All three books in Sato the Rabbit are a satisfying ode to the deep power—and beauty—of the imagination." —Nanette McGuiness, World Kid Lit
2020-12-15
A child’s vivid imagination transforms everyday activities into magical interactions.
This Japanese import emphasizes perspectives—especially those belonging to children who improvise and innovate on prosaic tasks and the minutiae of daily life. At the outset, Haneru Sato, a pale-skinned, black-haired lad, adopts both the identity and the likeness of a rabbit, thereby embracing alternate ways of experiencing the world. As he tends to the garden, a blue hose winds, looking rather like a stream, along a bucolic, tree-studded landscape with romping animals. It ultimately leads to an anthropomorphic pond that not only “blows water into the hose as hard as it can,” but also recedes “back to being its tiny, peaceful self at Sato’s playful signal that he’s done. Similarly charming artwork illustrates the interconnectedness among nature, children, and creativity in six other episodic expeditions featuring distinct themes: “A Sea of Grass”; “A Night of Stars”; “Watermelon” (used as a boat); “A Window to the Sky”; “Walnuts” (envisioned as coffee shop, bakery, and much more); and “Forest Ice” (evoking multicolored frozen treats in various flavors). Alongside Sato, readers travel through the seasons while sharing his myriad, surprising lenses on the universe. The journey culminates in a homecoming when Sato settles into bed, cozily “sipping stories late into the night.” The painterly illustrations suggest homage to Where the Wild Things Are, works by Eric Carle, and others.
Sweet, surreal, and contemplative. (Picture book. 4-7)
