Ruth Maleczech at Mabou Mines: Woman's Work

by Jessica Silsby Brater, Enoch Brater (Editor), Mark Taylor-Batty (Editor)

Overview

Constituting the first comprehensive look at Ruth Maleczech's work, Jessica Brater's companion is a landmark study in innovative theatre practice, bringing together biography, critical analysis, and original interviews to establish a portrait of this Obie-award winning theatre artist.

Tracing Maleczech's background, training, and influences, the volume contextualizes her work and the founding of Mabou Mines within the wider landscape of American avant-garde theatre. It considers her performances and productions, revealing both her interest in making ordinary women important onstage, and her predilection for resurrecting extraordinary women from history and finding their resonances within a contemporary theatrical context.

Brater considers Maleczech's investment in redrawing the boundaries of what women are allowed to say, both on stage and off, and shows how her commitment to radical artistic and production risks has reshaped the contours of a contemporary theatrical experience.

Highlights of the volume include discussion of productions such as Mabou Mines' Lear, Dead End Kids, Hajj, Lucia's Chapters of Coming Forth by Day, Red Beads, and La Divina Caricatura, as well as a close look at Maleczech's final work-in-progress, Imagining the Imaginary Invalid.

Product Details

ISBN-13:	9781472578853
Publisher:	Bloomsbury Publishing
Publication date:	02/25/2016
Series:	Methuen Drama Engage
Sold by:	Barnes & Noble
Format:	eBook
Pages:	272
File size:	1 MB

About the Author

Jessica Silsby Brater works in the Department of Theatre at Barnard College, New York, USA, and serves as a Teaching Artist at the Marymount School Drama Department in New York City. She is the founding Artistic Director of the Brooklyn-based company Polybe + Seats and holds a PhD in Theatre Studies from The Graduate Center, CUNY, USA.
Jessica Silsby Brater works in the Department of Theatre at Barnard College, New York, USA, and serves as a Teaching Artist at the Marymount School Drama Department in New York City. She is the founding Artistic Director of the Brooklyn-based company Polybe + Seats and holds a PhD in Theatre Studies from The Graduate Center, CUNY.
Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature, Professor of English and Theater at the University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller.

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature, Professor of English and Theater at the University of Michigan. He is series editor of Methuen Drama's Arthur Miller scholarly editions, and with Mark Taylor-Batty of Methuen Drama's Engage series. He has written extensively on the work of Samuel Beckett and Arthur Miller.
Mark Taylor-Batty is Associate Professor of Theatre Studies and Deputy Head of School in the School of English at the University of Leeds, UK. His previous publications include The Theatre of Harold Pinter (Bloomsbury, 2014), About Pinter: The Playwright and the Work (Faber and Faber, 2005), Roger Blin: Collaborations and Methodologies (Peter Lang, 2007) and, he co-authored with his wife, Juliette Taylor-Batty, Samuel Beckett's Waiting for Godot (Continuum, 2009).

Table of Contents

Acknowledgements
Introduction
Chapter One: Three Great Teachers and an Unconventional Education
Chapter Two: Ordinary Women
Chapter Three: Extraordinary Women
Chapter Four: Family Drama
Chapter Five: Mothers and Daughters
Conclusion
Notes
Index

Editorial Reviews

Jessica Silsby Brater's important Ruth Maleczech at Mabou Mines: Woman's Work is the first book devoted to the work of the legendary performer and director … The book offers not biography but rather a historicized thematic structure that provides illuminating connections between works … [It] makes a significant contribution to the growing body of scholarship on female artists who helped to found group theatres in the 1960s and 1970s and who have created in those groups influential interdisciplinary performances.” —Modern Drama

“Jessica Silsby Brater's examination of the life and work of Ruth Maleczech solidifies Maleczech's role as one of the “Godmothers” of the US experimental theatre movement of the latter half of the 20th century … Brater's documentation and survey of Maleczech's achievements is a fitting tribute to a fearless pioneer of the American theatre.” —TDR: The Drama Review

From the Publisher