Just when the
British hip-hop community seemed on its last legs, the victim of an over-powerful American marketing machine,
Roots Manuva hit the stratosphere with his second record, the nearly
Mercury prize-winning
Run Come Save Me. A stunning record, it balanced the stark digital soul of
British ragga with lurching beats, and
Rodney Smith's star-making delivery and wide-ranging repertoire.
"Witness (1 Hope)" earned its place as the best
British rap single since
Tricky's
"Aftermath," while
"Bashment Boogie," "Hol' It Up," and
"Artical" were distinctive, hard-hitting, surprisingly groovy performances. As on his LP debut,
Brand New Second Hand,
Smith also spent time reflecting on his religious upbringing, with a distinctly unhumorous track (
"Sinny Sin Sins," never mind the title) that dealt with his heavily disciplinarian father. And where the productions on debut sounded thin and tame, for
Run Come Save Me he hit another level entirely with tracks by either
Bennett or
RM himself, whose
Blow's Yard Studio quickly took its place next to New York's legendary
D&D Studios as a home to distinctive underground
rap.
Roots Manuva handled every type of song with flowing confidence and a bemused air, whether it was a
club jam or a message track. ~ John Bush
