Royal Subjects: Essays on the Writings of James VI and I
Sixteen leading scholars explore the richness of King James’s work from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right.

Best known for his landmark version of the Protestant Bible, James VI (1566-1625) of Scotland, who succeeded Elizabeth I to the English throne, was truly a monarch of the word. From religious prose and verse to political treatises and social works to love poems and witty doggerel, James used writing and the print media to inspire his subjects, govern them, keep his enemies at bay, and even examine his own authority. Until now, the full span of James's work has received little critical attention by political and literary historians. In Royal Subjects, sixteen leading scholars explore the richness of his oeuvre from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right. Through its unprecedented look at monarchic writing, Royal Subjects not only enriches our understanding of the reign of James VI and I but also offers fruitful suggestions for approaches to other Renaissance texts and other periods.

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Royal Subjects: Essays on the Writings of James VI and I
Sixteen leading scholars explore the richness of King James’s work from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right.

Best known for his landmark version of the Protestant Bible, James VI (1566-1625) of Scotland, who succeeded Elizabeth I to the English throne, was truly a monarch of the word. From religious prose and verse to political treatises and social works to love poems and witty doggerel, James used writing and the print media to inspire his subjects, govern them, keep his enemies at bay, and even examine his own authority. Until now, the full span of James's work has received little critical attention by political and literary historians. In Royal Subjects, sixteen leading scholars explore the richness of his oeuvre from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right. Through its unprecedented look at monarchic writing, Royal Subjects not only enriches our understanding of the reign of James VI and I but also offers fruitful suggestions for approaches to other Renaissance texts and other periods.

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Royal Subjects: Essays on the Writings of James VI and I

Royal Subjects: Essays on the Writings of James VI and I

Royal Subjects: Essays on the Writings of James VI and I

Royal Subjects: Essays on the Writings of James VI and I

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Overview

Sixteen leading scholars explore the richness of King James’s work from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right.

Best known for his landmark version of the Protestant Bible, James VI (1566-1625) of Scotland, who succeeded Elizabeth I to the English throne, was truly a monarch of the word. From religious prose and verse to political treatises and social works to love poems and witty doggerel, James used writing and the print media to inspire his subjects, govern them, keep his enemies at bay, and even examine his own authority. Until now, the full span of James's work has received little critical attention by political and literary historians. In Royal Subjects, sixteen leading scholars explore the richness of his oeuvre from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right. Through its unprecedented look at monarchic writing, Royal Subjects not only enriches our understanding of the reign of James VI and I but also offers fruitful suggestions for approaches to other Renaissance texts and other periods.


Product Details

ISBN-13: 9780814328774
Publisher: Wayne State University Press
Publication date: 02/01/2002
Pages: 544
Product dimensions: 6.00(w) x 9.00(h) x 1.50(d)

About the Author

Daniel Fischlin is a professor in the School of Literatures and Performance Studies in English at the University of Guelph. He is the author of In Small Proportions: A Poetics of the English Ayre, 1596-1622 (Wayne State University Press, 1997) and co-editor with Mark Fortier of Adaptations of Shakespeare: A Critical Anthology of Plays from the Seventeenth Century to the Present (Routledge, 2000).

Mark Fortier is an associate professor of English a the University of Winnipeg. He is the author of Theory/Theatre: An Introduction (Routledge, 1997).

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