| Foreword | ix |
| Preface | xi |
| Acknowledgments | xv |
| Maxim Beloserkovsky, American Ballet Theatre | 1 |
| Costumes: Don Quixote and Le Corsaire | |
| Angel Corella, American Ballet Theatre | 13 |
| Costumes: Theme and Variations and Tchaikovsky Pas de Deux | |
| Irina Dvorovenko, American Ballet Theatre | 29 |
| Costumes: Don Quixote | |
| Albert Evans, New York City Ballet | 39 |
| Costumes: Red Angels | |
| Marcelo Gomes, American Ballet Theatre | 53 |
| Costumes: Giselle and Clear | |
| Nikolaj Hubbe, New York City Ballet | 67 |
| Costumes: Apollo and La Sonnambula | |
| Julie Kent, American Ballet Theatre | 85 |
| Costumes: Sleeping Beauty, Giselle, Romeo and Juliet and Swan Lake | |
| Maria Kowroski, New York City Ballet | 99 |
| Costumes: Diamonds and Slaughter on 10th Avenue | |
| Vladimir Malakhov, American Ballet Theatre | 115 |
| Costumes: La Bayadere and Giselle | |
| Benjamin Millepied, New York City Ballet | 127 |
| Costumes: Hallelujah Junction and Dances at a Gathering | |
| Gillian Murphy, American Ballet Theatre | 143 |
| Costumes: Swan Lake and Diversion of Angels | |
| Jenifer Ringer, New York City Ballet | 155 |
| Costumes: Sleeping Beauty and In the Night | |
| Jennie Somogyi, New York City Ballet | 169 |
| Costumes: Davidsbundlertanze and Liebeslieder Walzer | |
| Ethan Stiefel, American Ballet Theatre | 181 |
| Costumes: Prodigal Son and Giselle | |
| Wendy Whelan, New York City Ballet | 195 |
| Costumes: Brahms-Schoenberg Quartet, The Nutcracker and La Sonnambula | |