Romans and Barbarians: Four Views from the Empire's Edge

"A vivid picture of the clash between ancient civilization and prehistoric cultures." - Kirkus Reviews

From 27 B.C. to A.D. 117, the Roman dreams of boundless empire began to falter. The very size of their conquests made them hard to manage, and the caesars also had to accept the scale and intractability of the problems posed by the barbarians. The period covered by the book is one of great change and the opening of a new era. For the once mighty Romans this was a time when power was passing; for the barbarians it was the late Iron Age: a time of transition when internal stresses and fear of Roman aggression were creating dangerous shifts in the tribal equilibrium.

Derek Williams's Romans and Barbarians sees the clash of cultures from the standpoint of four individuals whose curious fate it was to venture or be sent beyond the outer watchtowers of the Roman empire. They bore witness from the grassy steppe of Europe's southeastern corner from across the grump Carpathians, towering beyond the Danube; from the fearsome German forest; and from beyond the Firth of Forth in the wilderness of northernmost Britain. Each portrait reveals different aspects of the Sarmatian, German, and Celtic peoples facing the empire's European frontiers.

Together these four viewpoints provide a rich portrait of the classical and Iron Age worlds, mutually uncomprehending yet strangely unable to do without each other. The outcome is a skein of violence, tragedy, misadventure, and courage, offering a preview of the cruel but creative forces from whose fusion modern Europe was eventually to emerge.

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Romans and Barbarians: Four Views from the Empire's Edge

"A vivid picture of the clash between ancient civilization and prehistoric cultures." - Kirkus Reviews

From 27 B.C. to A.D. 117, the Roman dreams of boundless empire began to falter. The very size of their conquests made them hard to manage, and the caesars also had to accept the scale and intractability of the problems posed by the barbarians. The period covered by the book is one of great change and the opening of a new era. For the once mighty Romans this was a time when power was passing; for the barbarians it was the late Iron Age: a time of transition when internal stresses and fear of Roman aggression were creating dangerous shifts in the tribal equilibrium.

Derek Williams's Romans and Barbarians sees the clash of cultures from the standpoint of four individuals whose curious fate it was to venture or be sent beyond the outer watchtowers of the Roman empire. They bore witness from the grassy steppe of Europe's southeastern corner from across the grump Carpathians, towering beyond the Danube; from the fearsome German forest; and from beyond the Firth of Forth in the wilderness of northernmost Britain. Each portrait reveals different aspects of the Sarmatian, German, and Celtic peoples facing the empire's European frontiers.

Together these four viewpoints provide a rich portrait of the classical and Iron Age worlds, mutually uncomprehending yet strangely unable to do without each other. The outcome is a skein of violence, tragedy, misadventure, and courage, offering a preview of the cruel but creative forces from whose fusion modern Europe was eventually to emerge.

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Romans and Barbarians: Four Views from the Empire's Edge

Romans and Barbarians: Four Views from the Empire's Edge

by Derek Williams
Romans and Barbarians: Four Views from the Empire's Edge

Romans and Barbarians: Four Views from the Empire's Edge

by Derek Williams

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"A vivid picture of the clash between ancient civilization and prehistoric cultures." - Kirkus Reviews

From 27 B.C. to A.D. 117, the Roman dreams of boundless empire began to falter. The very size of their conquests made them hard to manage, and the caesars also had to accept the scale and intractability of the problems posed by the barbarians. The period covered by the book is one of great change and the opening of a new era. For the once mighty Romans this was a time when power was passing; for the barbarians it was the late Iron Age: a time of transition when internal stresses and fear of Roman aggression were creating dangerous shifts in the tribal equilibrium.

Derek Williams's Romans and Barbarians sees the clash of cultures from the standpoint of four individuals whose curious fate it was to venture or be sent beyond the outer watchtowers of the Roman empire. They bore witness from the grassy steppe of Europe's southeastern corner from across the grump Carpathians, towering beyond the Danube; from the fearsome German forest; and from beyond the Firth of Forth in the wilderness of northernmost Britain. Each portrait reveals different aspects of the Sarmatian, German, and Celtic peoples facing the empire's European frontiers.

Together these four viewpoints provide a rich portrait of the classical and Iron Age worlds, mutually uncomprehending yet strangely unable to do without each other. The outcome is a skein of violence, tragedy, misadventure, and courage, offering a preview of the cruel but creative forces from whose fusion modern Europe was eventually to emerge.


Product Details

ISBN-13: 9781250083814
Publisher: St. Martin's Publishing Group
Publication date: 05/05/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 301
File size: 2 MB

About the Author

Derek Williams, long a student of the Roman borderlands, was in due course drawn toward a parallel fascination with the Iron Age tribes that that Rome faced across her frontiers. Romans and Barbarians, his second book, is in many ways a sequel to The Reach of Rome, published in 1997. He lives in England.

Read an Excerpt

Romans and Barbarians

Four Views From The Empire's Edge 1st Century AD


By Derek Williams

St. Martin's Press

Copyright © 1998 Derek Williams
All rights reserved.
ISBN: 978-1-250-08381-4



CHAPTER 1

Episode 1

The Poet

Though Ovid's greatest work, the Metamorphoses, concerns miraculous changes to its central characters, few of those transformations match the singularity of the real one, which befell the poet himself: from fame and acclaim in Rome to obscurity and despair on the edge of the classical world.

A statue of P. Ovidius Naso, known to posterity as Ovid, stands in the Piatsa Ovidiu in the town of Constantsa, principal seaport of Romania, on the north coast of the Black Sea, 200 miles east of the Bosphorus. This medium-sized, industrial city is capital of Dobruja, the province of Romania which is held in the crook of the Danube as the great river makes its final turn toward the delta. The delta begins only ninety miles further along the coast and beyond its marshy triangle is the former Soviet frontier. The name Constantsa comes from Constantiana, sister of Constantine the Great, after whom the city was renamed. Originally it was Tomis, a Greek colony founded in the 7th century BC. This was the place of Ovid's exile to which, in AD 8, he was abruptly ordered, with no reason given, without trial or opportunity for self-defence. Here he passed the December of his days, composed his last poems; and here, after a banishment of nine years, he died. These final works, known as the Poems of Exile, are the most direct vision we have of the classical margins during the early years of the Roman empire. To appreciate this fully we must know something of Ovid's character and career. But first one must understand the place.

The Turks call it Kara Deniz (Black Sea) in contrast to the Mediterranean, Ak Deniz (Blue Sea) and for good reason. Emerging from a Bosphorus bright with lawns and palaces, the very act of entering seems to induce a mood change, appropriate to the sea's name in all languages except Greek and Latin. The Greeks called it Pontos Euxinos, the Hospitable Sea and the Romans followed their lead. But this was a publicity stunt, rather as Eric the Red was to change Whiteshirt Land to Greenland, 'so that people will go there'. Indeed, with the bluntness of men whose business was to sail rather than sell, Greek mariners had called it Axenos, the Inhospitable. What influenced the change?

In the absence of later arrivals (Turks, Slavs and Bulgars), the Greek lands were adjacent to the Black Sea's western end and Greek ships could penetrate its eastern. This is at longitude forty-two degrees, somewhat further east than present-day Moscow. So the Black Sea brought Greece to Inner Asia's doorstep. Not surprisingly the twin seas, Black and Aegean, though wedded by water, were culturally divorced. The Greek view of this alien world is evoked by the Golden Fleece legend, in which fear and fascination mingle. Here was a sombre sea surrounded by savages, lacking the comfort of harbours and islands, yet tempting boldness with a rich reward. The picture is darkened by Euripides' Iphigenia in Tauris, with death on a barbaric altar as the price of shipwreck. Eastward loomed grim mountains: Virgil's 'rugged, rock-bristling Caucasus' where Prometheus endured eternal torment. Doubtless the origins of the Fleece legend may be sought in Caucasian gold, swept down in the freezing torrents, to be panned by prospectors and filtered through wool. But there were other prizes, which in the end proved richer. Where Jason led businessmen followed, pursuing, if not gold, then a golden rule: that whenever unlike peoples meet, money is to be made. Such convergences are eternal settings for commerce, since each side has something the other lacks.

To exploit this opportunity, the Greeks required anchorages, warehouses, interpreters, homes, defences; in short, the infrastructure of safe and stable business, repeated every hundred miles round this profitable shore. And to promote the exchange of goods, an exchange of adjectives, from inhospitable to hospitable, from hostile to welcoming, would encourage the colonists bound for these Pontic cities. At least five centuries before Rome's arrival, two dozen trading stations had been established. Some were at the mouths of the rivers which drain down from the immensity of what we now call Russia: the Dniestr, Bug, Dniepr and Don. Others were on the Crimean peninsula and the Sea of Asov. Yet more lay in Georgia and along the northern coast of Asia Minor. Especially active as founder of these outposts was Miletus, on the Aegean coast of today's Turkey, 'mother of more than ninety cities', though herself a daughter of Athens. Tomis was a Milesian foundation. It is a process still familiar to maritime nations, whose emporia, such as the depots along the Gold and Ivory Coasts, Singapore, Shanghai, Calcutta and many more, were so placed that they could be established, defended and, if necessary, evacuated by sea. However, in these modern instances, technology and strength favoured the incomer. By contrast, the Greeks were without particular advantage and faced impossible odds, surviving because the local peoples wanted them to.

There is ample evidence of the store set by barbarian societies upon trade and the goods it brought. Strabo speaks of 'the Caucasian people taking produce to market by sliding down the snowy slopes on sledges made of animal skins'. The eastern Black Sea was reputedly the terminus of a caravan route from somewhere so distant that no one knew its origin. Pliny tells us that Dioscurias (Sukhumi) was 'the common emporium of seventy tribes ... all speaking different languages'; and that 'dealings were done by our businessmen, aided by a staff of 130 interpreters'. Similarly Strabo on Tanais, at the Don mouth: 'It is a market for both Asiatic and European nomads ... who bring slaves, hides and such things as they produce; the Greeks giving in exchange clothing, wine and other commodities associated with civilized life'. Nevertheless, though normally tenable, and though there were also Greek colonies in unfriendly parts of the Mediterranean, the Pontic were the most precarious.

Cities like Tomis, on the Black Sea's northern shore, faced a particular problem in that the world on whose edge they were precariously poised was itself precarious; for they were liable, after a long investment in bribes and trust building, to be confronted by new and even fiercer arrivals. This can be understood by seeing geography more widely, particularly that of the former Soviet Union whose zones of natural vegetation run crosswise in broad and even bands: tundra, pine, deciduous woodland, woodland mixed with grass, and finally grassland. The last, too dry for tree growth, was known as the grassy steppe: a strip barely 150 miles deep and running the entire length of the Black Sea's northern shore. Today it is largely the southern Ukraine where, with the aid of irrigation from those mighty rivers, the landscape is one of waving wheat and heavy-headed sunflowers; ideal for mechanized farming, though the dense and matted sod remained unbroken till the late 18th century, when Russia's southward expansion transformed the steppe way of life.

Steppe is Russian for prairie or pampa. This grassy or Pontic steppe is so flat that the Greeks called part of it the Racecourse of Achilles. Though generally more undulating, the short-grass prairie of the American high-plains states, which can still be seen in the National Grasslands of Nebraska and the Dakotas, is essentially the same. Virgin steppe, now rare in the Ukraine, survives at nature reserves like Askanya Nova; in spring melodic with lark song and vivid with wild tulip. Huge flocks of birds rest in mid journey between Northern Russia and the Middle East. Here too the Przewalski horses, pinkish-beige and white-maned, drum the dry plain. Introduced from Mongolia, these are possible descendants of the sturdy ponies of steppe prehistory.

Early summer is more spectacular still: the plain sprouting fescue, needlegrass and feathergrass; whirring with grasshoppers and bobbing with marmots. Hyacinth, lavender, sage, mint, vetch, milkweed and, most typical of all, the pungent wormwood, with its grey-green leaf and yellow flower, colonizing ground made bald by lightning-kindled grass fires. Hawks hang in the bare blue and everywhere is an endless horizontality, broken only by the bumps of kurgans (burial mounds or round barrows) scattered widely over the vivid, green grassland.

Late summer and autumn are less rewarding, the bronze and silver steppe a sea in which the walker wades, waist-high, through tinkling grass and crackling weed, legs pricked by stalks, socks stiff with burrs and bootfuls of sharp seeds. Here unmounted man makes little headway. Winter is more savage still. Big blizzards scour the plain, reminding us that, though we may be at the latitude of northern Italy, this, after all, is close to Russia.

Such was the hinterland of Tomis and her sister colonies along the Black Sea's northern shore. The ultimate factor, however, is not the steppe's natural history, but its extent. Although narrow in a north-south sense, from west to east it is one of the longest features on earth, extending some 5,000 miles from eastern Europe to Manchuria, where the grassy strip widens to 600 miles. All told, the area is immense, perhaps 5 per cent of former Soviet territory. While the American plains run north-south, from Manitoba to Texas, the steppe, almost three times as long, lies crosswise, traversing 100 degrees of longitude, well over half the width of the Eurasian landmass. Though its central portion is interrupted by mountains, these are crossable. As this grassy path marches eastwards it becomes higher, drier and more thinly peopled. However, the normal direction of march is westwards; for with each day's journey the winter grows minutely milder, the climate infinitesimally moister and the pasture fractionally richer. If sheep led shepherd –as doubtless they often did – greener grass would draw them gently toward Europe.

It is easy to see how these accidents of climate and geography made the steppe a feature of long-term danger for the West. Not only did it offer the Asian herd folk a corridor toward the Balkans, it brought that most irksome enemy, the mounted nomad; for such vast distances, and the tangle of summer herbage, decreed that horsemen would dominate the steppe, as cowboys would one day rule the American prairie and gauchos the Argentinian pampa. This is why steppe migration awaited the taming of the horse and did not begin until about 2000 BC. At least a futher twelve centuries then elapsed before a distinctive, mounted warrior emerged, using armour and weapons largely copied from Iran.

Nomads have been described as those whose animals eat grass faster than it grows. Though we are used to thinking of the pastoralist as peaceful, this may simply be conditioning. Our cultural heritage is shepherd-friendly. The bucolic vein runs deep in Western art: through Virgil's Eclogues, Dresden shepherdesses and Beethoven's Sixth. Its theme is the unattainable: either an innocent past in one's own place, or an innocent present in some legendary place. It elevates the shepherd to an ornamental role in societies whose real business is now the drudgery of agriculture. Christianity strengthens the tradition by emphasis on the good shepherd. And yet, as the Old Testament reminds us, there is also the bad shepherd: 'And so it was, when Israel had sown, that the Midianites came, and the Amalekites, and the children of the east [...] they came as grasshoppers for multitude [...] and they entered into the land to destroy it.' These 'children of the east' were of course bedouin from the dry lands beyond Jordan, recalling the Arabian adage, 'raids are the bedouins' agriculture'. The nomad has always sought to rob the granaries of settled lands. Alas, the shepherds soon to be encountered by Ovid would bear little resemblance to those decorous products of Graeco-Roman pastoralism with which he and his colleagues had so blithely supplied their readers.

Whether squabbling over grazing and watering rights or harrying the farmers along its edges, aggression was a fact of steppe life. Though nomad populations were thinly spread, raiding parties could be mustered quickly. Doubtless they would as quickly dissolve, for lacking logistical capacity, there was little likelihood of prolonged campaigns.

However, limitation was compensated by performance. These were the world's best horsemen. All adults were warriors. The steppe drew little distinction between military and civilian, man and woman. Accordingly the Pontic region supplied the ancient world with two of its abiding images: the amazon, a woman who could outfight a man; and the centaur, in which rider and horse merge into a powerful killing machine.

Seen more widely then, the Pontic steppe was part of an invasion path of long standing. This is not to say that mounted hordes were continually pouring out of Mongolia, intent on the West's destruction. Their view was local and their progress slow. Nor did they necessarily stay the course. Sometimes their wanderings ceased for centuries. Some tribes left the path midway, while others entered it. In particular the wide gaps between Caspian and Aral, Aral and Lake Balkhash, invited the northward movement of refugees from the droughts of northern Iran and Afghanistan, who joined the steppe in its central or Kirghiz portion. This was the probable origin of the Scythian and Sarmatian peoples, whose appearance in the Pontic region coincides with Greek commercial expansion. Nor did this pastoral corridor end at the Black Sea. Its natural termini were more ominous still: the Wallachian Plain, that part of the lower Danube where Bucharest now stands; or, branching north round the Carpathians, the Hungarian Plain and the middle Danube.

Foundation of the Pontic cities had coincided with a long lull in steppe migration caused by the settling of the Scyths, a people of sufficient power to command agricultural produce from the moister zone to the north and trade goods from the Greeks to the south. In the mid-1970s an exhibition from the Soviet Union called Scythian Gold caused surprise and excitement. Here were objects recovered by Soviet archaeologists from the kurgans. Of finest Greek workmanship and commissioned by Scythian notables, some depicted scenes from steppe life. The excavation reports are more sensational still. They describe burials of opulent barbarity, sickeningly brutal in their accompaniment of human and equine sacrificial massacre. Such findings provided a striking confirmation of Herodotus. In about 450 BC the 'father of history' visited Olbia, a Pontic city at the mouth of the Bug, three towns along from Tomis, leaving this description:

The death and burial of Scythian kings [...] A great, square pit is dug. The body is enclosed in wax, the stomach cavity stuffed with fragrant herbs and incense. The bearers mutilate themselves, slashing arms, scratching faces, cutting off ear lobes and piercing the left palm with an arrow. The body is placed on a couch, with spears planted all round it and roofed with hides. A concubine, the closest servants and their horses are then garrotted and buried with the body, plus various personal treasures. Then all build an earthen barrow, vying to make it as great as possible. A year later they strangle fifty more servants and horses. The horses' bodies are propped up on posts and the men, mounted on top of them, secured with more stakes, as if riding round the king. Finally the whole grisly cavalcade is buried.


The Scyths built palisaded settlements, usually within the protection of a river bend. The largest known has a perimeter of twenty miles, including grazing space for substantial flocks, wooden dwellings, smithies and leather workshops, plus a royal palace. Greek-style coins were minted, bearing the likeness of Scythian kings. Here was a developmental level not far behind that of Celtic Europe.


(Continues...)

Excerpted from Romans and Barbarians by Derek Williams. Copyright © 1998 Derek Williams. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

Title Page,
Copyright Notice,
Dedication,
List of Maps,
Acknowledgements,
List of Roman Emperors,
Prologue: Romans and Barbarians,
Episode One: The Poet,
Episode Two: The Lawyer,
Episode Three: The Soldiers,
Episode Four: The Artist,
Epilogue: Barbarians and Romans,
List of Abbreviations,
Notes and References,
Index,
Also by Derek Williams,
Copyright,

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