‘This book is daring yet meticulous intervention into the myth of ‘an apolitical Barthes’ and a convincing foregrounding of ‘other spaces for critique to take place’. This enables the author to cast new light on a set of intertextual affinities between Barthes and Marx, thereby reinterpreting the former’s work in the context of a uniquely Marxist materialism or the ‘Capital of linguistics’. What emerges is a new insight into the multiple significances of Barthes’s preoccupation with paradox and dialectic.’—Fuhito Endo, Seikei University, Tokyo.
‘Stafford shatters a common assumption about Barthes’s writing. Against the grain of the dominant strain in Barthes scholarship that views him as an aesthete whose work has little–to-no political dimension, Stafford convincingly demonstrates that the political is a key component of his work. The aesthete is dead – long live the political Barthes!’—Jeffrey R. Di Leo,Co-editor, Understanding Barthes, Understanding Modernism; Professor of English and Philosophy, University of Houston, USA; Series editor, Anthem symploke Studies in Theory.
‘Stafford brilliantly bridges the gap between a Marxist Barthes debunking bourgeois myths and a later hedonist by deploying a concept of un-dialectics thank to which his original political vision emerges, dialoguing with Lukacs, Goldmann, Thompson and Benjamin, a vision attuned to today’s preoccupations with tolerance, social justice and the question of how to “live together.”’—Jean-Michel Rabaté,University of Pennsylvania, and American Academy of Arts and Sciences, USA.
This book sets out to make a major contribution to our understanding of Barthes’s work, a contribution summarized on the book’s cover as follows: ‘the aesthete is dead – long live the political Barthes!’ The work surveys Barthes’s entire career, whilst managing to avoid being summary or reductive. The book’s discussions cover the entirety of Barthes’s 40-year career, and as such provide a useful corrective to accounts which focus predominantly on his late period. —Barthes Studies
Stafford builds his analysis of the political Barthes around dialectical relations in the French thinker's total oeuvre, work that has heretofore gone unnoticed. Exploring the intersections of critical theory, politics, and literary studies, this historically attuned book will be indispensable for those interested in 20th-century French thought in general and Barthes specifically. Stafford proves that a political Barthes is needed today to enhance fields diverse as cultural studies, film, media and computer studies, and economics. — CHOICE
