Roland Barthes' Cinema

by Philip Watts, Dudley Andrew (Editor), Yves Citton (Editor), Vincent Debaene (Editor), Sam Di Iorio (Editor)

Overview

The most famous name in French literary circles from the late 1950s till his death in 1981, Roland Barthes maintained a contradictory rapport with the cinema. As a cultural critic, he warned of its surreptitious ability to lead the enthralled spectator toward an acceptance of a pre-given world. As a leftist, he understood that spectacle could be turned against itself and provoke deep questioning of that pre-given world. And as an extraordinarily sensitive human being, he relished the beauty of images and the community they could bring together.

Product Details

ISBN-13:	9780190277550
Publisher:	Oxford University Press
Publication date:	03/30/2016
Edition description:	Reprint
Pages:	216
Product dimensions:	8.10(w) x 5.40(h) x 0.50(d)

About the Author

Philip Watts was Professor of French at Columbia University and Chair of the department from 2008 to 2012.

Table of Contents

Editors' Preface

Introduction

Chapter One - A Degraded Spectacle

Chapter Two - Refresh the Perception of the World

Chapter Three - Barthes and Bazin

Chapter Four- Another Revolution

Chapter Five - Exiting the Movie Theater

Chapter Six - The Melodramatic Imagination

Conclusion - From Barthes to Rancière?

Interview With Jacques Rancière

Nine Texts on the Cinema by Roland Barthes

Barthes and Cinema: A Bibliography

Index

Editorial Reviews

"Philip Watts' probing of Barthes' advance-retreat relationship to the movies is wise, sensitive and stimulating-in fact, brilliant. Even rarer is the warmth, clarity and goodwill he expresses toward the often antagonistic figures who championed French theory. The addition of several previously unavailable pieces by Barthes makes this an irresistible volume." —Philip Lopate, author of To Show and To Tell: The Craft of Literary Nonfiction

"Philip Watts' ground breaking work on Roland Barthes and cinema is a gift to film studies, to literary studies, and to theory. No other critic could match Watts in combining close textual analysis with historical insight. His encounter with Barthes' resistance to cinema shows a deep and refined critical vision, leavened by wit that Barthes would have appreciated." —Alice Kaplan, author of Dreaming in French: The Paris Years of Jacqueline Bouvier Kennedy, Susan Sontag, and Angela Davis

"Watts saw another Barthes besides the semiologist, the structuralist, the demystifier and the Brechtian Barthes, a Barthes who had always been in love with the image and with a particular aesthetics of daily life...."—Jacques Rancière

"this is a rich and nuanced intervention which changes how we see Roland Barthes and film."—Times Literary Supplement

"[A] series of playfully investigative essays...Roland Barthes' Cinema is an intriguing invitation to examine Barthes's work in greater detail."—Choice

"this is a rich and nuanced intervention which changes how we see Roland Barthes and film." —Neil Badmington, Times Literary Supplement

"[A] thoughtful book...Watts' approach uncovers unexpected riches in what have seemed to be minor moments in Barthes' work. The book has chapters on film and myth, on film and perception, on Barthes and Bazin, on film and utopian politics, on film theory, on melodrama...Roland Barthes' Cinema also includes new translations (by Deborah Glassman) of nine of Barthes' less well-known articles on film." — Barthes Studies

From the Publisher