Robert Bresson
This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.. The first monograph on his work to appear in English for many years dealing not only with his thirteen feature-length films but also his little-seen early short Affaires publiques and his short treatise Notes on cinematography.. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.. The major critical responses to his work, from the adulatory to the dismissive, are summarized and analyzed.. The work includes a full filmography and a critical bibliography.
"1003987567"
Robert Bresson
This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.. The first monograph on his work to appear in English for many years dealing not only with his thirteen feature-length films but also his little-seen early short Affaires publiques and his short treatise Notes on cinematography.. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.. The major critical responses to his work, from the adulatory to the dismissive, are summarized and analyzed.. The work includes a full filmography and a critical bibliography.
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Overview

This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.. The first monograph on his work to appear in English for many years dealing not only with his thirteen feature-length films but also his little-seen early short Affaires publiques and his short treatise Notes on cinematography.. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.. The major critical responses to his work, from the adulatory to the dismissive, are summarized and analyzed.. The work includes a full filmography and a critical bibliography.

Product Details

ISBN-13: 9781526141767
Publisher: Manchester University Press
Publication date: 01/04/2019
Series: French Film Directors Series
Sold by: Barnes & Noble
Format: eBook
Pages: 176
File size: 6 MB

About the Author

Keith Reader is Professor of French at the University of Newcastle upon Tyne.
Diana Holmes is Professor of French at Keele University
Robert Ingram is Associate Dean in the School of Languages and European Studies at the University of Wolverhampton

Table of Contents

Introduction
1. Bresson before Bresson
2. Le journal d'un curé de campagne
3. The 'prison cycle'
4. The last black and white films
5. Bresson and Dostoevsky
6. Sixth time lucky
7. The director as writer
8. Civilization and its discontents
Filmography

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