River of Tears: Country Music, Memory, and Modernity in Brazil
River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation.

Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.

"1101438566"
River of Tears: Country Music, Memory, and Modernity in Brazil
River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation.

Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.

21.99 In Stock
River of Tears: Country Music, Memory, and Modernity in Brazil

River of Tears: Country Music, Memory, and Modernity in Brazil

by Alexander Dent
River of Tears: Country Music, Memory, and Modernity in Brazil

River of Tears: Country Music, Memory, and Modernity in Brazil

by Alexander Dent

eBook

$21.99  $28.95 Save 24% Current price is $21.99, Original price is $28.95. You Save 24%.

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation.

Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.


Product Details

ISBN-13: 9780822391098
Publisher: Duke University Press
Publication date: 10/05/2009
Series: e-Duke books scholarly collection.
Sold by: Barnes & Noble
Format: eBook
Pages: 312
File size: 1 MB

About the Author

Alexander Sebastian Dent is Associate Professor of Anthropology at George Washington University.

Table of Contents

Preface ix

Acknowledgments xi

Introduction: Rural Music, Intimacy, and Memory 1

1. What Counts as "Country"? Rural Performativity in the Twentieth Century 29

2. Country Brothers: Kinship as Chronotope 57

3. Mixture, Sadness, and Intimacy in the Brazilian Music Field 83

4. Hick Dialogics: Experiencing the Play of Rural Genres 108

5. Teleologies of Rural Disappearance: Interpreting Rural Music 136

6. Digital Droplets and Analogue Flames: The Circulatory Matrices of Brazilian Country 162

7. Producing Rural Locality 186

8. Hicks of the World: The Country Cosmopolitan 211

Conclusion: Postauthoritarian Memory and Rurality 239

Notes 251

Discography 267

Bibliography 269

Index 285
From the B&N Reads Blog

Customer Reviews