River, Cross My Heart

River, Cross My Heart

by Breena Clarke

Narrated by Karen Chilton

Unabridged — 7 hours, 52 minutes

River, Cross My Heart

River, Cross My Heart

by Breena Clarke

Narrated by Karen Chilton

Unabridged — 7 hours, 52 minutes

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Overview

The acclaimed bestseller-a selection of Oprah's Book Club-that brings vividly to life the Georgetown
neighborhood of Washington, DC, circa 1925, and a community reeling from a young girl's tragic death.
When five-year-old Clara Bynum drowns in the Potomac River under a seemingly haunted rock outcropping
known locally as the Three Sisters, the community must reconcile themselves to the bitter tragedy.
Clarke powerfully charts the fallout from Clara's death on the people she has left behind: her parents, Alice and
Willie Bynum, torn between the old world of their rural North Carolina home and the new world of the city; the
friends and relatives of the Bynum family in the Georgetown neighborhood they now call home; and, most especially,
Clara's sister, ten-year-old Johnnie Mae, who is thrust into adolescence and must come to terms with the terrible and
confused emotions stirred by her sister's death.
This highly accomplished debut novel reverberates with ideas, impassioned lyricism, and poignant historical detail
as it captures an essential and moving portrait of the Washington, DC, community

Editorial Reviews

Barnes & Noble Discover Great New Writers
For new arrivals Johnnie Mae and her kid sister Clara, the Potomac is a seductive force. Wide and deceptively calm, the river attracts many visitors to its verdant banks. But beneath the benign surface, powerful currents carry the waters past all, colored and white, penitent and power broker. And, in Breena Clarke's River, Cross My Heart, the siren call of the Potomac can shatter lives and break hearts.

Soon after World War I, the Bynums leave North Carolina behind, bringing their young family to Georgetown, in the nation's capital, in search of greater racial tolerance and opportunity. On the cusp of adolescence, Johnnie Mae Bynum is responsible for her sister Clara's care. Amid the hustle of Washington's postwar frenzy and the bustle of the nascent African-American community, the girls find adventure. But in the nearby Potomac, they find trouble.

The danger signs are clear. Although it looks inviting, whispered stories say the Potomac has a long history of luring unsuspecting souls to a watery death. Despite the local legends, despite parental warnings, Johnnie Mae and Clara venture past the C & O Canal, beneath the Frances Scott Key Bridge, into the mouth of Higgins Hole. There, in a momentary and devastating lapse, one sister succumbs to the treacherous Potomac currents, leaving the other to carry forever the burdens of guilt, shame, and heartache.

When Clara's body is recovered from the river, Johnnie Mae's pain is acute and permanent, her sister dead and her own childhood abruptly ended. For the parents, too, Clara's drowning creates an immediate void, andtheaccident resonates throughout the family. Author Breena Clarke painstakingly describes the repeated emotional injuries generated by such a sudden loss. With the passing of Clara, River, Cross My Heart becomes ever more the story of Johnnie Mae's journey toward awareness and understanding.

Even in Washington, D.C., the physical and psychic home of America's freedoms, grim reminders of racial inequity challenge the grieving Johnnie Mae. Why are the swimming pools segregated? Who are the omnipresent "they" the older folks refer to in their myriad conversations? Why is her mother constantly obligated to her white employers and the church? In addition to the normal angst of adolescence, Johnnie Mae bears the guilt and loss of Clara's death. To Johnnie Mae, the drowning is especially galling, for she is a standout swimmer, and this ability proved insufficient when needed most.

Unfortunately, the profoundly difficult questions posed in this gallantly attempted novel are only partially answered. Nevertheless, Johnnie Mae's dilemmas are infused with passion and compassion.

Haunted by her sister's spirit, Johnnie Mae sees Clara in the oddest places. Swimming, once Johnnie Mae's secure relaxation, is forever tainted. Attempting to find solace, Johnnie Mae embraces a classmate she believes is the reincarnation of her sister. Pearl, whose hair bears a striking resemblance to Clara's, becomes Johnnie Mae's confidante. In a manner that is tender and beautiful, Clarke's portrayal of their budding friendship is one of the most memorable aspects of the book. Johnnie Mae protects Pearl from the taunts of the other schoolchildren but engages in little riffs that are indicative of sibling rivalry. She even convinces Pearl to defy the rules of the whites-only swimming pool by breaking in and taking a late-night swim. More revealing than the girls' "acting out" are the layered family and community reactions generated by their behavior.

Clarke's evocation of the "colored" Georgetown of yesteryear is fascinating. The varied cast includes Miss Ella, the medicine woman who has a concoction for any ailment, and Reverend Jenkins, the minister who helps secure a swimming pool for the "colored" children. One of the most vividly described scenes occurs when Johnnie Mae joins her mother and some of the other older women on a streetcar ride to Union Station. There, they meet the fancy Gladys Perryman, who has just completed her training at the Madam C. J. Walker School of Beauty. From the people on the street to those racing around Union Station, Washington is alive in Clarke's panoramic vision and multilayered scope.

While River, Cross My Heart brims with metaphorical significance, particularly the many references to the Potomac, the novel would benefit from a more cohesive narrative. In her debut effort, though, Breena Clarke delivers a worthwhile offering. The extensive research into the early African-American community of Georgetown is resoundingly evident, as the streets come alive. Moreover, the confident manner in which Clarke explores Johnnie Mae's inner turmoil will resonate for anyone who has had to cope with loss.

Walter Kirn

Breena Clarke's accomplished first novel River, Cross My Heart is the sluggish brown Potomac, benevolent on the surface but treacherous beneath. It's the 1920s Johnnie Mae Bynum and her sister Clara are forced to use the river as swimming hole owing to a race ban at their local pool. Things are supposed to be more sophisticated, more advance, but then the river suddenly takes the life of little Clara, which the Bynum are forced back on their durable old-country ways. Clarke has written a novel that is all about change, but gradual change: the kind that transforms people's lives while they're preoccupied with the daily chores. This story flows quietly but carves deep channels in the reader's mind.
Time

Sandra Scofield

Seldom do I find a novel that I can recommend to everyone...River, Cross My Heart fills the bill.
Chicago Tribune

Publishers Weekly - Publisher's Weekly

Debut writer and Washington, D.C., native, Clarke has written a novel as lyric and alternately beguiling and confounding as its title. It is the story of the drowning of a six-year-old child, and the tragedy's ramifications for her family and neighbors in the black area of Georgetown in 1925 D.C. Clarke's scene-building skills are the novel's strengths and occasionally its weaknesses, as each chapter is an intense set piece that sometimes provokes more questions than answers. The story is ultimately that of the effects of Clara Bynum's death on her 12-year-old sister, Johnnie Mae, who was babysitting Clara at the time she fell into the river. Johnnie Mae suffers guilt, fear and loss, endures dreams, imaginings and confusion as she sees visions of her sister everywhere: in a trauma-stung classmate who wears braids like Clara's, and the vapor from a boiling pot of green beans that resembles her sister's face. Against a felt, poignant and meticulously detailed panorama of the African-American (then called "colored") community of Georgetown, Johnnie Mae struggles to find her bearings, to cope with institutional and family expectations, and with puberty and race. Johnnie Mae ultimately derives strength from her element, the water, as she becomes a talented swimmer, but her parents Alice and Willie struggle with inextinguishable grief. From the first vivid description of the Potomac, liquid elements provide themes and narrative tension in this plangent coming-of-age story, granting the reader a necessary, if temporary, distancing from the blunt fact of a dead child. Indeed, Clarke's research about African-American Georgetown in the early 20th century revisits a time and place as intricate as any, but so remote from most memories that the historical details are fascinating footnotes to an era. While authorial asides are sometimes intrusive, this is a haunting story.

Library Journal

YA-Set in Georgetown, this poignant coming-of-age story begins with the drowning death of six-year-old Clara Bynum. Johnnie May, at 12, was supposed to be minding her the morning the children went down to the river, knowing they were not allowed to play near it, much less swim in it. The Bynums had come to Washington, DC, from North Carolina looking for a better life, and life for the colored in Georgetown in the 1920s was better: plenty of work and good schools for the children. But Johnnie May's independent spirit causes trouble from the beginning. She is always asking why-why couldn't she swim in the pool on Volta Place, right across from Aunt Ina's house? Why does she always have to mind her little sister and clean up after her? Johnnie May is a natural leader, and "knowing her place" is a struggle. The story, which follows the Bynum family and friends in Georgetown for about a year, ends in triumph as Johnnie May wins a swim meet held in the new pool built for black people. Much of the book describes Johnnie May's relationships with her mother, her relatives, and her friends, painting a revealing picture of a river, a family, and a community.-Molly Connally, Kings Park Library, Fairfax County, VA Copyright 1999 Cahners Business Information.

Holly Bass

A sweet read…sweet like homemade ice cream from a hand—cranked machine, and just as rich.
Washington Post Book World

Michael Shelden

A genuine masterpiece…full of grace and beauty and profound insights….It bears traces of Eudora Welty's charm and Toni Morrison's passion.
Baltimore Sun

John Perry

A warm, graceful first novel…with a host of well—drawn and appealing characters….Clarke brings an affectionate eye and a beautifully restrained prose to her fictional archeology.
San Francisco Chronicle

Essence

In her first novel, River, Cross My Heart Breena Clarke lets the reader share th sorrow of the Bynum family of Georgetown in 1925, when their baby, 5-year-old Clara, drowns in the Potomac River while she is on a forbidden swimming trip with her 10-year-old sister, Johnnie Mae, who feels responsible for her sister's death. Clarke skillfully limns the lives of those left behind. She makes us care about Johnnie Mae's struggles to release her burden of guilt and grow into the kind of woman her sister can be proud of. Clarke is a writer to watch, both for her brilliant use of language and her ambition in terms of subject. In her able hands, the Bynums are a family you won't soon forget.

Kirkus Reviews

An anemic first novel so well-intentioned that it's almost painful to point out its myriad deficiencies. In the mid-1920s, Willie Bynum and his wife Alice have moved from North Carolina to Georgetown, D.C., in hopes of a better life for themselves and their daughters, Johnnie Mae and Clara. They warn the girls never to swim in the Potomac River, but ten-year-old Johnnie Mae goes there anyway with a group of friends, and five-year-old Clara accidentally drowns. The novel's focus is blurred; Clarke can't seem to decide if the story is about the aftermath of a drowning, Johnnie Mae's coming of age, or the struggles of an African-American family new to the ways of the city. Unmemorable, underdeveloped characters come and go: a white woman who employs Alice; neighbors and relatives; an almost-mute girl Johnnie Mae befriends. Far too mature for a girl of ten, Johnnie Mae discovers swimming and suffers racial prejudice when she enters a competition. To demonstrate her independent mind, she and a friend sneak into a segregated pool to swim in the dead of night. None of these random events ever come together, though, and the significance of the birth of a baby boy to replace the dead Clara is never explored. Meanwhile, several chapters are little more than filler; late in the story, a beautician and her doctor admirer take up several pages, then fade away. We're told that Johnnie Mae's true father is a North Carolina Indian named Sam Logan, but this fact proves to be a red herring and is never utilized. Action is sparse, and the author lacks the linguistic facility necessary for a novel of ideas—not that there are many new ones here. Clarke's one strength is her use of seeminglyauthentic period details. Otherwise, an only fair-to-middling effort.

From the Publisher

"A compelling novel...Clarke brings to life a whole neighborhood of vivid personalities."—USA Today

"A sweet read...sweet like homemade ice cream from a hand-cranked machine, and just as rich."—Holly Bass, Washington Post Book World

"A genuine masterpiece...full of grace and beauty and profound insights...It bears traces of Eudora Welty's charm and Toni Morrison's passion."—Michael Shelden, Baltimore Sun

"A warm, graceful first novel...with a host of well-drawn and appealing characters...Clarke brings an affectionate eye and beautifully restrained prose to her fictional archaeology."—John Perry, San Francisco Chronicle

"Seldom do I find a novel that I can recommend to everyone...I'm delighted to say that River, Cross My Heart fills the bill."—Sandra Scofield, Chicago Tribune

Product Details

BN ID: 2940176307788
Publisher: Recorded Books, LLC
Publication date: 03/17/2020
Edition description: Unabridged

Read an Excerpt



Chapter One

Dangerous ideas come to life and spread like sparks on dry twigs. It could have been Lula who thought of it first. Or it could have been Tiny or possibly Johnnie Mae. Somebody said, "Let's walk on down past there. It's cooler there." The small troupe—Mabel, Lula, Hannah, Tiny, Sarey, and the sisters Johnnie Mae and Clara—never actually decided to walk to the Three Sisters. It began as an idea that one or the other had and became accomplished fact without planning. The afternoon was hot and the advancing dusk brought no relief. Heat clung to the low-hanging branches of trees and permitted no breeze to stir them. The girls' raucous laughter was not muted by the shrubbery that lined the C&O canal towpath, and the seven pairs of bare feet simply walked westward to ward the Three Sisters.

Higgins Hole is a spot on the C&O canal where colored children used to gather daily in summer and clamber over debris in order to swim. Water still sluices southward through the abandoned locks of the old canal, no longer used for muledrawn barge transportation from Cumberland, Maryland, through Great Falls and Little Falls, under Chain Bridge, and down through Georgetown below M Street alongside the Potomac River.

Gnats and wildflowers are thick on the towpath beside the canal. Some fishers after carp and catfish drop lines from footbridges over the canal or from spots nestled in the shadow of the Francis Scott Key Bridge. Water-loving trees lock boughs far above the heads of strollers on the path.

In the late afternoon on hot days, Johnnie Mae, her baby sister, Clara, and their playmates collected at Higgins Hole withtheir swimming suits on under cotton shifts. Other groups of boys and girls, older and younger, gathered there too. Some of the girls came just to stand around, but Johnnie Mae always stripped off her shift immediately, pulled on her swimming cap, and plunged into the water, stroking, cavort ing, and sponging up coolness.

Since they opened the public swimming pool for white folks only on Volta Place, right across the street from her aunt Ina's house, the pleasures of Higgins Hole were diminished for Johnnie Mae. In that public pool the water was so clear! Clara said it must be ice water. Clara said they must get big blocks of ice from the ice man on Potomac Street and put them in there. She was certain of this because the white boys and girls they saw through the fence and bushes surrounding the pool were always shivering.

The water at Higgins Hole, though not brackish, was not transparent like the water in the swimming pool on Volta Place. The canal carried the husky bouquet of decaying or ganic matter rather than the scent of chlorine. There were things growing in the canal that clouded the surface and entangled the ankles of swimmers. There were fish, and some times dead fish floated on the water's surface. Higgins Hole had begun to feel like a secondhand pair of shoes to Johnnie Mae. It was useful as a place to swim, but it was no longer special.

Below M Street, below Higgins Hole on the canal, the Potomac River looks calm and quiet on its surface but roils behind its hand. The Potomac River , brood sow for spots, rock, carp, and herring, is also a foam-bedecked doxy lounging against verdant banks, carving out sitting places and lying places and sleeping places all the way from Sharpsburg, Mary land, to the Chesapeake Bay . The Potomac River jumps mas sive rocks and roars downstream at Great Falls. Its spray shoots toward the clouds before falling quiet and running headlong toward Georgetown and W ashington and then proceeding past them.

This river is not one thing or another . It is both. The Potomac River has a face no one should trust. It is as duplicitous as a two-dollar whore. It welcomes company but abuses its guests by pitching them silly on small boats.

Legends abound that the Potomac River is a widowmaker, a childtaker, and a woman-swallower. According to the most famous tale, the river has already swallowed three sisters—three Catholic nuns. Yet it did not swallow them, only drowned them and belched them back up in the form of three small rock islands. They lie halfway between one shore and the other, each with a wimple made of seabirds' wings.

The Three Sisters is a landmark. When you say "the Three Sisters," people know you're going to tell about something that happened on the river to cause grief. And it isn't really clear whether it's the boulders or the river at that spot that causes the grief. Nobody in his right mind goes swimming near the Three Sisters. The river has hands for sure at this spot. Maybe even the three nuns themselves, beneath the water's surface, are grabbing ankles to pull down some company.

The girls were not supposed to go in the river. Parents regularly warned their children not to swim there. Alice and Willie Bynum, knowing Johnnie Mae's fondness for swimming, had warned her off the banks of the Potomac. Nobody trusts the Potomac River. It's not benign like the aqua-glass swimming pool for the white children up on Volta Place. It is not plodding and dirty like the canal. It is treacherous. It is beguiling. Just walking along the riverbank can be dangerous if you've got a worry spot or a grief stone or an anger or resentment that you can't quite name.

At first the girls stood there. Then they sat among the tall weedy grasses of the littered bank. Much of what gets discarded in Georgetown ends up here, twisted and tangled among black-eyed Susans and Queen Anne's lace. Splintered planks with nails sticking out hide in the shin-high grasses. "Watch where you steppin'! Look out there!" Lula suddenly adopted a big-mama voice and broke the hypnotic silence that had brought them wordlessly to this spot.

"Clara, look where you walkin', girl! You hear me?" Johnnie Mae's voice was an echo of Lula's—a reflex exhortation—a pit-of-thestomach reminder that they had no business here and were tempting fate just by stepping, just by breathing. The earth closest to the river edge was mud. In twos and threes—Hannah and Tiny, Mabel and Lula and Clara, Johnnie Mae and Sarey—the girls sat at the river's edge and dangled their feet in the muddy, gunmetal green water. A rotting, downed tree branch covered with terraces of toadstools jutted out from the bank diagonally into the water and provided a place to sit. Rows of ants marched back and forth along its length. Clara sat cautiously on the low end while Mabel and Lula scooted along the log until they were several feet from the bank, swinging their legs out over the water. Hannah and Tiny climbed aboard the log between Clara and the girls on the outer end. Johnnie Mae and Sarey leaned against the log with their ankles mired in cool mud. Johnnie Mae thought about the glistening girls in the swimming pool on Volta Place. Those girls sat on the sides of their pool and only dangled their ankles in the water. The slimy, cool earth banked her anger.

Mabel's sudden shrieking as she belly flopped into the river jerked Johnnie Mae back from her thoughts. Lula followed Mabel into the river and the log shifted and bucked as she springboarded into the water. Johnnie Mae bounded onto the log and ran its length, maintaining her balance as perfectly as an aerialist. She swooped past Hannah and Tiny, nearly knocking them off as she launched herself as far out into the river as possible. The water was of uncertain depth here, but Johnnie Mae was not at all concerned with depth, just breadth. It was her foolish thought that the far bank of the Potomac was within reach of her strokes. And the water was cool, blessedly cool.

Clara sat quietly, watching Johnnie Mae and the other girls. Her quiet allowed them to ignore her . She was a constant appendage to her sister and seemed content to be so. None of the other girls noticed Clara moving along the log to the high end that jutted out over the water. Hannah and Tiny slid off the log into the water, causing it to shift.

Clara maneuvered herself along the log to get a better view of the other girls. They swam together in groups, weaving in and out of each other's arms. They dunked each other's heads and cannonaded each other by slapping the water's surface. Mabel, the oldest, pulled her wet swimming suit away from her chest to show the others her nipples, tight and wrinkled with excitement and cold. The girls giggled, they laughed uproariously, they didn't notice Clara.

Johnnie Mae was obliged to remember Clara. It had been her responsibility to watch Clara ever since Clara was a baby. But Johnnie Mae's mind was elsewhere. She was, right then, considering swimming straight across the river to Roslyn on the opposite bank. It didn't look too far. It looked like some thing she might be able to do.

Johnnie Mae did not hear Clara splash into the river when the rotted log collapsed. Johnnie Mae ducked her head under the surface of the river, her shoulders following, then her back and hips. Her flapping ankles churned the water's surface. She arched her back and pulled up to the surface with long, graceful arms. The splashing sound, she thought, was her own body slicing the water.

But it was Clara's body that slid beneath the water. The fingers of the undertow swooped her. The others did not see her go down. They looked at the place on the bank where Clara and the log had been, and now Clara and the log were gone. It was as though the log were a hobbyhorse and Clara was riding it. The canopy of leaves draping the bank seemed unmoved by Clara's sudden absence. The effect was of viewing a scene through a stereopticon: The first image contained Clara and the log, and the second did not.

Johnnie Mae dove twenty times before the others realized what had happened. Johnnie Mae rose to the surface, tread water, and screamed wildly. She filled her lungs with air and she dove again. The other girls grabbed her after it became clear that she would continue to plunge. The girls grasped arms around the struggling, screaming, exhausted Johnnie Mae and drew in close around her, like petals on a daisy. Johnnie Mae thrashed against them at first, then collapsed. They swam in tandem to the bank. A white ribbon off Clara's plait floated on the surface of the river.

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