Matthew Houck's music as
Phosphorescent began taking shape in the mid-2000s, moving from freakier folk sounds early on to a more polished country-rock twang and increasingly refined production as his style matured. His eighth album
Revelator might be
Phosphorescent's most finely crafted effort to date -- it fine-tunes
Houck's combination of rusty, wistful songwriting and rich instrumentation. It's the product of years of exploration and work toward exactly such an album, with
Houck's career going from lots of touring and constant activity to a quieter, slower life.
Revelator comes six years after its 2018 predecessor,
C'est La Vie, and like that album, it was carefully put together in
Houck's home studio. Contributions from bassist
Jack Lawrence, drummer
Jim White, and vocalist
Jo Schornikow mesh with mellow strings, steel guitar touches, and on tracks like the dreamy "Wide as Heaven," some of the atmospheric sounds that defined the project's earliest days can be heard.
Houck's gift for catchy, lyrical melodies is still intact throughout the album, in particular on the title track that begins the record, and on the mid-period
Dylan-esque closer "To Get It Right." These songs take their time establishing simple but slowly built structures, sinking their hooks in as they ramp up. "Impossible House" has echoes of the rolling, wistful grandeur of "Song for Zula," a standout from
Phosphorescent's 2013 album
Muchacho, and one of the project's best known tracks. There's also a little bit of the laid-back
Jimmy Buffet influence that showed up on certain
C'est La Vie songs, in particular on the island-evoking bounce of "A Moon Behind the Clouds." While
Houck doesn't break much new ground on
Revelator, he turns in another solid installment of the
Phosphorescent story, one that's a few degrees warmer, a few shades gentler, and a little bit more comfortable than the last. ~ Fred Thomas