Table of Contents
Introduction: Performance, Performativity, Research, Method
Craig Gingrich-Philbrook and Jake Simmons
Section I: Means of Making
1. Adaptation of Literature as Method: Text, Politics, and Representation
Matthew Spangler and Humaira Ghilzai
2. Methods on My Mind in the Doing of Performance and Performed Ethnography
D. Soyini Madison
3. A Critical Method for Performing Popular Texts: The Adventures of Little Red Riding Hood as Case Study
Tracy Stephenson Shaffer
4. Personal Narrative Performance Research: The Visceral, Collaborative, and Susceptible Exploration of the Stories We Tell Others
Julie-Ann Scott-Pollock
Section II: Researching Performance Cultures
5. Disability and Performance
Donna Marie Nudd
6. Expanding Frames of Analysis in Stand-up Comedy
Dustin Goltz
7. The Ethnography of Poetry: Or, Slamming Methods
Javon Johnson
8. Performance Space and the Architecture of Experience
Nathan Stucky
9. Beyond the Bounds of the Classroom: Facilitating Student’s Public Performances
Charles Parrott
Section III: Researching Performers/Performers Researching
10. Mistranslation as Method in Artistic Research
Alys Longley
11. Performative Autoethnography: A Matterphor of Things
Tami Spry
12. Race and Social Justice: Performing the Radical Imagination
Amber Johnson
13. Critical/Performance Ethnography, Oral History Performance, and Listening: Notes on Methods for Living Research
Daniel B. Coleman
14. The Hero’s Journey: Creating a Theatre/Storytelling Performance Inspired by the Work of Joseph Campbell
John S. Gentile
Section IV: Emerging and Enduring Contexts
15. Posthumanist Performance Studies: Four Practical Assertions
Travis Brisini
16. Tourism
Rebecca Walker
17. Performance, Technologies, Ontologies: The Video Performance Does Not Stand Alone
Lyndsay Michalik Gratch
18. Navigating Place as a Performance Studies Researcher: Waypoints and Breadcrumbs
Shauna M. MacDonald
Conclusion: Observations on Performance Studies Research and Methods
Jake Simmons