Remembrance Day

Remembrance Day

by Henry Porter

Narrated by Matt Addis

Unabridged — 16 hours, 18 minutes

Remembrance Day

Remembrance Day

by Henry Porter

Narrated by Matt Addis

Unabridged — 16 hours, 18 minutes

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Overview

For Irish-born Con Lindow, it's a classic case of being in the wrong place at the wrong time. While standing outside a London tube station, he watches a bus pull up -- and explode into flames. When John wakes in the hospital, he finds himself affested as chief suspect.

To prove his innocence, staying one step ahead of both Scotland Yard and the British Security Service, Con must find the real culprit, an ingenious maniac who blames the IRA for the bombs he sets off with nothing more than a cell phone. Catapulting readers from London to Ireland to Boston and back again, Remebrance Day is an utterly gripping roller-coaster ride that careens toward a brilliantly shocking and unforgettable culmination.


Editorial Reviews

FEBRUARY 2023 - AudioFile

Narrator Matt Addis taps into his agility with accents to perform the many English, Irish, and American characters in this well-plotted thriller. The story opens with an explosion in a London tube station, where listeners are introduced to Irish-born Constantine (Con) Lindow, a research scientist who is arrested for the bombing. To prove his innocence, he agrees to work with Commander Kenneth Foyle, head of the Metropolitan Police's Anti-terrorist Unit. Chapters alternate between scenes of Foyle navigating internal politics and Lindow tracking down leads related to the true bomber. Addis uses pitch, pace, and tone to create differentiated male and female personalities. In one segment, Addis flawlessly delivers Con's speech as it drifts from his Americanized accent to an Irish lilt. The overall result is a thoroughly engaging listen. E.Q. © AudioFile 2023, Portland, Maine

Barnes & Noble Guide to New Fiction

Porter's "intriguing" political thriller introduces a fiendish new breed of international terrorists who set off devastating bombs with a single phone call. Some said, "An easy read." For others, "not enough technology for Clancy fans," and "a good book to buy if you have insomnia."

Library Journal

Irish-born Con Lindow, a molecular biologist from Boston, is in London on a research project. While waiting for his brother near a tube station, he watches in horror as a massive bomb destroys a crowded bus, killing his brother, who may have been carrying the bomb. Suspected of complicity by elements of the Security Service who have their own secrets to hide, Con soon joins forces with Commander Foyle, head of Scotland Yard's Anti-Terrorist Branch and the one man who believes he is innocent. With the clock ticking down, the two men must identify and stop a maniac before he carries out a final attack on an unknown target. This intelligent thriller goes beyond the headlines to show the inner workings of the police. Porter, the U.K. editor of Vanity Fair, weaves multiple threads, ingenious complications, intriguing puzzles, sophisticated technology, and meticulous research into a dazzling story of unusual insight that concludes with a heart-pounding manhunt. Highly recommended.--Ronnie H. Terpening, Univ. of Arizona, Tucson Copyright 2000 Cahners Business Information.\

Reese

[A] smart, intricate thriller...Thrillers are well served by diabolical killers, and in this promising first novel, Henry Porter has created a suitably unpleasant one in a British agent named Ian Rhodes...creepy and chilling...
The New York Times Book Review

From the Publisher

Praise for Henry Porter and Remembrance Day:

“Here is a spy writer whose work is becoming increasingly unbeatable.”—Independent (UK)

“Like the best espionage writers, Porter is an expert at spinning plates. We are flashed all over the world.”—Daily Telegraph (UK)

“Porter is certainly filling the gap left by Len Deighton and John le Carré.”—Evening Standard (UK)

“An espionage master.”—Charles Cumming

“Henry Porter is one of our most accomplished thriller writers. As a Fleet Street veteran with an eye for news, he mixes current affairs with precisely engineered storytelling and complex, rounded characters.”—Financial Times

“British espionage fiction is the best in the world, and Porter is part of the reason why.” —Lee Child

“Henry Porter has fast become one of the masters of the genre.”—Sunday Telegraph (UK)

FEBRUARY 2023 - AudioFile

Narrator Matt Addis taps into his agility with accents to perform the many English, Irish, and American characters in this well-plotted thriller. The story opens with an explosion in a London tube station, where listeners are introduced to Irish-born Constantine (Con) Lindow, a research scientist who is arrested for the bombing. To prove his innocence, he agrees to work with Commander Kenneth Foyle, head of the Metropolitan Police's Anti-terrorist Unit. Chapters alternate between scenes of Foyle navigating internal politics and Lindow tracking down leads related to the true bomber. Addis uses pitch, pace, and tone to create differentiated male and female personalities. In one segment, Addis flawlessly delivers Con's speech as it drifts from his Americanized accent to an Irish lilt. The overall result is a thoroughly engaging listen. E.Q. © AudioFile 2023, Portland, Maine

Product Details

BN ID: 2940176642568
Publisher: HighBridge Company
Publication date: 12/13/2022
Edition description: Unabridged

Read an Excerpt

Chapter One

He knew where he had been standing. He knew what he had been thinking before that moment. He had been thinking that he'd like to speak to the girl in the short dress and tunic, a few yards from him on the pavement. She was swinging a small backpack against her thigh impatiently. She was waiting for someone too. He smiled at her but only managed a smirk, not the look of solidarity that he'd intended, which said we've both been stood up. She ignored him and moved toward the entrance of the tube station and made a great show of peering down the stairs. A breeze came up from the underground and lifted her dress. This seemed to annoy her. She slapped it down, brushing it as if it were covered in dust, then retreated out of the draft to stand by a curved glass recess at the front of an airline office.

Con Lindow remembered thinking that the evening was warm for October, like a late-summer day in Boston. He strolled away to show that he was not trying to pick her up. He went twenty paces or so, then wheeled round back toward the station. There was a lull in the traffic and he began wondering why Eamonn was late and exactly how they would spend the evening when he arrived. Eamonn had been vague on the phone. Said they'd have a few drinks and then go on to a Latin American place somewhere north of Oxford Street. It hadn't sounded promising, but Lindow would be pleased to see him again. He imagined Eamonn shambling up from the tube station, a book and newspaper under his arm, laughing ruefully at his lateness and then turning it so that Lindow would feel a prick for being so punctual. It was two years since their mother had been overwhelmed by cancer and taken before any of them had realized she was ill. That was the last time they had met. Lindow saw the funeral -- Eamonn's wounded face in the procession of mourners that signifies a great Irish occasion.

A bus turned onto Clarence Street and slowed to negotiate a traffic island. Lindow looked at it and idly wondered if his brother was on board. He guessed not because Eamonn had said he'd be coming straight from work by underground so he wouldn't have to worry about the traffic. He'd be there by 7:15 for sure. He had been definite about that, but you never knew. He might meet someone and forget the arrangement. No, Lindow reassured himself, he would come because they hadn't seen each other for so long and it had been Eamonn who'd been pressing for them to get together. He'd be there soon enough. Lindow looked at the bus and glanced down at his watch. He remembered doing that.

It was 7:35 when the street exploded.

Lindow was lifted clean off his feet and hurled into a metal post that smacked him on the back of his neck. He was knocked out, but only for a few seconds, and came to to find that his world had been extinguished. He couldn't see. He lay utterly still, hearing the sounds that fill the first moments after an explosion. Glass loosened by the shock wave was crashing around him, stabbing his legs, and somewhere along the street there was a terrifying roar, as if a furnace door had been opened. Alarms shrieked. People began to cry out with the awful recognition of what had happened to them. Lindow had one thought: He must shield himself from the glass still falling from the buildings above. He tried to move his right hand, but it was held by something heavy. He shifted a little and freed his left arm, which was locked behind his back in a half nelson, and then wrapped it across his face. But it wasn't his face. Then he understood. He hadn't been blinded at all, but something -- some cloth -- had fallen over his face and covered his eyes. He pulled at the material and found himself looking up. It was dark and the air was filled with smoke and dust. In the night sky quantities of paper flew on the thermals from the fire. He understood now that it had been a bomb and somehow knew it was the bus that had exploded, although he hadn't actually seen the explosion and couldn't see the bus because he was facing the other way. Then the pain came, coursing from the back of his skull to his forehead and down into his eyes. He squeezed them tight and felt his stomach heave. He was going to be sick. He had to get up, had to get away. He turned his head from the post and began to check through an inventory of his parts. He wiggled his toes: They moved. He felt his chest gingerly with his fingertips, like a blind man reading braille, and progressed down to his stomach and groin, where there was a horrible sensation of dampness. He reached the belt of his trousers and touched a viscous mess. Christ, he thought, the explosion had opened his stomach. He knew injuries like this confused the nervous system, knew that his brain would not make sense of the wounds for a few moments: People got out of car crashes with injuries like this, walked a few paces then fell down dead. These would be his last conscious seconds. This was it -- everything he so desperately wanted to do, the things he thought only he could do, would never be accomplished. He readied himself for the final convulsions. Nothing came. Then he dabbed again at his stomach, probing a little deeper into the mess. There was no pain at all and -- bafflingly -- no wound either.

He heard a groan, a thick, guttural word he couldn't make out. It was a woman's voice. She had fallen across him, pinning his right side to the ground. Her tunic had flown up and covered his face, which is why he had the smell of perfume in his nostrils. Her head was very close to his, and very still.

"You hurt?" he said, and shifted his body so that she slid from him onto the stone and let out another groan.

"You hurt?" he repeated stupidly. He knew then that the blood pooled on his stomach was not his but the woman's, and that she must be very badly injured indeed.

He moved again, lifted his head, and strained to look at her. It was the girl he had been watching by the tube entrance. He sat up, propping himself against the post, and with his right hand reached over to draw back the hair glued to her face. There was an earphone that had come detached from her tape player. He pulled away, looked at her face, and saw a mass of blood on the right side with white flecks glinting in it. He thought he'd wipe it for her; then he understood that there was nothing behind the blood. No face. What he was seeing were her teeth, moving as the girl tried to cry out. Farther down her body the dress was stained and shone wet in the light that still came from far inside the airline office. Beneath her rib cage was a very dark patch. He squirmed and tried to call out, but his voice had gone. He coughed and then shouted hoarsely. No one came.

He looked about him. Down the street, about seventy yards from where he lay, the bus was on fire. He could feel the heat on his face. Flames shot from the engine, and heavy black smoke spilled like liquid from the windows. Between the billows of smoke he could make out a rupture along the flank of the bus. The rear of the vehicle had slewed round at the moment of explosion and mounted the traffic island in the center of the road. Other cars had simply stopped in their tracks, and a black cab, which had been following the bus, stood with its bonnet blown open and its front tires on fire. Around the bus there were smaller fires. Waste bins and the plastic fittings of traffic lights had ignited from the heat; bits of paneling, blown from the sides of the bus and now edged with ribbons of flame, lay in the road. He watched with astonishment as a figure ran toward the bus, vanished into the smoke at the front, then reappeared dragging something.

He couldn't remember how crowded the street had been before the bus came on the scene. He knew that a party of tourists had been filing through the stone arcade that straddled the pavement up to the corner where the bus was. Maybe they'd cleared it in time. He couldn't tell because of the curtain of smoke. Nearer to him -- just beyond the station -- what he had taken for a pile of rubbish began to move. An arm emerged from the debris and waved in the smoke; a cyclist, whom Lindow had passed minutes before, was standing up and straightening his helmet. Nearer still a man, whom Lindow recognized as the news vendor from outside the tube station, began to crawl toward them. He stopped to rest on his elbows, looked down at his hands, then felt in his jacket for something.

Lindow shouted, "Don't go any farther, you'll cut yourself." He was having difficulty finding his voice.

The man took no notice. He reached over to one of the bundles of newspapers and with a pocketknife slashed at the string that held it together, letting the newspapers sprawl over the pavement. Then, chucking the newspapers ahead of him, he made a path over the glass to where Lindow and the girl lay.

"Is she hurt bad?" he cried as he shuffled toward them.

"Yes, I think so." Lindow had cupped his right hand to hold her head so as to avoid touching her wounded face. The girl was moving in and out of consciousness, her jaw working in a slow, chewing motion.

"It's her head and stomach."

"Oh, God, look at the state of her," said the man, collapsing beside them. "Where are the ambulances?"

Lindow saw the man's leg was sticking out at an odd angle just below the knee. He guessed it was dislocated or that the tibia had been shattered. The man rolled over on his back. Then he did something extraordinary. He slid one hand inside his trousers and worked away at something, revolving his hips as he did so. Finally he shook his leg and it came off. It took Lindow several seconds to understand that this was an artificial limb.

The news vendor pushed himself up a little and looked down at his good leg. Lindow saw that the trousers had been shredded. There was a lot of blood.

"Jesus, I can't lose that one too. Bastard, bastard bomb!" he said, choking in a little tide of smoke that had crept to where they lay.

Minutes passed. No one came. But people were beginning to move about, shouting for help and trying to find each other. Lindow decided that it was no use trying to move the girl. Better to sit there with her. He leaned back on the post and put his left hand down to give himself support. He felt something soft and warm in his palm. Without thinking, he picked it up. It was a bird, a starling that had fallen stone dead from its perch above them, killed instantly by the shock wave or a splinter of glass. As he dropped it on the pavement, a line he'd once read came to him: "So easy and swift is the passage between life and death in wild nature."

He wondered if the girl would make that passage. He looked at her again. She probably wouldn't make it. With her face like that, maybe it was better that she didn't.

Someone ran up to them. It was the cycle messenger, who was speaking into a radio that was strapped to him in a shoulder holster. He was relaying details of the injuries to his control.

"There are three here," he shouted. "Three, yes. That makes at least five seriously injured that I've seen. Yeah, they'll need blood. I'm looking at a woman. She's very badly hurt. And a man with a broken leg. Everyone's cut and bleeding. It's a fucking mess, I tell you."

He said nothing to them and ran off across the street. Then a policewoman came and crouched between the news vendor and the girl. She was white-faced and on the edge of panic. She touched the girl's clotted hair with the back of her hand.

"Do you know her? What's her name?" she asked, her voice high and uneven.

"No," replied Lindow.

"I don't know her name," said the news vendor. "But mine's Harry Ribb. Can someone phone my wife and say I'm all right? She'll know I'm here right in the middle of it when she sees the news. She knows where my stand is, see."

The policewoman did not hear him. She said to Lindow, "Stay here with her. Try to keep her conscious. Have you got something to cover her with? I've left my coat with a man over there."

Lindow said that she could have his jacket. The policewoman held his shoulders as he leaned forward and helped him pull it off.

"You've got a nasty gash there," she said, looking at the blood on his collar.

They placed his jacket over the girl. The policewoman got up and glanced at Lindow. Her lower lip was trembling. She turned her head away and sucked in air, frowning with effort. The sinews in her neck were working furiously. She was fighting to control herself.

"There's help coming," she said, and hurried away with one hand clutching her belt to stop her nightstick and radio flapping.

The alarms in the street seemed to have synchronized into a single pulse. Now that Lindow knew he wasn't badly hurt, he focused on the girl and leaned down and talked to her about anything that came into his head. He told her about Boston and the campus at MIT, about skiing in Vermont and how in the summer his laboratory became so hot that he had once opened one of the lab fridges and moved a desk into its doorway. He ran on, not knowing whether she heard any of it. At one stage she became totally still, and he thought she had died. Then a fuel tank exploded down the street and he felt her stiffen. He bent down to her face and asked her name. A murmur came, but he couldn't make out what she said. Harry Ribb looked up and drubbed a fist slowly on the pavement.

Some way behind them, Lindow could hear the first ambulance make its way through the stalled traffic. He strained round to see it pull up in the middle of the road and two men get out. They ran over to a policeman, who gesticulated rapidly, showing them where the injured lay. Other people were staggering about the street now, all of them streaming with blood. Lindow shouted and waved to the two from the ambulance, but they took no notice. At length one of them came over, sliding and crunching on the scree of glass.

"You must help this woman!" demanded Lindow. "She needs help now."

The man ran a flashlight up and down the girl's body, then scribbled something on a clipboard.

"I'm sorry, sir. You're just going to have to bear with us. We're the first here, you see. We have to report back to headquarters. Give them an idea of the scale of this thing."

Lindow's temper snapped. "Look, while you're making your goddamn lists she could die. She's bleeding inside. Look at her. Look at her, man!"

"I hear you," said the crewman coolly. "But we have to do it this way. She'll be the first to be seen when the other crews arrive, I promise you that. They won't be long now. Stay here and keep her calm. It won't be long."

He hurried away to another group, where a woman was rocking over a body in the street, sending screams to the sky. Lindow was aware of a bright light tacking across the pavement. He looked round to his right to see a news cameraman who'd come from somewhere behind and was panning his camera from the wreck of the bus onto him and the girl.

"Get the fuck out of here -- can't you see?" Lindow screamed. "Can't you see what's happened to her?"

He raised his arm to protect the girl's eyes from the camera's light. But he knew in an instant that the pictures could never be shown. The light spilled across her face and body and left nothing to the imagination. No station would use it, because somewhere out there her parents would see it before they even knew she was hurt.

The light dimmed and the cameraman jerked back, unplugging himself from the eyepiece. "I'm sorry," he said, swinging the camera down from his shoulder. He walked away, shaking his head.

"Jackal, fucking jackal," growled Harry from the pavement.

Lindow decided that he must do something for the girl. They might wait all night before anyone came. He began to push himself against the post. His legs were stiff and cold, and they hurt like hell.

"Can you support her?" he said to Harry. "I'm going to get help. She won't last otherwise."

Harry moved around a little, dragging his artifical limb with him. Then Lindow eased the girl's weight slowly onto Harry's big belly. Her head flopped sideways. As Harry looked down at her, Lindow saw that his eyes had watered up and that tiny fragments of glass shrapnel glinted from the cuts in his forehead.

He stood up shakily and looked about. There were a lot of ambulances now. A white Volvo estate car with a green flashing light had just pulled up at the front rank of emergency vehicles and was disgorging what he knew must be a medical team. The street had become cold. It was beginning to rain and the team was hurriedly putting on waterproofs. He tried to run to them, but something stopped him. He looked down at his left leg and saw a piece of glass protruding from the outside of his thigh. Each time he put his leg forward, the material of his corduroys snagged on the glass, causing it to work itself deeper into the wound. Without thinking, he reached down and pulled it from his leg like a thorn and flung it into the gutter. Then he ran to the Volvo.

"Are you a doctor?" he shouted over the noise of the sirens and alarms.

"Yes," the nearest man shouted back. "Is it for you?"

"No, for a woman over here," said Lindow. "She's in a very bad state."

The doctor saw Lindow's face in the flashing light and understood that he had to go. He told one of the nurses to accompany him and signaled to the others that they should follow with the ambulances moving up the street toward the bus and the victims lying on the opposite side.

"We shouldn't be here," he said as they clattered over the glass to Harry and the girl. "The area isn't secured yet. The police say there could be other bombs. They don't know -- no warnings."

When they reached Harry, he was talking to the girl with a slow insistence about his garden and how the rain that was now falling had come too late to do any good. But there was always next year, he said, and he'd have another crack at the flower show, which he hadn't entered because of the drought.

The doctor handed Lindow a torch and told him to hold it high up so that he could see the girl as well as his bag. He was in his early thirties, Lindow's age, but with a heavier build, like a rugby player.

"Now let's have a look here, shall we?" He peered at her face then lifted Lindow's jacket to look at her stomach.

"What's her name?" he said, moving his head from side to side. "Hold the torch over here, man. Here!" He pointed to the place with the finger of his surgical glove. Then he lifted the dress and got very close to the gash below her rib cage.

"What did you say her name was?"

The girl tried to speak.

"I think it's Kay," said Harry. "She was saying something like that just now."

"Right, Kay. We're going to have you in hospital in no time at all. I want to examine you a little more and then I'm going to give you something to ease the pain. Okeydokey? Good. You're going to be fine. Hold on there, Kay." His expression said otherwise.

A nurse arrived and set up a light, then a fragile stand, on which she hung a container of fluid.

"We need to get a line into her," said the doctor, "and we'll give her a shot of morphine straight away."

The nurse held a syringe up to the light, pressed the plunger until the liquid spurted out and gave it to the doctor. Still squatting, he maneuvered to the girl's left side, felt for her buttock and rubbed it vigorously. He eased the syringe into the flesh and waited for a few seconds while it emptied. His eyes met Lindow's.

"What do they think they are doing?" he said quietly.

"What's she ever done?"

Almost immediately, the girl relaxed and her head fell back into the crook of Harry's arm. Harry braced it with his free hand and looked away. He couldn't take the sight of her face.

The nurse inserted the drip of Hartman's blood substitute into the girl's right arm and then attached leads from the ECG to an area clear of laceration just above her right breast. The girl was breathing regularly, but the doctor looked worried. He leaned down close to her face.

"Kay, we're going to move you very soon. Hang on there."

He stepped away and spoke to the nurse. "Her liver may be pretty badly damaged. She's bleeding inside and there's a lot of glass in her. Get David Peretz on the phone and tell him I'm sending her to him. Explain her injuries. I'm going to get one of those ambulances."

The nurse pulled the hood of her waterproof over her head and stood up. The rain was coming down hard now. Lindow shivered. She jabbed the number of the hospital on the mobile phone and put it to her ear inside the hood.

"Can you do this for me?" she shouted to Lindow. "You don't need the number. Just keep pressing redial. I'll get these bandages on her."

Lindow tried several times but failed to get through.

"I'm doing something wrong here," he said. "I can't seem to get a line."

"There probably aren't any lines. The cell antennae will be blocked with calls from the media and people phoning to say they're okay. They keep the lines open and no one else can get on the network. It's always the same. We'll have to patch a message through the ambulance radio." While she spoke, she ripped surgical pads from their wrappers and pressed them lightly to the girl's stomach and face. She unraveled a bandage around her head to hold one of the pads in place.

The doctor came running back with two ambulance crews, one for the girl and the other for Harry. Lindow wondered why they hadn't brought their vehicles up to the spot and then realized that they couldn't because of the certainty of punctures from the mass of glass.

Kay was lifted onto a stretcher and moved swiftly to an ambulance. The doctor and nurse went with her, he to use the radio and she to carry the bottle of fluid. The second ambulance crew began working on Harry, whose face was now covered by an oxygen mask. They wrapped his leg in a suction cast. As they prepared to carry him away, he pulled the mask from his face and told them drunkenly not to forget his artificial limb, which had been moved to one side by the crew and was now lying incongruously on the pavement. Lindow picked it up together with his own jacket and followed them to the ambulance.

Before climbing in to sit by Harry, he looked toward the wreck of the bus, which was crackling and steaming under the firemen's water jets. He hadn't seen the firemen arrive. They must have approached from the other direction, but now five or six hoses arced over the bus and filled the street with a spray that was pooling in a great orange lake. The bus's superstructure had almost completely burned away, although odd bits of metal remained sticking up like antlers. The back of the vehicle had collapsed as the tires burst, and it squatted down, still burning, on the traffic island.

Lindow looked at his watch. It was 8:30, near enough an hour since the bus had turned the corner onto Clarence Street.


Commander Kenneth Foyle, head of the Metropolitan Police's Anti-Terrorist Branch, had taken his first day off in nearly three weeks to watch the appearance of his daughter at a magistrates' court in the West Country. Along with thirteen others, she faced charges ranging from obstruction to criminal damage. Katherine Foyle was part of a group protesting against the building of an agricultural research center in the West Country. At dawn on the previous day, the police and security men employed by the local authority had moved in on the camp around the new laboratories, and Katherine had been hauled from the scene by two security guards. He knew this much because he had seen his daughter's picture in the following day's tabloids. He telephoned the Somerset police to discover that she had been charged with obstruction and threatening behavior and been locked up overnight. Katherine! Threatening behavior! He knew her better.

Foyle rang New Scotland Yard to tell his assistant, Graham Forbes, that he had family business to attend to and would not be in that day. He hadn't been any more explicit than that and hoped that no one at the Yard would recognize Katherine's photo in the newspaper. Then he had dismissed his police driver and made the 150-mile journey to Somerset in his own car, reaching the court in time for Katherine's hearing. He asked if he could speak for his daughter and then assured the magistrates that she would not break the law again. The bench nodded in unison, not without some sympathy, and gave her a fifty-pound fine for each offense. Foyle paid by check on the way out of the court.

He minded terribly about it all, but as he drove back to Katherine's digs in Bristol, he tried to avoid mention of the protest and her first night in police custody. He'd forgive Katherine anything, for he held himself responsible for so much of her turbulent nature. There was a lot of him in her. When she was growing up, he had been away, running undercover operations for the Drugs Squad and then a succession of investigations into organized crime in the capital. But now that he had got where he wanted -- heading SO 13 -- his family seemed to have disintegrated around him. June had decided to make her own life. As Katherine was preparing to leave for Bristol University a year ago, June had told him over an anniversary dinner that she would now be spending much of her time away from the home researching her doctoral thesis. When she was not bottom up in some desert burial ground, she'd be writing and lecturing at a university in the Midlands. She'd told him she'd finance herself with the money left from her father's will, then added crisply that she was not ending their marriage, but suspending it. Foyle didn't quite know what that meant. He was less certain in these matters than he was about police work, and so had decided to put up with the arrangement and get himself a housekeeper.

"Heard from Mum?" he asked Katherine.

"No, you?"

"Not for a while. When does she get back from Jordan?"

"Mid-November, or when it starts raining there." Katherine looked out her window at the bank of black cloud that smothered the last light in the West. A silence ensued while she picked at some mud on her jeans.

"Did you really threaten that police officer, Katherine?"

"Kate! I'm called Kate now, Dad. I just prefer it, if that's all right."

"Okay, sorry...Kate! Did you take a swing at him, like he said in court?"

"No, course not. I was only there visiting my friend. I was going back today anyway. I didn't touch him."

"I saw. Your picture was in the papers."

"I know, they showed it to us in the cells. I'm glad Mum didn't see it," she said, looking conspiratorially at her father.

"It's not funny. You've got a criminal record now. That could count against you. It matters, Katherine...Kate."

She laughed. It didn't seem to worry her remotely.

"Tell me something," said Foyle. "What have you got against this agricultural center, and why now for goodness sake? There's nothing growing at this time of year."

"Dad, you know nothing about the subject, I mean about the release of rogue genes into the natural world. It's very serious. They're sowing a new variety of genetically engineered winter cereal for next year's harvest. That's why we were there."

Ten miles from Bristol, they stopped at a steak house, where Foyle insisted that she have a proper meal because he thought she looked undernourished. He studied her as she read the menu. She had inherited his big-boned frame and dark looks, which came from his Cornish grandfather. But her hair was less wavy, and happily she had not been endowed with his weathered complexion, nor his nose, which in profile looked a little like the Duke of Wellington's. He also knew that she had taken on some of his mannerisms. June often remarked that they made the same the quick, expressive movements with their hands.

After a glass of red wine, Katherine became chatty and asked him about work, something he never encouraged, partly because there was so much he couldn't talk about; but mostly because he didn't trust the company she kept. To his mind, the fringe that included road protesters, animal rights activists, and crop burners, of which Katherine was now apparently a member, were not too many degrees saner than the terrorists whose profiles filled his computers at New Scotland Yard.

"I hope you don't talk about my job to your friends," he said.

"Course not, Dad. I'm not very likely to admit there's filth in the family." She saw that he'd been stung. "It's a joke, Dad. Seriously, how's it going?"

"It's not too bad, but we have to keep on our toes. I could show you faces of a hundred men -- and women -- who desire nothing more than to spray London commuters in the face with anthrax. And there's still plenty of potential in Ireland -- still the guns and explosives, still the men. It's a way of life for some. It gave people a living and a sense of purpose."

"Not unlike you, Dad," she said, looking up slyly from her salad.

Foyle rose to the bait. "The difference -- if you really need me to spell it out, Kate." He couldn't get used to the name. It made him feel as if he were talking to someone else. "The difference is, I'm appointed by a public body and what we try to do is save lives and enforce the laws that have been made by democratically elected representatives. And, second, if it was all to stop suddenly, I'd be more than content to go back to catching your run-of-the-mill villain. I really miss the neatness of a straightforward murder."

"Dad, don't be so serious. I was teasing."

He smiled. They passed the rest of the meal talking about Katherine's hope of changing courses. She was fed up with the drama course and wanted to do law.

At 8:00 P.M. Foyle began to look at his watch. He had to drop Katherine at her flat in Bristol and then drive on to London. It would be three hours before he was home. He signaled for the bill to the three waitresses who were talking over by the bar. They were engrossed and didn't notice him. He began to rise, at which point the woman who'd served them came over with apologies.

"I'm sorry, sir, they were just telling me about that bomb. It's terrible when we thought that was all over."

"What bomb?"

"The bomb that's gone off in London, sir. Some people are dead, they think. It was on a bus."

"Where's the phone?" He cursed himself for not taking a mobile or a pager. Why hadn't he called in to the office? He dialed his assistant's direct line. Graham Forbes picked up on the second ring and gave him the details. Foyle hurriedly wrote on the back of his checkbook, then he asked the waitress to arrange a cab to take Katherine back to Bristol, paid the bill, and gave Katherine a check made out for three hundred pounds.

She hugged him as he left. "Dad. Thanks. Love you."

Unaccountably, Foyle blushed. He looked at her hard. "Keep in touch, Katherine -- and out of trouble."

"Kate!" she said.


"Where do you come from, sir? You sound American."

Lindow had given his name to the man in the hospital but didn't feel like answering the rest of the questions. He shifted sideways on the stretcher and collapsed his left arm over his face. The strip lighting of the emergency department at St. Luke's hurt his eyes and the back of his head was pounding. A little while before, he had felt faint and asked a nurse if he could lie down. Now he was grateful for the pillow.

"I've been in the States for a long time," he said groggily. "That's why I've got an accent."

"So you're on holiday in London, sir?" his interrogator asked. He was a young man, but stout for his age, with fleshy cheeks and small, greedy eyes. His hair was damp and fell over his forehead in oily, wet locks.

"No, no, I've come to work here. What do you need to know for?"

The man ignored him. "So, if you're not American, where do you come from?"

"I'm Irish," said Lindow.

The man looked down at Lindow hungrily, as though he were some kind of quarry. Lindow sensed that he was waiting for him to expand, but he didn't feel like obliging him. Anyway, who the hell was he, asking these personal questions?

"So you're Irish and you're working here," said the man. "What do you do, sir?"

"I'm a molecular biologist. I've just come here to do research at Imperial College."

"Genes and that sort of thing?"

"Yes, but it's a little more complicated than that," said Lindow wearily.

"You're a researcher in genetics?"

Lindow began to explain that this wouldn't be strictly accurate and then stopped.

"Who are you, anyway? Why does the hospital need this sort of information now? Surely it can wait."

"Oh, didn't I mention it?" said the man, straightening to go. "Richard Abbott-Tring -- Evening Herald." He touched Lindow's hand with four chubby fingers. "You've been most helpful, sir. Now, take it easy. You've been through a terrible ordeal."

He departed with a hasty, self-important waddle. A clipboard that he had been holding behind him was now pressed to his chest.


Half an hour passed before Lindow was seen by a doctor. She peered into his eyes and examined the wound on his head. Then she kneaded his stomach with expert fingers and took a cursory look at the cuts on his legs.

"You've been very lucky," she said, feeling the rest of his head. "We'll X-ray this head of yours just to be on the safe side and then get the cuts stitched and give you a painkiller. The nurse says you've been feeling faint, so I think it's best if we keep you in overnight. How are you feeling otherwise?"

"Just tired."

"That's understandable. You rest here and somebody'll be along shortly to take more details."

He didn't rest. The noise and light of the emergency department reverberated in his head. He couldn't think straight, which was an unpleasant novelty. He struggled to order the last couple of hours in his mind, but all he could do was replay a stream of images from the street. After the bomb exploded, he'd been plunged into a limbo -- lodged between earth and hell. He remembered the brush-fire heat of the burning vehicles and the coldness of the paving stones. He remembered the smell of burning rubber and fuel, and, before that, a bitter odor he assumed was the explosives.

Yes, he'd been looking at his watch and waiting for Eamonn when the bomb had gone off, and then he'd been with Kay and Harry and the medical team had arrived, and then Kay was taken away half-dead. Now he was here in hospital and pretty much in one piece. Shaky but nothing like that poor girl with her face. He couldn't stop seeing the moment when he'd lifted her hair that first time. God, he thought suddenly, where the hell was Eamonn? What had he been thinking of? He must get up and telephone him.

He dropped his legs from the gurney. A nurse came scurrying up to him.

"Not so fast, Mr. Lindow, we're going to take you to X ray now, and then we'll deal with these cuts." She held his head with both hands and peered at the gash. "Goodness, you need this seen to, don't you? So pop your legs back up there and we'll wheel you in now."

"Yes, but you don't understand. I must call my brother." He was surprised at how loud and panicky he sounded.

"Look, I'll see if one of the girls on reception can telephone him and let him know where you are. Then you can talk to him yourself a little later."

Lindow fished in his wallet and gave her the piece of paper with Eamonn's number on it. She signaled to a porter to wheel him away. X ray took a matter of minutes, then he was moved to have his cuts stitched and dressed. He watched with interest as his trousers were cut off by another nurse, leaving a patch of material that had dried into an open wound on his leg. While the material was being soaked off with warm water, the nurse who'd taken Eamonn's number returned with the piece of paper and said no one had answered. There was a machine on and the woman had thought he'd prefer to leave the message himself, so she'd hung up.

"There'll be a telephone upstairs in the ward," she said brightly. "You're being sent to the Liskeard wing. That's where the private rooms are, so you'll have everything you need. Liskeard is the lap of luxury."

Within a quarter of an hour he was lying in a private double room with a young black man whose hands and right eye were bandaged. The ward sister said he had been thrown into a window by the explosion. He raised a bandage in greeting and introduced himself as Clovis Cox.

"Fuckin' mess this. Fuckin' mess!" said Cox after mumbling to himself. "Know what I mean? They got no fuckin' right."

He turned his head through a complete right angle to look at Lindow with his left eye. "You straight? You not a policeman, nor nothing?"

"No," Lindow said. "I'm not a policeman."

"Not a policeman?"

"No, I said."

Cox relaxed. "Okay. Will you do somethin' for me? See the jacket over there. That's my jacket and in the linin' you'll find Charlie. Take the bag out and make me a line on this tray here. Then you throw the stuff out the window."

Lindow considered Cox's face. "Is Charlie what I think it is?"

"You know, Charlie!...Cocaine! Coke, powder, snow, blow. Get the bag and gimme some. I can't get into the linin' nor nothing with these." He held up his hands for inspection like a heavyweight boxer before a fight.

"You mean you're going to snort that stuff without the slightest idea what other drugs are in your system?" asked Lindow.

"That's exactly what I'm going to do."

"No."

"Come on, man. It's pure stuff. I missed my connection tonight and there's no other use for it. See what I'm saying?"

"No."

"Okay, okay. Just get the stuff and throw it away -- out of the window. Now, please, man. I'm asking you. If the nurses find it, I'll be doing time again." He gurgled a laugh.

Lindow thought for a moment. Without a word he got off the bed and went over to the jacket. He felt around the hem, then retrieved the bag through the ripped inside pocket. Without looking at it, he opened the window and shook the powder out before letting the bag go in the draft gusting up the side of the building. As he closed the window, a nurse came in and asked what he was doing.

"Just getting some air, Nurse." Lindow smiled at her. "Do you have a phone I could use? I need to speak to my brother."

As he left with the nurse, Clovis Cox winked at him with his good eye.

He read Eamonn's number from the piece of paper, dialed, then heard a message. "If that's you, Mary, we'll be at the Lancaster Arms until about eight-thirty. Then we'll go to a restaurant called Sam Samosa's on Kellet Street. See you there. Anyone else who's calling, leave a message with your number."

Lindow spoke into the telephone. "Eamonn, it's Con. Had a bit of trouble with the bomb in the West End. Nothing to worry about. A few cuts and bruises, that's all. I'm in the Liskeard wing at St. Luke's. But I'll be out tomorrow and I'll call you then. Hope you're having fun there."

He hung up. He wondered why Eamonn wasn't in. He'd probably gone to the pub, knowing that he'd never find Con in the chaos of the West End. Perhaps he had met this Mary and was already lying in her arms. But surely even Eamonn was not capable of being so unconcerned. After all they had arranged to meet right where the bomb had gone off. Lindow turned back down the corridor. On the way, he stopped by the nurses' station, where the television news was on. An agitated reporter was talking to a studio interviewer, brushing her hair aside and tripping over her words. She looked down at her notes: "The latest figures we've been given are that seven people have lost their lives in this explosion and forty-five people have been injured, eleven of them seriously. Police say that no warning was received and that the bomb exploded on the bus as it was moving. In the light of the Irish Peace Agreement, they're not prepared to speculate about the origin of the bomb, or which group planted it. Police say that as yet no organization has claimed responsibility. It is understood that the Prime Minister has already spoken to the Irish premier and all sides of the Northern Ireland Assembly. All parties, including Sinn Fein, have agreed to await the outcome of the investigation."

Lindow returned to the room where Cox lay asleep, propped up on the pillows. Some sandwiches had been left on a tray with a glass of orange juice. He drank the juice -- an unchilled soup of vaguely citrus origin -- then peeled back the bread of the sandwiches to inspect the tuna filling. He decided against them and climbed into bed. He switched off the reading light and lay in the dark with his eyes open. Tomorrow he'd go back to his new laboratory at Imperial. Life would begin again and he'd resume his inquiries into the discreet messages transmitted between bacteria. The bomb would become yesterday's disorder and soon it would be folded up in the past like the other explosion -- the one that long ago rumbled through an Irish summer dawn, blowing a crater in a church graveyard. He'd left that behind, and he'd do the same this time.

His last thought before slipping into a fitful sleep was to wonder where the hell Eamonn was. Odd that he wasn't home by now, odd that he hadn' t tried to contact the hospital. God, he hoped he was all right.

Copyright © 1999 by Henry Porter

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