Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015
Houses, in the Argentine and Chilean films of the early twenty-first century, provide much more than a backdrop to on-screen drama. Nor are they simply refuges from political turmoil or spaces of oppression. Remaking Home argues that domestic spaces are instead the medium through which new, fragile common identities are constructed. The varied documentary and fiction films analyzed here, which include an early work by Oscar winner Sebastián Lelio, use the domestic sphere as a laboratory in which to experiment with narrative, audiovisual techniques, and social configurations. Where previous scholarship has focused on the social fragmentation and political disillusionment visible in contemporary film, Remaking Home argues that in order to understand the political agency of contemporary cinema, it is necessary to move beyond deconstructive critical approaches to Latin American culture. In doing so, it expands the theoretical scope of studies in Latin American cinema by finding new points of contact between the cultural critique of Nelly Richard, the work of Bruno Latour, and theories of new materialism.

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Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015
Houses, in the Argentine and Chilean films of the early twenty-first century, provide much more than a backdrop to on-screen drama. Nor are they simply refuges from political turmoil or spaces of oppression. Remaking Home argues that domestic spaces are instead the medium through which new, fragile common identities are constructed. The varied documentary and fiction films analyzed here, which include an early work by Oscar winner Sebastián Lelio, use the domestic sphere as a laboratory in which to experiment with narrative, audiovisual techniques, and social configurations. Where previous scholarship has focused on the social fragmentation and political disillusionment visible in contemporary film, Remaking Home argues that in order to understand the political agency of contemporary cinema, it is necessary to move beyond deconstructive critical approaches to Latin American culture. In doing so, it expands the theoretical scope of studies in Latin American cinema by finding new points of contact between the cultural critique of Nelly Richard, the work of Bruno Latour, and theories of new materialism.

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Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015

Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015

by Paul Merchant
Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015

Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015

by Paul Merchant

Hardcover(1)

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Overview

Houses, in the Argentine and Chilean films of the early twenty-first century, provide much more than a backdrop to on-screen drama. Nor are they simply refuges from political turmoil or spaces of oppression. Remaking Home argues that domestic spaces are instead the medium through which new, fragile common identities are constructed. The varied documentary and fiction films analyzed here, which include an early work by Oscar winner Sebastián Lelio, use the domestic sphere as a laboratory in which to experiment with narrative, audiovisual techniques, and social configurations. Where previous scholarship has focused on the social fragmentation and political disillusionment visible in contemporary film, Remaking Home argues that in order to understand the political agency of contemporary cinema, it is necessary to move beyond deconstructive critical approaches to Latin American culture. In doing so, it expands the theoretical scope of studies in Latin American cinema by finding new points of contact between the cultural critique of Nelly Richard, the work of Bruno Latour, and theories of new materialism.


Product Details

ISBN-13: 9780822946908
Publisher: University of Pittsburgh Press
Publication date: 01/11/2022
Series: Illuminations Series
Edition description: 1
Pages: 256
Product dimensions: 7.00(w) x 9.00(h) x 1.30(d)

About the Author

Paul Merchant is lecturer in Latin American film and visual culture at the University of Bristol. He is the coeditor, with Lucy Bollington, of Latin American Culture and the Limits of the Human.

Table of Contents

Acknowledgments ix

Introduction 3

1 Reassembling the Domestic Archive Ignacio Agüero Gustavo Fontán 47

2 Modernism, Modernity, and their Outsides El hombre de al lado La Sagrada Familia 86

3 Labor Unhoused Mitómana Réimon 126

4 Guest or Intruder? Una semana solos Las cosas como son 177

Conclusion 220

Notes 233

Bibliography 257

Index 279

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