Publishers Weekly
04/13/2020
Talking Heads drummer Frantz delivers a bright memoir that reads more of an entertaining greatest-hits compilation than complete life chronicle. He discusses his early musical influences (R&B, Fela Kuti, and Kraftwerk) and how the band first came together in 1973 at the Rhode Island School of Design as a herky-jerky art-rock trio called the Artistics, with singer-songwriter David Byrne and bassist Tina Weymouth (whom Frantz later married). The band moved to Manhattan the next year and its burgeoning punk music scene, where, Frantz notes, the Talking Heads “were not afraid to appear straight.” His account of their 1977 Europe tour with the Ramones, studded with set lists and bright detail, is particularly thrilling (“we were post-punk before there even was punk”). In 1991, the band broke up when Byrne left. (Frantz writes of Byrne’s self-aggrandizement and suggests he is on the spectrum.) Later sections on Frantz and Tina’s epochal dance-band, Tom Tom Club, and their time recording and producing in the Bahamas, are replete with fun cameos (the Clash, Robert Palmer, Grace Jones). Fun, cheerful, and eventful, this memoir has just the right amount edge. (May)
From the Publisher
Remain in Love] has great storytelling and amazing detail about adventures that Chris and I have shared in our parallel universes. As the Brits say: I'm gobsmacked. I devoured this book and all the memories and all the love Chris has for Tina . . . . One of the most potent examples of living the dream.” —Debbie Harry
"From the first time I saw Talking Heads live (CBGB, 1976), I've had a huge thing for Tina Weymouth. And since then I've been biding my time, waiting for the right moment to make my move. But after reading Remain in Love by Chris Frantz, it's become pretty clear to me that she's already in a relationship (see pages xi, 3, 33-34, etc.), and what's more, it looks to be serious (pages 41, 43-48, and especially 147). But you know something? That's OK. I'm happy for Tina, and for Chris, a great drummer who has written a great book." —Bill Murray
"A music memoir that is as much about love as music. [Remain in Love] is a gold mine for fans of the 1970s and '80s music scene." —Kirkus Reviews
“Electrifying. Remain in Love is possibly the most uxorious rock ’n’ roll memoir ever written…” —Wall Street Journal
"Fun, cheerful, and eventful, this memoir has just the right amount of edge." —Publishers Weekly
“This swift-paced, well-written book has the upbeat tone of dreams coming true. Frantz conveys the excitement of his adventures from boyhood to art school to international rock-stardom with honesty and enthusiasm . . . . I dare any drummer to write a better book!” —Duncan Hannah, author of Twentieth Century Boy
"While [Remain in Love] does offer a vivid backstage glimpse of New York’s downtown scene in the ‘70s and beyond, what sweetens the read is that even after all these years, the torch Frantz carries for his spouse could still burn down the house." —O, The Oprah Magazine
“Frantz’s absorbing, vivid book will reward Talking Heads fans and those interested in the postpunk and 1980s music scene.” —Library Journal
“Heads and drums and funk and roll: herewith Chris Frantz outs himself as a Writing Head and Raconteur First Class, bringing it on an engaging narrative which combines an enchanting love story with an eye-opening disquisition on the upsides and downsides of being in bands with unusual people.”
—Charles Shaar Murray, author of Crosstown Traffic: Jimi Hendrix and Post-War Pop
“Crackling with verve, comedy, calamity, crisp detail, forward motion, and abiding affection, speckled with an all-star cast of punk legends and pop idols, Chris Frantz's Remain in Love is a rock music memoir like none other—a candy kiss with a kick to it.” —James Wolcott, author of Lucking Out
Library Journal
04/01/2020
Mixing punk, new wave, pop, dance, and world music, Talking Heads were one of rock's great innovative bands as well as commercial and critical genre favorites in the later 1970s and 1980s. Here, drummer and cofounder Frantz recounts his own life and the band's story in a rich, entertaining memoir. Frantz met his future bandmates David Byrne and Tina Weymouth (whom he married) at art school in Rhode Island, and, along with Jerry Harrison, Talking Heads performed early gigs in New York, eventually recording albums and touring Europe with the Ramones. With an eye for detail, Frantz presents sharply drawn pictures of the nascent punk and postpunk world of New York City, life on the road, and, later, the work he and Weymouth did in their group Tom Tom Club. He blends thumbnail portraits of notables he met with tidbits about daily life that charmingly meander from food to travel. VERDICT Frantz's absorbing, vivid book will reward Talking Heads fans and those interested in the postpunk and 1980s music scene. [See Prepub Alert, 11/11/19.]—James Collins, Morristown-Morris Twp. P.L., NJ
Kirkus Reviews
2020-02-09
A music memoir that is as much about love as music.
Frantz’s highly detailed, “true inside story” begins with a pleasant boyhood. Born to a military family, he moved around, went to good schools, enjoyed listening to music—especially the Beatles—played drums, and joined various bands. While attending Rhode Island School of Design, he met fellow art students Tina Weymouth, his future wife, and the aloof David Byrne, who, Frantz writes, “got into music to get out of himself.” Weymouth and Frantz helped Byrne write lyrics for “Psycho Killer,” and Frantz wrote “Warning Sign,” which Byrne later took sole credit for. Throughout, the author offers a devastating portrait of Byrne as a back-stabbing liar who aggrandized himself while disrespecting his band mates. Their first band, the Artistics, played some venues, and they moved to New York’s Bowery in 1974, where they got a regular gig playing as Talking Heads at the CBGB club, their all-time favorite venue. A keyboard player, Jerry Harrison, formerly of Modern Lovers, joined them. The star-struck Frantz began meeting people like Patti Smith, John Cale, Debbie Harry, Lou Reed, and Andy Warhol. Throughout the narrative, he proves to be an inveterate name-dropper. Frantz describes the band as “pioneers” in the “Punk/New Wave/Post-Punk music” scene. In 1976, they played 76 gigs. At this time, Byrne wanted to kick Weymouth out of the band, but as the author rightly notes, her inventiveness on bass “was one reason Talking Heads sounded so unique.” In 1977, they recorded their first album and toured Europe with the Ramones. Afterward, Frantz and Weymouth got married. Though not the most elegant stylist, the author offers entertaining stories about Stop Making Sense, Jonathan Demme’s documentary about the band; the origins of the Tom Tom Club; Byrne’s big white suit; and the day, in 1991, Byrne “sneaked out of Talking Heads.”
Although written in mostly colorless prose, this is a gold mine for fans of the 1970s and ’80s music scene.
